By Yuki Kashirome and icchi. Released in Japan as “E, Shanai System Subete One Operation Shite Iru Watashi o Kaiko desu ka?” by PASH! Books. Released in North America by J-Novel Club. Translated by Minna Lin.
Content warning: This review will be discussing a book that deals with multiple companies that use AI, and it discusses AI throughout the book, usually in a positive way (though it does emphasize AI without humans making decisions is a disaster). Reader discretion is advised.
It’s always an event when a book gets licensed in a genre that no one really dabbles in much. We’ve seen a lot of bad companies, overworked office staff, and overtime from hell in light novels, but usually that’s as a setup to killing them off and setting them up in another world. This book is not going to do that, as it is very much interested in this world. It’s essentially a story of how you should not stay tied to a job that is destroying you, that effective communication can still be learned even years after school. and that you need to be careful about getting rid of the weirdo in the company because usually the weirdos are in companies for a very good reason.
Ai Sato (punny first name very much intended) gets to say the title as the first line of the novel. A new executive has taken over her company, goes to see the revolutionary new system that they’re famous for, and discovers that the woman who runs it is dressed in a sexy succubus bikini. With horns. She’s drowning her sorrows in an izakaya with melon soda (none of the main characters drink) when she’s spotted by her childhood friend Ken Suzuki, who’s running a startup programming school and thinks she’d be perfect for it. As it turns out, both of them have major flaws in their respective business personalities that are complemented by the other, and with two other employees they’re ready to take the world by storm. Unfortunately her old company is falling apart at the seams, and the CEO has decided it’s all her fault and he wants revenge.
This series, frankly, drips with idealism over realism, and if that bothers you it will probably taste like acid. That said, I did mostly enjoy it. It’s odd seeing a manic pixie dream girl sort from the narrative perspective of the dream girl herself, though the book is pretty good about showing us her flaws and that, under all the tech genius and overly peppy gung-ho attitude is a socially awkward young woman who is nearing 30 but is very much a child at heart. There’s suggestion of a romance between her and the childhood friend, but I get the feeling that’s all it’s ever going to be – this isn’t a romcom, it’s a workplace handbook. (Also, one of their “students” is a young woman who blatantly has a crush on Ai, and is not ashamed to show it.) I did also enjoy seeing the long, lingering interludes showing the CEO of Ai’s old company slide from “I’m here to streamline things and there is a girl in a succubus bikini in my office” to “BWAHAHAHAHAHAHA!” evil cackling over the course of the book.
If you’re a corporate drone, or an engineer, this is probably right up your alley. If not, I don’t think Ai actually does enough cosplay throughout to justify it. Also, naming the leads Ai Sato and Ken Suzuki is like naming your leads John Smith and Jane Jones.