By Mitsuru Inoue and Suzuno. Released in Japan as “Isekai Teni Shite Kyoushi ni Natta ga, Majo to Osorerarete Iru Ken” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I talked in my last book about how this book has an agenda when it comes to teaching, but I’m not entirely convinced that the agenda is “show people there’s a better way”. I don’t think anything that Aoi does in this book is something that can really be replicated in the real world, it works because Aoi is effectively omnipotent. Hell, even her non-magical way of thinking is suspect: at one point, she seems to seriously think that the best way to get shut-ins out of their rooms is to remove the door. Aoi is the best reason to read this book, but she’s a deadpan, a ditz, and OP, a very dangerous combination. What it leads to is a lot of stuff happening that will seemingly change the world, only because she’s the narrator the bulk of the book, the impression given is “and then I did this thing anyone could do if they were taught correctly”. She’s feared here.

I’ll have to leave it to experts as to whether the cover images have zettai ryoukai or if Aoi’s stockings make it ineligible, but the artist is certainly dedicated to showing off her hips and legs. In any case, the start of the book finishes off the Culture Festival, after a brief crisis – no one’s going to see the kids as the dwarves have taken over and are doing a sword demonstration. Aoi straightens that out, and then both the student’s lightning magic and her own fireworks go well. However, she then discovers that there’s a student who’s been a shut-in since she got there. He’s Solare, and he’s the grandson of the headmaster, but bullying and the crappy responses to dealing with bullying have made him not want to trust anyone. So it’s time for a world tour in which Aoi meets up with the bullies and makes them see what real power looks like.

This isn’t the first series to take on Japanese (yes, they’re elves, but look, it’s an obvious metaphor) bullying in schools. We see, but find it hard to sympathize with, Glen’s balancing act, as he tries to help his grandson while also trying to avoid starting a huge political war by just expelling everyone who participated in the bullying. We also see that a lot of the time the attitude of the bully is also held in their parent, making things even harder. Aoi’s solution for her own experience, alas, is one I’ve seen a great deal in anime, manga, and light novels – if you’re being bullied, the solution is to get stronger. It’s on you, not the bullies. I hate this solution, but there’s a reason it’s still a very popular one – it rocks the least boats. As for the rest of the book, it was pretty fun.

That said, this series is definitely not essential. If you’ve been reading it, you can keep doing so.

By Mitsuru Inoue and Suzuno. Released in Japan as “Isekai Teni Shite Kyoushi ni Natta ga, Majo to Osorerarete Iru Ken” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

It’s not a secret that this series definitely has an Agenda with a capital A. The most obvious part is trying to convey how to teach people, how to talk with kids and understand their own varied issues, etc. That certainly applies here as well, but the author also seems determined to kick back against all the cliches that you seem to see in light novels in this sort of world. Getting an arranged marriage without your consent to someone decades older than you? No you’re not. Country determined to prove that Magic A Is Magic A? No it’s not. Are those nobles who insist only those of the upper class can use magic and that filthy commoners should know their place? We’ll put a stop to that. Oh look, those dwarfs only care about magical weapons rather than using magic itself? Not gonna happen. Aoi is here to drag everyone into modern times with the best magic, and she will beat up the world to do so.

As with Tearmoon Empire, this series has trouble figuring out where to end a book. The first third of the book wraps up the trip to the Holy Maple Leaf Empire, as Aoi has to travel to Shenley’s home because her father has decided to pull her out of school. Naturally this pisses Aoi off, especially when she discovers a) he’s ignoring all her other accomplishments, b) he’s ignoring Aoi, and c) he’s marrying Shenley off to the one guy who didn’t grow to love her magic in the 2nd book. Needless to say, “Aoi Being Very Aoi” solves all these problems. The larger part of the book is essentially this world’s version of the culture festival, only it’s an international event, with the world leaders coming to see what cool magic tricks Fiddich Academy has come up with now. As such, it’s mostly the teachers who are stressed about presentations. No worries, though, Aoi is here to help.

There’s a lot of family stuff in this book. Once Shenley’s dad is given a talking to, he travels to the academy to see exactly what Shenley has been going through, and ends up sympathizing far more with her. (It helps that under Aoi’s tutelage she’s becoming a genius.) Dean’s mother is the classic “education mama” for whom no amount of good things is enough, you can always do better. (Admittedly, that plot will have to be resolved in Book 4, because we’re ending in the middle of an arc again.) Felter’s dad is, unsurprisingly, a guy who lives only for battle, and essentially comes every year to beat his son up and is now intrigued at this tiny powerful woman. And there’s even the commoner kid who Aoi teaches magic to show that it has nothing to do with breeding, whose dad may help pave the way for her to spread magic even further. Aoi may beat up a lot of her problems, but she’s also good at negotiation, bartering, and everything except common sense and facial expressions.

As ever, if you hate OP folks who win easily all the time, avoid avoid avoid. Otherwise, this series remains a lot of fun, and Aoi is ridiculous.

By Mitsuru Inoue and Suzuno. Released in Japan as “Isekai Teni Shite Kyoushi ni Natta ga, Majo to Osorerarete Iru Ken” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

The running gag of this volume, and indeed this series, is that people meet Aoi, underestimate her because she’s young and small, get their asses handed to them (physically or mentally), and immediately become her minions and/or supporters. Not the first time I’ve read this sort of plot, and it can be funny provided there’s more to it than that. There’s a BIT more. Aoi is absolutely dedicated to advancing sorcery throughout this world (theoretically so she can return to Japan, but I get the feeling that’s not happening), and does not actually care about all of the political mess and possible wars she may cause along the war. In fact, it’s brought up that if two countries *do* go to war, Aoi can probably just, y’know, stop them. You will be dragged kicking and screaming into the modern era of magic. And believe me, some folks here are kicking and screaming. Because they’re being used as test subjects.

This volume is essentially divided into two. In the shorter part, Aoi wonders why she’s seeing fewer students, and discovers they’re being lured into a gambling den run by a crime syndicate. With the “help” of Prince Rox and his men (but pretty much just taking out everyone on her own), Aoi reforms all the crime syndicates in the city to be good businesses from now on. In the longer second half, Aoi and her posse of important supporting characters go to the Holy Maple Leaf Empire, as part of an exchange to learn about their healing magic. What we end up learning is that their healing magic is impressive, but Aoi’s “literally everything” magic is out of this world. Which is a problem, as this Empire believes magic has reached its final form, and does not need any new research. She’ll fix that.

This is another one of those light novels where you get a chunk of the book from the main character’s perspective, and then switch to someone else to get their view of things. While that can normally be a bit exhausting, I’d suggest it’s welcome here, simply as Aoi’s deadpan, emotionless point of view can be a bit off-putting. At one point we discover, as I noted above, that the Empire tests its holy powers on either mortally wounded adventurers, or criminals. We are treated to a gore-filled hospital with the screaming of patients, and everyone else looks sick, but we’re in Aoi’s POV, so she’s just like “Yup. Well, anyway”. Even when she’s threatened by a knight of the crown, and taken before the Emperor for having gone way beyond what she was permitted to do, her response is “so what?”. It would take a lot to make Aoi really angry, I think. If only we had a bullied student in the cast who’s there to suffer… oh, good news for the next volume!

I’m still enjoying this, but I do wonder how fresh it’s going to feel several volumes down the line (it’s at 9+ volumes in Japan). For those who like people who kick ass while barely cracking a smile.