By Fujino Omori and NIRITSU. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?: Familia Chronicle: Episode Lyu” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

So technically this is the second volume, the first having come out seven years ago. It was the one with Lyu and Syr in the casino, if you forgot. And it’s also the bit that the author cut out of the 18th volume, because that would have made it 700 pages. But in reality, this feels like Astrea Record, Vol. 4. We even get extra scenes with Adi, to remind us that she’s still tragically dead but oh so very, very shiny And of course the rest of the Astra Familia that Lyu was with five years ago? Also still dead. Fortunately, Astrea is not dead, and it turns that she has new Familia in a remote smithing town. And so it’s time for Lyu to run very fast, so that she can break down, get forgiven, level up and get stronger, and then run back to help Bel. Of course, it turns out to not be as simple as that.

Lyu groveling for forgiveness, which comes relatively easily, takes about the first 10 pages of this book. the rest is harder. When Astrea levels her up, she levels to 5, and anyone who read Book 18 of the main series knows that there’s something fishy going on here. Then Lyu tries to train with her new level, and discovers there’s a big difference and she needs to practice. Fortunately, she has three adorable Level 1 juniors to beat up… erm, play tag with, as well as a forest spirit who is really looking for an excuse to go all out… possibly a mistake given this is Lyu. Unfortunately for Lyu, the current captain of Astrea Familia, a Level 2 smith named Cecille, hates her guts. Despite, or perhaps because of, the fact that Astrea has entrusted her with something very important in regards to Lyu.

This is a book about Lyu, so it’s not a surprise that the plot is as straightforward as hell. Lyu is not quite completely healed, and also needs to go from Level 4 to Level 6 in about 5 days, something which no one has EVER done before, so strategy is called for. Fortunately, most of the strategy is “keep hitting things till you get it right”. As for Cecille, she’s not hard to figure out either, mostly as she’s very similar to Lyu, something Lyu knows as she very awkwardly tries to take on a mentor role. It turns out that trying to create the perfect weapon for someone you’ve only heard stories about that drive you crazy with envy can be very hard! It’s only when Lyu opens up and shhares her own tragedy that Cecille manager to find her own inspiration. That said, “straightforward” does not mean bad. This series has never really been known for narrative curveballs anyway.

Good stuff, and if you want to know what happens next, go read 18 again. I think next for us is the Sword Oratoria SS volume.

By Fujino Omori and nilitsu. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Shohenshu” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

Oh goody, another short story collection, the first of two that have been given fancier names to disguise the fact that this is a collection of extra stories mostly written for bookstore exclusives, which means by definition that all of them, with one or two exceptions, not only cannot impact the ongoing narrative but cannot impact any of the character arcs. That said, I am always grateful that we get these anyway, as it’s nice to see the little content that Japanese readers got when they bought the volume at Toranoana, Animate, or Gamers. What’s more, fans of the harem aspect of this series, which usually takes a backseat in the main series to the ongoing “series of fights to the death” plot, will be eating well here. Everyone loves Bell and knows it (except Aiz), and Bell is clueless to everyone’s love but loves Aiz (who is clueless towards him). It’s in the title of the franchise!

Trying to summarize all of these would be impossible – most of them only run two pages or so. They take place over the course of Vol. 1-18 of the main series. Some of the ones that are longer than two pages include Eina and Bell’s first meeting, Hestia trying to be Bell’s supporter in the dungeon, a story taking place right after Bell first starts to become famous and shows off his growth as the smith who made his first knife asks if he can put it in his “hall of fame” section, after Vol. 6, Hestia tries another ball to try to dance with Bell, but it proves very difficult; Fels watches over Hestia Familia during the Xenos arc, and keeps a diary of what they are seeing – which quickly turns into a confessional of a sort, Cassandra makes another effort to get people to believe her right before the disaster that sends Bell and Lyu to the deep levels, Lyu and Bell are forced to drink slimes to survive in the dungeon, and three more that I’ll talk about below.

The three stories that work best here are the ones that actually *are* able to do something with character development. They all take place during the “Freya” arc of the series. Bell is going through enforced date training so he can go out with Syr, and as part of it rescues an Elf in Hermes Familia and tries to be suave as he was taught. It works far, far too well. In the second, we get the POV of Horn during the time when Bell is staying with Freya Familia and she’s manipulating everyone’s memories, which shows both Freya’s guilt and angst over her lot in love as well as her massive tsundere nature over Bell; and in the final, funniest story, Laurier does her own character poll of everyone in Orario, and runs into Horn, who is at loose ends after Freya’s fall. The cat fight they both get into, with Laurier praising Bell so much it makes you sick, and Horn tearing him down as much as possible, is simply fantastic.

That said, overall.. this is a short story collection. For fans only. Join us soon for Vol. 2, which has all the store giveaway stories for Sword Oratoria.

By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

It’s been over four years since we last had a volume of Sword Oratoria, though thankfully the next two books in the series are out in Japan, so it shouldn’t be that long all the time. If the first six or so books in the series were an Aiz spinoff, the next six were, on and off, focused on Lefiya. She gets this one as well, serving as an epilogue to her arc, and showing how she’s dealing with Filvis’ death and her part in it. I will admit, I probably did myself a favor reading this book right after a volume of Tanya the Evil. That series, which it can be fascinating, is not one you read for great prose. It’s a military slog. This, on the other hand, absolutely flies by despite being almost 300 pages. Say what you will about Omori, they can write a well-paced volume. What’s more, this takes place at the same time as Vol. 19 in the main series. We’ve finally caught up.

We pick up shortly after the events of the last few books. Lefiya returns to Loki Familia, having cut her long hair short, and now equipping herself with Filvis’ sword. She needs training to get stronger so she can be a magical swordsman, she says, and she chooses to train with Bete, reasoning that he’s the only one who will beat the shit out of her till she gets stronger. Loki, realizing that Lefiya is headed down a dangerous path, instead has her go to the flying School District to scout new students for the Familia. After all, Lefiya came from that school originally. On arrival, interspersed with memories of her time as a student, she learns how to be a teacher, and also continues down her very dangerous path. Fortunately, she’s better at one of these things more than the other.

We do see Bell in this, and yes, Lefiya still hates him. (The Memoria Freese game that’s currently being mined for spinoffs suggests they go back a lot longer than either of them realize.) Lefiya and Bell have been compared and contrasted through the entire Sword Oratoria spinoff, and it’s even more clear here, as Lefiya absolutely throws herself into getting stronger so that she can carry on Filvis’ legacy. The flashbacks suggest that Lefiya lacks a goal, and that adventurers who lack goals end up dead adventurers. She’s honestly pretty terrifying in this, especially in the back half, as we realize that she’s essentially trying to commit suicide by destroying her own identity. Fortunately, the genuine teaching moments she gives to the students in her care (some of whom are older than she is) helps to save her in the end. Lefiya can’t be Filvis no matter how much she loved her (and she says it out loud here). She has to remain Lefiya. Now, at least, she can move forward.

As for the spinoff itself, the next volume moves backwards, and appears to finally show us how Finn, Gareth and Riveria ended up in Loki Familia. Till then, I will finally admit that I’ve stopped disliking Lefiya. She’s gotten good.