By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

Last time I talked about the fact that this world is still trying hard to re-rail things so that they go the way the game wants them to, and that’s still true, but it’s also astonishing how many “doubles” this has led to, and in some cases triples and quadruples. We have Celesty, of course, now Melody, maiding it up. And reincarnated. And not Cecilia, at least not anymore. There’s Serena, a walking, talking, living doll who Melody accidentally and unknowingly put the soul of her dead mother inside. There’s Celedia, who is really an evil minion of darkness, but is also a young girl who’s also a reincarnate. There’s the missing foreign prince, busy being a lothario servant. There’s his sister, who has lived her life as a man, till given the chance in this book to see what the life might have been like. There’s Luciana, who isn’t the tragic dead one anymore, and Luna, who got her role, and Olivia, who almost got her role. Hell, even Anna-Marie disguises herself as her own maid. And then there’s Maika, and the end of this book, where she may be adding to the heroine pile. It’s a Heroine Pileup.

It’s finally time for the school festival! Given all the fuss about the maid cafe, we don’t actually see very much of the cafe itself. Instead we get a lot of the before and after, as everyone tries to finish the uniforms in time and ensure that everything is perfect. That said, Melody can’t participate, so she’s at a loss for what to do. She’s reminded she promised (without thinking) to tour the festival with Schue, so she does this for a while, until Schue’s own subplot comes smashing through the narrative and he literally flees. Then Lect is told to escort her around, which actually goes pretty smoothly, though her lack of romantic interest in him (or indeed anyone) is very obvious. Unfortunately, there’s still supposedly an event that’s due to happen tonight… in the game. Is this world now so different that it won’t happen after all?

Honestly, of all the characters I thought I’d find most interesting in this volume, Celedia would not have topped my list at the start. And yet, here we are. It’s fascinating the way that she’s written, in an almost Umineko-esque way, not quite multiple personality disorder but something else. Tindalos is filled with darkness, rage, evil plans, and an increasing desperation that nothing is going right. Celedia, meanwhile, is clearly suffering from depression. She’s an absolute mess throughout the book, collapsing twice, and even when she’s out and about she’s so clumsy she causes disasters just by walking around. Honestly, her evil side taking over may be good for her. As for Maika, well, she finally has her magical familiar, but as expected with this series, it’s not quite as it should be. It does allow us to get a magical girl parody in here as well, that was fun. That said, the most interesting thing in the book may be the cliffhanger into Book 8.

So yeah, what’s Melody going to do now? Can Celedia use this chance to actually, y’know, achieve a thing? Anything? And will the anime, which ends next week, get a second season? We’ll know in a few months. For Maid fans and Villainess fans.

By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

A lot of these “we’re in the world of a game” series tend to fall into two categories. Either the game just goes off the rails immediately but the main character doesn’t realize it and is determined to fight against a fate that no longer exists (e.g. Observation Records of My Fiancee), or the game has a malevolent mind of its own and is determined to make sure those pesky villainesses die and heroines save the day. This title is firmly in the second category, and while the bulk of most of the book is fairly light and maid-related, it does not let you forget it. The climax of this book does feature the “heroine”, Melody, but because she’s already derailed this game as far as possible, even she cannot save the day in the end. And it’s not going to be the tsundere duke’s daughter either, who comes a lot closer but falls short. No, in the end it’s past tragedies that will have to win out.

Despite the fact that you’d never imagine it with a culture like the one we have, it’s school festival time, and thanks to the dumbass Prince Christopher suggesting something anonymously assuming no one would go along with it, their class is doing a maid cafe. Since Cecilia is currently convalescing back home, Melody will of course not be participating (yet… the festival will be in the next book, and I have my suspicions), but she can advise folks on what works and doesn’t work when it comes to a practical maid uniform. Celedia would like to be getting closer to the capture targets, but alas all she’s doing is secretarial work related to the festival, and she thrown a hissy fit that goes wrong thanks to the evil lurking inside her. Unfortunately, said hissy fit is stopped by Christopher, and even though he and Anna-Marie have done their best to avoid having the plot impact them, it’s time for him to turn evil.

Christopher and Anna-Marie have been around since the start, usually complaining about the fact that they’re trying to stop the plot of the game but that it’s been stopped before it gets to them, but they’ve been relatively minor characters. Here they get more to do, though I’m sure they wish they didn’t. I feel bad for Christopher, who didn’t do anything wrong, really, but ended up almost destroying the world, because thanks to Celedia’s extra added evil Melody is NOT strong enough to head him like the game says. The final scenes are really dark and horrific, both because Christopher is slowly being mind-controlled and also because we get a flashback showing Maika’s reaction to her brother and his “childhood friend’s” death, and how deeply that affected her. It’s pretty heartbreaking, and Christopher and Anna-Marie are appropriately heartbroken. It also allows the Maika that’s HERE to accidentally save the day, though she’s unaware of it. I really enjoy the way this series interweaves everyone’s past lives into the mix.

As I noted earlier, we get all the buildup to the festival but not the festival itself. And by the time the next book comes out, the anime will have aired. We’ll see how that goes. Sometimes it helps, sometimes you’re Private Tutor to the Duke’s Daughter. But the books are good.

By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

I’ve said this before about TO Books’ output, but it bears repeating: a lot of their books are just too long. Now, I don’t mind this when the writing justifies the length, with series such as Ascendance of a Bookworm, where you could argue they needed to be even longer. But as I was reading the latest volume of All-Works Maid, I kept checking the page count to see how long there was to go. Like a lot of webnovel-to-print books, tighter editing is required but not always given. This is especially frustrating given the clever conceit of this book, where we start a whole new setup and then discover over the course of the book that the setup is not going to work at all and we have to go back to basics. I like the idea of starting a plot only to stop and say “nah, nevermind” when it’s deliberate, but combined with the flabbiness of the volume it does feel a bit frustrating.

After the attack the last volume, Melody has decided on a course of action. She – or rather Cecilia, her alter ego – is going to transfer into the academy, so that she can protect Luciana from whatever darkness is coming after them. Now, getting in is not a problem – she has people who can pull all sorts of strings for her, and she is a natural genius. As for the dark mana monsters that we saw last time, they too are lying low… mostly as their mistress is busy figuring out that otome gaming is hard when someone’s already broken the plot. It doesn’t help that there are simply too many villainesses walking around, and the narrative can’t contain ALL of them. Unfortunately, what ends up crippling Melody/Cecilia is something that a lot of AP-course high school kids have to deal with – overextending herself and not being able to be who she really is as she’s too busy being who she isn’t.

As I said, I do like the conceit of the plot twist here. As good an idea as Melody joining the students as Cecilia is, it detracts from the theme of the books as a whole, which is MAID. More Cecilia means less Melody, and that’s very bad for Melody. This is handled comedically at first, as Melody is horrified to find that Micah and Rook have been trained so well that, strictly speaking, she doesn’t have to be a maid in the evening at all. As the book goes on, though, and we see continual scenes of Melody going to bed and being unable to fall asleep, we start to get an idea of where it’s headed – collapse. I did also appreciate that while turning back into Melody full-time did temporarily give her a boost of adrenaline, it did not completely fix the issue, and she still needed sleep and food. I also really liked the new addition to the cast, an artist who wants to avoid her father’s struggles but also is consumed by the ART… and who may be able to spot the thread connecting Cecilia with Melody.

This is 8+ books in Japan, so they’ll have lots of time to plot and scheme in the future. But when they do, it will with with Melody maiding it like she’s never maided it before.