By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Last time I mentioned that even if we saw the occasional good noble, we always had tons of evil nobles to go around. That also applies to mercenaries and military. John does meet the occasional good person, and gets along with them. But his power of being the main character means that assholes tend to flock to him, because this series has an agenda and that agenda is “stop saying you’re going to tell your mom”. Every terrible noble in this book seems to have one go-to out, which is “I am the child of an important person and if you don’t do everything I say, I will tell on you and your life will be ruined”. The sad thing is this usually works, as it’s very easy to punch down in the world John lives in. Fortunately, in this volume we also see a few who see how well that works and try to do it WITHOUT the actual family connections. They just lie. It doesn’t go well.

Despite taking up so much of the cover that she starts to obscure the title, the Empress only gets a side story at the ed of the book, possibly to justify the art. For the most part, though, this book functions like the other one does. John takes a job, does the job, sometimes has to have a cool space battle, dumb arrogant assholes hate him, smart people who don’t judge by appearances are impressed with him, then he goes home and buys up otaku stuff. Two things stand out in this book: first, after a near miss where his dad almost ends up in debt again, John goes to visit his family, who are mostly what you’d expect. The other is that starting from the 6th book, things may take a different turn. The anti-imperialist pushback has been getting louder every book, it’s being helped along by enemy agents, and now we’re finally arriving at war.

There was an amusing yet also educational part of the book, reminding me a bit of the “People’s Front of Judea” part of Life of Brian, where John and Gonzales discuss the different anti-imperial factions and how they all have slightly different aims but also all have the same “the Empress must go” endgame. The book also does “having your cake and eating it too” better than most – as with other entries in the series, the art is very much showing you how many women orbit John’s life, how many of them have huge breasts, and how often they like to shower or bathe. The art is here to draw in readers. Then they get there, though, they find a world where any woman who tries to do her job ends up harassed by endless guys asking for sex wherever they go. Even teaming up with other women may not help, as this means having to deal with women who also fall under the ‘asshole’ umbrella. The Empire may be a poor way of running a world, but I have no confidence any of the other factions would run it any better, and they’d likely be worse. It’s tough to be a woman in this series.

All this plus a SURPRISE REVELATION, which I will leave unspoiled. Will John be drawn into war? Will he be forced to have an emotion? Will he realize how much Fialka wants to jump his bones? We’ll see. In the meantime, enjoy your not-safe-for-public-transit volume.

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

This was a stronger volume of Dorky NPC Merc than the third one, despite the fact that John is generally in far less danger throughout. I don’t really need him in peril here, though it is nice to occasionally see him struggle. But for the most part we read this to see him do a lot of cool space battle things, and then react to most of the aftermath with a sort of flat stare. It’s just the sort of guy he is. Aside from that, this series has one agenda, and it’s “rich arrogant nobles suck”, and it gives you a lot more of that here. That said, like most of these series which do not want to bite the hand that feeds them, it’s only the BAD nobles that are terrible and deserve death. The good nobles, like, say, the Empress who rules, are absolutely fine. THEY don’t treat people horribly. But fear not, that still leaves lots of terrible failnobles to go around.

After then events of the last book, John spends the start of this volume getting himself a new ship, which basically seems to be “my old ship only newer and with better radar and a better ability to store my doujinshi”. Unfortunately, the noble rebellion that’s been hinted at for a while finally starts, and martial law is declared as the mercenaries are all called in to fight for Empress and country. This goes better than you’d expect – the Empress is acting a bit less competent than she actually is to lure out bad nobles (I’m not sure if her “tits out” royal outfit is also meant to obfuscate, but I suspect it’s just part of the artist’s vibe), and the rebels think they have a mole when in fact he’s being a double agent and has betrayed them all. After this, a lot of now disgraced nobles turn to piracy, so John spends a lot of time tracking them down and basically doing his job for money.

As with Book 3, there’s less overt romance here. First Girl Fialka still seems to be the only one who has extended interaction with him, though her default tsundere state makes things difficult. And Second Girl (and default “childhood friend”) Scuna sees him carrying out an investigation by borrowing a prostitute’s bedroom and gets the wrong idea. The most interesting part of the book is the rebellion – we get the POV of a few noble families who are essentially being blackmailed into doing this, and there’s mention of a horrible financial penalty to all who participated but were coerced in the rebellion – though this too turns out to be a ploy by the Empress. I have a sneaking suspicion, especially after she and Fialka have a relatively friendly meetup at a noble reception, that the Empress is going to meet John pretty soon, and may end up dragging romance back into things. Over his dead body, of course.

This is never going to be required reading, but if you’re bored with fantasy isekais, and would like a bit of space opera that manages to avoid being a misogynistic hellhole, this is a good choice.

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

We’re starting to get a bit of an overarching plot for this series, though for the most part it is still fairly episodic, showing us John taking a job, John doing the job, the complications that set in, and the aftermath. There’s far fewer girls crushing on John in this volume – the romance, emphasized in Book One, is almost completely removed now. That said, don’t worry, all the love interests have been replaced by people who are trying to shoot John instead. We are tripling down on people trying to kill him, and while some of it is just garden-variety bad guys, we’re getting the sense that there’s a conspiracy going on here, mostly in scenes with the worst of the nobles, a cartoonishly evil girl who looks like she stepped off the pages of a villainess book. Needless to say, she’s not a threat, but her eventual fate does show us that this series is not afraid to get dark if it has to.

John has been doing pretty well lately, but this book sees him having an awful run of bad luck. On the plus side, he does make enough money to finally pay off his parents’ debt, though he gently rejects their offer to get another job, as he feels that mercenary is the one that best suits him. He tries catching some pirates, only to run into a noble’s territory, which means he can’t go further. He acts as security for a noble party, only for a murder to happen there, and one of the accomplices decides to make their escape with John’s help. At the guild itself, an arrogant ex-noble who can’t get over the fact that she’s not allowed to simply murder anyone who she dislikes really hates John. And when he does pilot duty for an archaeologist, he’s left for dead and his ship is destroyed. Just… not a great book for him.

This book definitely is “guild fantasy in space”, but it’s not afraid to be other things “in space” as well. Sometimes this is for the sake of broad comedy, such as the murder “mystery”, which talks about an amateur detective showing up to solve everything, only to treat it the way amateur detectives are usually treated in real life. That said, that was the weakest section of the book, so I hope we don’t get “pastiche of the volume” going forward. The best segment was the last one, which did not have a strong villain (almost every villain in this book is dealt with ludicrously easily), but does manage to have John in actual peril briefly, though it is a bit deus ex machina to have him rescued by… well, spoiler. Sadly, even deadly peril doesn’t really cause John to move from his default “well, whatever” emotional state. Which might be due to his traumatic backstory, but doesn’t really help us in the present.

We’ve caught up with Japan – Vol. 4 comes out in two weeks there – and that’s probably for the best, as I need a break. I’ll get the next one, and I hope we get more of the evil plotters behind the scenes, but this is almost the dictionary definition of “okay”.