By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

So the bad news is that this is still the last volume published for the moment. The good news is that, after a two-year break, the author has recently started writing more of the webnovel, so that may eventually change. Certainly absolutely nothing is resolved by the end of this book, so more of it would be welcome. As for the book itself, it continues to do what it wants to. If you like male power fantasies and are not too picky, it fills that need. Luke is a grumpy asshole who can’t help but get involved in his friend’s problems and have every girl in the series (except one, mercifully, this hasn’t turned into a cheating series yet) fall for him. What’s worse, his father has big plans for him… plans, I suspect, that Luke will very much not approve of. And there’s fanservice galore, of course. It also manages to, somehow, avoid being completely misogynist despite every love interest turning into a submissive masochist when they see Luke.

Note I said “completely” – the art still exists, and is pretty blatantly “Hope you like big tits”. In any case, after taming the ice dragon, Luke has to figure out what to do with… her? Yes, her, and while she stays in two forms in this book – big powerful scary dragon and cute fun-sized dragon – I suspect we’ll get a hot dragon woman soon enough. In a normal world, he’d be invited to the palace to be honored for this amazing feat. This is not a normal world, and his dad is pretty much openly trying to bring down the royal family by being much better at running a country than they are. As such, there’s a party being held where the second prince might drop by if he feels like it. (He does, though he’s not happy with what he finds.) But the author says this is Abel’s book, and… I guess? Abel definitely gets stronger, and suffers a lot, but it’s hard to pass someone like Luke.

Because I suspect readers of this series will want to know, yes, there’s an (offscreen) sex scene here, and Mia is now Luke’s lover as well as Alice. More to the point, it’s not just Abel – all of Luke’s lovers and potential lovers are desperate to remain useful to him, knowing he’s the sort to abandon anyone who isn’t, and so they push themselves desperately to become ludicrously powerful. Unfortunately, comparing themselves to Luke just leads to depression, as Mia finds out – she even gets a pep talk from Luke’s dad, who has to point out that she already can use multiple magic elements. Their desperation and co-dependency would be a bit sad and tragic if this series were not comedic and upbeat about it. The only despair in the book comes from Abel when he’s trying to rescue Lily, and even then most of this is just Abel hating himself, rather than actual danger. Luke, the most powerful man in the country, is usually depressed, and everyone around him seems to be getting that trait too.

We end in another country, with elf terrorists, and multiple invasions. Hopefully I remember all this by the time the fourth book comes out!

By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

I was checking the Sneaker Bunko site to see if this was ongoing (there is as third volume, but it came out a year and a half ago, so those who like to say “axed” will no doubt be happy) and glanced at the machine-translated summary of the third book, which described our extremely arrogant villain aristocrat as “depressed as a worm”. Now, that could be the usual translation bullshit, but it is true that Luke spends a great deal of this book frustrated, angry, or depressed. He’s certainly changed the book’s plot enough that he doesn’t need to worry about it happening, but bits of it that happened to Abel are now happening to him, and the allies that were supposed to flock around Abel are now flocking around him. And he really does not want anything to do with it. He wants to use his OP magic and his OP sword, he does not want all these “friends” and “lovers”. So troublesome.

After the events of the last book, Luke now has a lover, who he is now admitting is his fiancee, at least unconsciously. He also has a pawn, though he wishes he didn’t as he discovers that Mia is very emotionally volatile when it comes to being abandoned. (By the end of the book she too will be his fiancee, and Luke admits he doesn’t oppose it, mostly as he has a vision of her murdering him otherwise.) He also gets a second pawn by annihilating them in battle, and this one is the second prince, who in the book turned out to be a bit of a despot, but here is another loyal minion. Oh yes, and to top it all off assassins come to the campus and try to kidnap him while he sleeps. All of this is incredibly irritating. But worst of all… Abel, the hero, won’t stop saying that they’re friends!

I mentioned online that I called this “top-tier trash”, and I stick by that. It is a grotesque male power fantasy, where our hero and the reader stand-in gets all the women and beds them too, has the coolest magic, and swings the coolest sword. That said, I find it highly readable, as it doesn’t take itself at all seriously. Luke’s aggravation with his perfect life can be hilarious at times. He’s helped out by all the women he meets (except Lily, Abel’s childhood friend, who I fully expect will be the NTR final boss) running into his “fuck you” style of speaking and immediately going weak at the knees. We get his own childhood friend here, who’s aan arrogant noble whose family and his no longer get along. She’s rude to him… then gets in her carriage to drive off and fantasizes about how cool he was being rude right back at her. Hell, even the scary dragon he fights at the end ends up surrendering to him. It’s easy to be a top when your world is full of bottoms.

This will never win awards for plot, and you’d better have a high tolerance for the usual male fantasy bullshit. But it’s still a lot of fun.

By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

I haven’t really dipped my toe into the smaller pool of “villain” books, which is to say the genre and basic plot beats are the same, but it’s someone being reincarnated as a terrible man rather than a terrible woman. This also is one of a small number of books where the reincarnated person and the “bad” person they’ve replaced/overwritten actually struggle to see who’s really in charge. Luke was supposed to be another stereotype of these fantasy books – the snobby, coasts by on his family name, rude to absolutely everyone sort. But our new reincarnated guy knows that that is, as Katarina Claes would put it, a path to doom! So he tries to change. Can he be nice?… no. Can he reach out to others to ask for help?… provided he frames it as an arrogant command. This will be tough. Fortunately, he can actually put in the work and study. Also fortunately, the series he’s in is a comedy.

Luke Witharia Gilbert has just remembered that he’s actually a character in a light novel. What’s worse, he doesn’t really remember all that much about the light novel except the basics. He knows that he’s a talented but lazy arrogant ass who is doomed to be killed by the “you can do anything with enough willpower!” hero in a few years. While the real Luke inside his head won’t let him stop being an asshole to almost everyone he meets, he can at least do something about the lazy. So he demands his butler (an ex-soldier) teach him the sword… and he’s brilliant at it. Then he demands a wandering magic lecturer teach him magic… and he has rare and powerful dark magic. He’s told by his father to find himself a girl to get engaged to… and ends up with a talented bombshell who is cold and sneering to everyone… till she meets Luke, and discovers what she really wants in life. Frankly, maybe it’s the hero who should worry.

The author in the afterword straight up admits that it’s tough to take a book in this genre and set it apart from the others. Their solution was to make everyone a “pervert”, though how you define that depends how you feel about such things. Certain Alfred, the butler, is not a pervert in any sense but his desire to see Luke grow to be the strongest in the world. Alice *is* a masochist, as she discovers once Luke effortlessly defeats her in a duel, but her desire to be worthy of staying at his side makes her also a genius who tries. Mia, a young girl who has talent but also a case of the self-doubts gets crushed when she duels… and turns to Luke to make her better. Basically, he’s warping the entire narrative around himself. The hero, Abel, is a nice guy who reads like a Jump hero, but he has no chance in a series like this. I also worry about his obvious love interest Lily. I can see this series going the NTR route as part of its comedy. Luke is just that good. (I was amused that the one time he actually “lost” is when Alice basically stripped naked and started to kiss him. Some things you can’t sneer your way out of.)

If OP characters bother you, steer clear. But I honestly found this a hoot. I look forward to seeing Luke be mean to others and force them to be the best that they can be in the future.