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From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 9

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

For the first few books of the series, each one focused on one of the women that Bel used to teach who has now fallen in love with him, as well as dealing with Bel’s phenomenally low self-regard. Now that we’ve cycled through everyone, and Bel has… started to deal with getting more self-confident (he still backslides a lot), we get to cycle through the heroines again, and the theme seem to be each of them dealing with a personal issue. For Allucia it was her sword breaking and her attachment to it, and now we have Surena, who has a much more serious issue (the monster that killed her parents has lodged itself on a mountain and is going after passersby) but who also suffers from being the heroine we care about least. Sorry, but since she’s always off being an adventurer, she’s way behind in the Bel sweepstakes. Still, she tries.

As Bel goes about his day, taking the time to look over Ficelle’s class and see that she’s actually teaching them magic swordplay properly now… not that that makes it any easier to get, as Mewi is finding out… he finds Surena coming to his house. She explains that she’s taking on what is likely to be a very dangerous mission, and she wanted to touch base with him just in case she doesn’t return. A while later, Bel is rather upset to hear she has not in fact returned. and Allucia, who may hate her romantic rival but doesn’t hate Surena the adventurer, swings it so that Bel can “take a vacation” and find out what’s happened to her. And it turns out what’s happened is a tough invisible named monster who’s almost entirely impervious to blades… and who both Bel and Surena recognize.

Speaking of characters we don’t usually see in the narrative, this book actually gets Lucy to leave her office and do something for a change, mostly as it turns out sending non-magical sword users to take on a monster who uses mana to kill its opponents is not the brightest idea. The book also shows off why we usually don’t have Lucy along, though – leaving aside that she’s not attracted to Bell and therefore can’t push the wife question at all (speaking of which, Surena gets little sisterzoned, alas), but it becomes very clear that she’s holding back, partly so as not to cause an international incident, but mostly as she’s too OP for this book. We already have Belgrieve as the very, very powerful swordsman who refuses to admit it, we don’t need a very, very powerful mage who revels in it.

The 10th volume only came out in Japan last month, so it will be a while before we see it here. In the meantime, rest assured, everything is exactly the same with these folks, for better or worse.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 5

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

I’ve said this before about TO Books’ output, but it bears repeating: a lot of their books are just too long. Now, I don’t mind this when the writing justifies the length, with series such as Ascendance of a Bookworm, where you could argue they needed to be even longer. But as I was reading the latest volume of All-Works Maid, I kept checking the page count to see how long there was to go. Like a lot of webnovel-to-print books, tighter editing is required but not always given. This is especially frustrating given the clever conceit of this book, where we start a whole new setup and then discover over the course of the book that the setup is not going to work at all and we have to go back to basics. I like the idea of starting a plot only to stop and say “nah, nevermind” when it’s deliberate, but combined with the flabbiness of the volume it does feel a bit frustrating.

After the attack the last volume, Melody has decided on a course of action. She – or rather Cecilia, her alter ego – is going to transfer into the academy, so that she can protect Luciana from whatever darkness is coming after them. Now, getting in is not a problem – she has people who can pull all sorts of strings for her, and she is a natural genius. As for the dark mana monsters that we saw last time, they too are lying low… mostly as their mistress is busy figuring out that otome gaming is hard when someone’s already broken the plot. It doesn’t help that there are simply too many villainesses walking around, and the narrative can’t contain ALL of them. Unfortunately, what ends up crippling Melody/Cecilia is something that a lot of AP-course high school kids have to deal with – overextending herself and not being able to be who she really is as she’s too busy being who she isn’t.

As I said, I do like the conceit of the plot twist here. As good an idea as Melody joining the students as Cecilia is, it detracts from the theme of the books as a whole, which is MAID. More Cecilia means less Melody, and that’s very bad for Melody. This is handled comedically at first, as Melody is horrified to find that Micah and Rook have been trained so well that, strictly speaking, she doesn’t have to be a maid in the evening at all. As the book goes on, though, and we see continual scenes of Melody going to bed and being unable to fall asleep, we start to get an idea of where it’s headed – collapse. I did also appreciate that while turning back into Melody full-time did temporarily give her a boost of adrenaline, it did not completely fix the issue, and she still needed sleep and food. I also really liked the new addition to the cast, an artist who wants to avoid her father’s struggles but also is consumed by the ART… and who may be able to spot the thread connecting Cecilia with Melody.

This is 8+ books in Japan, so they’ll have lots of time to plot and scheme in the future. But when they do, it will with with Melody maiding it like she’s never maided it before.

Zero Damage Sword Saint: I Enrolled in a Magic School and Wound Up in a Contract with the Demon Queen, Vol. 2

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By Isle Osaki and kodamazon. Released in Japan as “Kougekiryoku Zero kara Hajimeru Kenseitan: Osananajimi no Oujo ni Suterare Mahou Gakuen ni Nyuugakushitara, Maou to Keiyakusuru Koto ni Natta ” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Stephanie Liu.

I’ve talked before about McDonald’s books, and this series absolutely fits the bill. Some people read to stimulate their brain, to be drawn in by compelling plot and rich characterization. And some people just want to see the bland hero who could almost be themselves if they were in this world defeat every monster, get every girl, and have everyone think “gosh, I made fun of him before, but now he’s so awesome, I feel frustrated and humiliated”. This lacks the latter part, which may be why I’m enjoying it more than a lot of those “revenge on my high school classmates” books. Eugene continues to be the least interesting thing about this, but his supporting cast at least keeps me reading, and I’ll take a flyer on another book. The very definition of “It’s OK, I guess”.

We start with a POV from Sara, the student council president and Eugene’s former partner, showing how difficult it is to be a saint candidate, but more importantly how head over heels she is for Eugene. This helps to explain why all of a sudden she’s decided to accompany Eugene on his dungeon quests… because she’s seen how close he’s getting with Sumire, the isekai’d ifrit girl, and doesn’t want her getting too close. Sumire and Sara both regard each other as gorgeous women who could easily seduce anyone they wanted, but sadly this isn’t that kind of book, so rather than having belligerent sexual tension they just get jealous and “grr” a lot. That said, while both Sumire and Sara are very good at helping to get past monsters, in the end the main reason they’re doing so well is that Eugene can use Eri’s dark mana… and a nasty surprise awaits him at Level 100.

There is a good deal of plot involved here. Now that Eugene is accomplishing things and has dropped the “woe is me” attitude from the first book, we are reminded of his lineage, and also the power of working very hard, attack mana or no, so he is clearly a Man Of Destiny ™. There’s also some amusing angel/demon backstory here, as of course Erinyes is fallen, and she has a cute comedic conversation with the angel responsible for monitoring the dungeon battles. That said, the biggest plot advance was in the romantic potential. Last review I said Sumire better hope there’s polyamory in this world or else she’s doomed. Lo and behold… that said, calling it polyamory feels a bit much, given the poly ships we see here run on the women all hating each other but begrudgingly agreeing to share. “Harem” is more apposite right now. Most importantly, though, Eri can’t leave her prison (with an exception or two covered in the book), so when the book ends with Eugene being called home to visit his family, only the two public girlfriends get to accompany him.

Will we get the full backstory of his ex next time? Probably, and I bet she eventually joins the harem. Which I’m hoping gets closer to a polycule, I’d like some of these girls to actually like each other. For fans of light novels who want light, easy, and with a bit of fanservice.