By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

All otome game villainess stories are, by definition, somewhat metatextual. It has characters who are trapped in a world based on a game, trying to avoid Bad Ends. Even if they don’t talk to others about their choices, they narrate to the reader about them. But Two-Bit Baddie is even more meta than most. We have two people who’ve both played the game and know what’s coming, and discuss it with each other. We have a narrative that occasionally tries to lure them back into canon, even if they both want to disregard it. More to the point, the entire reason Elizabeth dresses and acts the way she does is to avoid a bad end that’s already passed. There’s no need to keep doing it. So when Richard asks why she’s dressed as a man, she answers “because I like it”, and I think not only does this surprise her but she means it. This is who she is now.

The book picks up where it left off last time. Elizabeth, Christopher, Edward and Lilia have to stay a little longer than planned. Sure, thanks to Lilia accidentally turning Diana into a BL fangirl, the marriage seems to be off the table. But there’s the troubling information that people are kidnapping nobles, and then giving them back the next day. What’s going on there? Meanwhile, Elizabeth and Lilia get an opportunity to explore a dungeon, and while they don’t find any monsters, they do come across some very human villains. When they are finally allowed to go home, after everyone finally realizes that Elizabeth is a woman and her brother is rejecting the marriage proposal, Elizabeth finds new problems. Yoh, the villain from the last book, has joined the knights and become a masochist. And worse, the plot of the second fandisc is beginning… four years too early!

The otome game mechanics are not the only things analysed in this volume. There’s an extra bonus route involving Lilia getting romanced by her teacher, a forbidden love sort of thing, and while Lilia is not interested in anyone but Elizabeth, Elizabeth is furious at the very concept of the route’s existence. She delivers a multi-page takedown of “teacher/student romance” as a concept, stating that anyone who would take advantage of a student in real life is the worst of the worst. Lilia finds this baffling, but that’s because Lilia is still caught up a bit too much in thinking in terms of tropes and fiction – to her, teacher/student romance is hot because of the forbidden aspects. It’s a very interesting diversion in what ends up being a solid but typical volume in the series. Elizabeth remains handsome and seductive but unable to see the very obvious affection anyone has for her – except Lilia, who had to literally confess. Subtlety is not gonna fly here.

The main drag on this volume is that it ends not even 2/3 through, and the rest is taken up with other POV stories and side stuff. It’s the equivalent of a LaLa volume, and I hate it. But the bulk of this is still pretty good.

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

The gimmick for this book, of course, is despite it being a villainess novel, and Elizabeth genuinely being a woman, it is essentially a BL harem in all but name. Lilia is the sole exception, and for the most part she’s started to get reduced to a combination of comic relief and sole purveyor of common sense. Lilia is, like Elizabeth, a Japanese girl who has been brought into this game world. Unlike Elizabeth, though, Lilia seems to accept that things are different and she can make different choices, and also seems to have awakened her sapphic side, in a PG sort of way. Elizabeth, though, who seemingly does everything in order to try to seduce someone and/or hook up the “targets” with someone else, seems to be completely asexual. And is, frankly, a lot better at being a sexy man than most of the men. Thus, as I said with the first book, you get a BL series that isn’t really.

Much to Elizabeth’s horror, her older brother Frederic has gotten a marriage proposal from a nearby kingdom. Unable to tolerate her big brother vanishing from her life, Elizabeth immediately decides to impersonate him and break up the match… and she’s supported by her father and Christopher, leading to her and Frederic having their first ever fight. Now she’s off to the west, along with Edward (who is delighted to finally get some time with the woman he loves), Christopher (ditto), and Lilia (ditto). When they get there, they find Princess Diana is a knockout, but seems somewhat inexperienced in the art of love. Meanwhile, her sister Marie, who is, according to Elizabeth, a classic tsundere. Can Elizabeth find the time to charm two princesses, convince them she’s a terrible choice for a husband, and not annoy everyone around her? Signs point to no on that last one, especially when Lilia reveals they may be in a spinoff manga plot.

The series continues to have one big, big, drawback, and unfortunately it’s Elizabeth herself. Generally speaking I tend to enjoy when a villainess is cheerful and oblivious (see Bakarina) or stoic and oblivious (many examples), but it’s hard when they’re an arrogant ass and oblivious. Yes, she’s putting on a persona, but I think everyone in the entire series, including Elizabeth herself, agree that it’s stopped being an act and become her. This did make it somewhat amusing then it’s actually Lilia who manages to sabotage the marriage talks, as she ends up turning Princess Diana into a BL fangirl, which ends up getting a little bit out of her control but she’s quick to take advantage of it by advocating for gay marriage for women as well. She’s snarky fun, and I enjoy when she’s in the book. As for Elizabeth, at least she is coming to appreciate that she does not understand anyone’s hearts. At all.

There’s at least three more volumes in Japan, and this plotline will continue into Book 5. Christ, though, Elizabeth is annoying.

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

I’ve said before that the least interesting part of these villainess books tends to be “who will she end up with in the end?”. Either it’s obvious from the start, such as in Villainess Level 99; it’s obvious but the creator knows it won’t be popular so is delaying it as long as possible, such as My Next Life As a Villainess; or it’s not obvious but it doesn’t really matter as who she marries is mostly irrelevant, such as this series. Honestly, at the end of this third volume, the love interest with the biggest lead is still Lilia. The webnovel version of this series does list “GL subtext” as a warning, so they know what they’re doing, but I’m not convinced that’s an endgame – Lilia here suggests seducing Elizabeth’s older brother so that she can “be in the family” and get to be around her all the time. The good news is the worldbuilding is still pretty interesting.

There’s a new transfer student in school, and he surprises everyone by declaring he’s in love with Elizabeth and asking her to marry him. Constantly. At every possible moment. This is especially surprising to Elizabeth and Lilia, as they recognize him. Prince Yoh Won Lei is from the Eastern lands, and while he is meant to be a spy, he’s not supposed to be like this. For one thing, shouldn’t he be going after the saint? Unfortunately, as the book goes on, absolutely nothing seems to put the man off, and the other random girls in the class all seem to ship it – to the point where they set up a play of Snow White with Elizabeth – in a dress – as Snow White, and Yoh as the Prince. He’s gonna go for a kiss – everyone knows this. More importantly… what’s he really after?

This book has three real highlights. The first is the play – after so many “Sorta Cinderella” bad high school plays in manga, it’s nice to see “Sorta Snow White”, and Lilia as the fourth-wall breaking narrator is a delight. The second is early on when the four male love interests corner Lilia in the student council room and try to get her to back off Elizabeth, as she was rejected. Lilia points out, correctly, that she was rejected as she actually confessed, something none of them have done. Then there’s the climax, which not only has Elizabeth coming to a dramatic (if mostly offscreen) rescue, but also has Lilia confessing that she’s figured out what’s wrong with this world – the gods, or whoever, are trying to keep the game script accurate, but she is now too powerful for it, so can alter the script. She’s not the only one – I think Elizabeth has that power as well, she just doesn’t know it. They may both need reality-breaking powers, though, as more and more people seem to have identified Elizabeth as the reason their evil plans are not working.

The author makes sympathy whining about this possibly being the final volume, but there’s at least two more in Japan. I’ll read more, though honestly, Elizabeth’s baffled density about why all these guys seem to want to hang around her may be the book’s big flaw.