By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

So first of all, I’m going to be blithely ignoring the cliffhanger ending of this one, as well as its “oh no, it ends sadly after all” implications. First of all, no it doesn’t, and secondly, now that this series is down to once a year, we’re not gonna have to worry about it for a long, long time. Instead, let us revel in this book, which gives us a whole heaping helping of Isana. We even get a flashforward about four years, seeing her talking with a junior and seemingly having her life a lot more together than she does now. We also get a new girl added to the mix, who does us the courtesy of falling for Mizuto immediately, and so hard that he actually notices and rejects her. Of course, no fear, that takes the entire volume, because yikes, he’s still Mizuto. When Yume calls him Enemy of All Women she’s not kidding. This guy will be cripplingly nice at you until you have no recourse but to fall over dead.

It’s the Culture Festival, and Mizuto’s class needs to come up with something nifty. an escape room is a good idea… that everyone else is also doing. But hey, maybe if they have art by Isana! Yes, she’s outed at last for being a brilliant artist by hyperactive, scatterbrained Yoshino, and will thus be doing art for the day. She’s already stressed enough, as she has a job offer to do a light novel series, but is afraid of taking that big step. Meanwhile, Yume and her student council election rival are in charge of the entire festival, meaning Yume’s stressing out a bit as well. And then there’s the girl writing the play for her freshman class, who is a great writer who lacks passion, and ends up having Mizuto making some really good but really ill-timed advice. As for Mizuto… well, same ol’ same ol’.

This series has always been really heavy on the fanservice, but I was very impressed with this book, which not only stars Isana in terms of the plot but in terms of the artwork. Isana wears farmer’s overalls that emphasize her chest… and then back in her room, wears them without a bra or shirt. Towards the end of the book, we also see her in her underwear. The big fanservice, of course, cannot actually be drawn, alas, but at least she got her groove back. I also really liked her mother, who is well aware of Mizuto’s “kindness” in helping his friend being incredibly cruel in many ways as well. He deserved to be hit, to be honest. The idea they have for the escape room, with it essentially turning into a multiple endings sort of thing, is quite clever. Best of all is Isana coming to terms with the fact that people like her art, and while it may be embarrassing, it’s her, and she needs to embrace it.

And now we wait, and see if the author actually does pull the trigger on that cliffhanger. Till then, this is saucy romcom fun.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is a really short book, even for a series that does not generally have long volumes to begin with. It’s 142 pages. I actually found myself wondering if it was supposed to have the Isana plotline going on throughout, but the main plot got away from the author, so they simply cut it out. But then, it does make sense that you’d want to keep the focus entirely on Akatsuki and Kawanami. Their backstory was always a very spiky and uncomfortable one in an otherwise mostly mild romcom series, and a lot of the books have been trying to bring them both to a point where they can finally take a step towards each other again and have it be believable. The way that it does that is by looking even further at the issues that Kawanami has with women, and how they are, in a very real sense, PTSD. As such, it makes sense that this volume feels like the series finale of M*A*S*H at times, as his own memories may not be reliable.

Kawanami wakes up one morning in his bed, dressed only in boxers. He sees a girl leaving his room in a hurry. He also has no memory of the previous evening. At the same time, Akatsuki also wakes up in her bed, in bra and panties, and does not remember what happened the previous night. A horrible thought crosses their minds: did they, y’know, DO IT? Unfortunately for the both of them, Mizuto and Yume are out of town, off on the annual family reunion that we’ve seen in a previous book. What’s worse, Kawanami goes out for karaoke and bowling with his friends, and it becomes very clear that something happened with his good friend Makoto, who is being referred to very carefully so as not to spoil the reader. As things come to a head and he has a complete breakdown, Akatsuki grabs him and the two run away to Osaka… and a love hotel.

This series has always been very horny, and the author jokes that they may have taken things a bit too far this time with that love hotel scene. No, they don’t go all the way, but certain things are done, and both of them get a nice view of each other naked. That said, the reason this is a pretty good book is the emotional catharsis that Kawanami gets, as Akatsuki points out that he’s basically cured of his reaction to women, he just doesn’t actually realize it. The bit where Mizuto points out to him the way that he’s misremembering things made it clear that this really is very similar to PTSD, and as such it’s definitely a good thing the two stopped when they did. In any case, they’re now a couple, which means we likely have only one major arc left in this series, the “what will we do after graduation?” bit.

If you enjoy this series, this is a decent read. And short. Also, while I hesitate to mention current memes in a review, it’s really hard not to look at that cover art and not think “let’s take ibuprofen together!”.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I spent a lot of this volume wondering how seriously I should take the yuri pandering. There is, and I think this is the 4th or 5th time I’ve said this, a ludicrous amount of boob grabbing in this book, to the point where it’s almost every 4th or 5th page. This is partly a consequence of the plot, which is a class trip, meaning lots of scenes of the girls off by themselves, but still. But we also get a suggestion that a girl confessed to Mizuto because in reality she was in love with Yume (which is… not QUITE true) and a lot of bi panic in this book, which is sometimes played for comedy, but also sometimes meant to be taken seriously. Finally, near the end, we get… well, we get something that I am reluctant to spoil because this volume is a mystery, but it at least suggests that there are SOME actual lesbians in this series. And that Isana is absolutely bi. (We knew that already.)

It’s class trip time, and everyone’s off to Okinawa! Of course, there are a few hiccups. Mizuto and Yume have had their first time, and really want to have more, but “surrounded by our classmates” means that’s not gonna happen. Yume’s attempts to hide who she’s dating are spreading all sorts of rumors, and while she’s able to control and dissuade the guys confessing to her, Mizuto struggles a lot more when he’s confessed to… by Asuhain? On the trip itself, we get a gyaru group who seem to be wrapped up in SOMETHING, but it’s unclear how sinister it actually is. We get snorkeling, we get shopping. We get Yume realizing that Asuhain has been avoiding her ever since the last volume, and she can’t figure out why. And, perhaps worst of all, Isana’s breasts are now public knowledge, and everyone wants to grope them.

So yeah, as you guessed, this is still mostly a series for horny guys. That said, there is serious stuff here beneath all the boob jokes. The author tries to tell a mystery, and while the culprit is not a surprise, it is mildly interesting seeing Mizuto doing his detective work while also being smug about it. The subplot with Asuhain is handled seriously and works really well with her character – she’s always felt like “Yume only one year behind”, and this just reinforces the hell out of that. And then there’s Isana, who I think is finally giving up on the polycule. It’s framed as a joke in the end, in that she tried to see if seeing Yume and Mizuto being romantic and loving would give her heartache but she was too distracted by Yume’s sexiness, but that and the other surprise revelation makes me wonder if the author is, perhaps, going to give us a token nickel by the end of this series.

Probably not. Next volume we’re back with Akatsuki, so it will likely back off from Isana a bit. Still, under all the fanservice there’s still a nice little story. But man, you have to dig past a lot of fanservice.