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From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 2

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

There’s almost a mini-genre now that can be summed up as “OP protagonist is excessively humble, does not realize their own OPness”. It can’t simply be that they’re constantly belittling themselves and saying anyone can do what they do with a little bit of effort, it’s that when we see them in action we know that this is demonstrably false, that they really are incredibly talented and special. Several times in these books we see Beryl fighting someone or something and thinking “huh, I guess they’re not all that strong, I wonder where the real fighters are” and it turning out that no, those are the real fighters. Heck, for the climax of this new volume the opposing soldiers of the church have to literally dope themselves to even try to be able to defeat him. The hotshot disciples of the title won’t leave him alone because he’s seriously hot stuff.

After the events of the last book, Beryl is in need of a new sword. What’s more, he finds that one of his ex-students, Kewlny, is using swords far too light for her muscular body, and needs to move to a much heavier sword. Fortunately, another one of his ex-students is a master blacksmith, who took a year to learn swordsmanship in order to better his craft. (He’s also not in love with Beryl, which reassures me that the “students” he taught are not all haremettes.) As he waits for his sword to be forged, he runs into a pickpocket who is, surprisingly, able to use magic. Unfortunately, the reason she’s picking pockets turns out to have a tragic origin, and of course Beryl gets involved. Could the reason for all this turn out to be an offshoot of the neighboring country’s religion?

Yeah, evil Church again, though at least we get a good priest to show that the evil church is mostly this one evil guy and his goons. It does, however, help us to codify what magic is in this world and what it can and cannot do. The reason that Mui (the pickpocket) using magic is so surprising is because people who are magic capable pretty much get snapped up and put into the academy, so the fact that she isn’t is surprising. We also hear why the folks who use magic are called Wizards and not Mages, and it makes sense in the context of this world. What’s more, there are things magic can’t do. From the moment “resurrection magic” came up, we knew that things were going to be headed down a dark path. I wasn’t sure if it would mean vampires or zombies, but I knew it would not lead to happy people back from the dead and fine. There *are* series that do that (Delicious in Dungeon comes to mind), but this one runs on stricter rules.

All this plus almost none of the silly romantic antics I was expecting this series to have. A look at the summary of the third book tells me that may change soon, but ah well. This has become a pleasant surprise.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 4

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

I am frequently proved wrong when I write reviews of light novels, but it’s rare I’m proven this wrong this fast. Last volume I wondered if we could get a bit more of happy, joyful Sara because I was annoyed with cranky, grouchy Sara. I am prepared to do a complete 180 – after this volume, I think the reason I find Sara most interesting is because she’s always so bitter about everything. First of all, it helps to differentiate her as a character from various other plucky young girls who were reincarnated and now have massive amounts of power in their adorable teenage bodies, and secondly because it’s not really tied into her past life in Japan. We know she spent most of it sick, and that is why she seems to find such joy in seemingly normal things in this world (like the butterflies), but the cranky “why are you telling me what to do/including me in your drama?” is entirely her own self, and it’s just fun.

Sara, Allen, Nelly and Chris are headed towards Nelly’s hometown to get Nelly’s family to become Sara’s guardian, so that she is less likely to be forcibly abducted by the knights. On their way there, they come across a village dealing with an infestatio0n of seven-colored swallowtails, a butterfly monster whose skin can cause paralysis when touched. When they arrive in Hydrangea, Nelly’s hometown, there is some predictable family stuff, and we learn that Nelly is basically exactly what we guessed she was, but their dungeon is also having a swallowtail infestation. In addition, Sara seems to have finally realized that when she’s not being pushed into it by anyone, she really DOES want to be an apothecary, so she starts learning basic things at the guild -her education with Chris having been erratic, to say the least.

One source of Sara’s constant simmering annoyance is the fact that everyone is trying to decide her future for her, be it passively or actively. Chris, of course, wants her to be an apothecary, and that’s one reason she took so long to decide she actually likes doing that. Nelly and Allen want her to be a hunter, since she’s got fantastic power and ability for it, but, as we see in possibly the best scene in the book, she simply doesn’t have the stomach for it – she can’t kill off monsters like it’s a game, she sees them as living creatures who don’t deserve to die. I loved her delight at seeing hellhounds in Hydrangea’s dungeon, essentially putting them on the same level as her wolves from back home. Speaking of home, it’s interesting to hear that the ‘Dark Mountain” is not just a dangerous place, but a real dungeon – dungeons simply work differently in this world. So Sara was essentially reborn at the bottom of a dungeon, like a final boss. How apropos.

The cliffhanger ending of “if we can’t take her by force, we’ll take her by marriage” implies she’s going to have to go to the capital next volume, so I do not expect her snark to recede anytime soon. This remains an enjoyable reincarnation series.

Private Tutor to the Duke’s Daughter: Illusions of History

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Private Tutor to the Duke’s Daughter is hardly the first Japanese series to feature what are, for want of a better term, “battle maids”. They’ve been around for as long as there have been anime. Generally speaking the key two aspects of battle maids are that they are ludicrously good at combat, but also incredibly proud of being maids, also to a ludicrous degree. That said, Leinster maids also have one very important aspect to them, one that can even get in the way of maid duties or combat: they like to watch Allen and Lydia be sweet together, and gush over it. In essence, they are us, because that’s exactly what I did in the last book, and in the parts of this book that feature the same thing. Oh, yes, and as if that weren’t enough, some of the maids are also orphans, kids who were discriminated against, or in one case a literal experimental child soldier. None of that matters, though, as long as you can protect Lydia and take video of her being tsundere.

When we left off, Allen and Lydia had just lost to a hideously powerful vampire woman, who fortunately had to leave before she could take care of them once and for all. Now they’re recovering their strength, trying to research vampires, protecting the boy that everyone seems to want to kidnap, and of course Lydia is also putting in the “you’re in love with me, right?” press every second of every day. (Allen’s response is ambiguous, as you can guess, but it’s clear he’s mostly lying to himself.) Unfortunately, the vampire’s reason for leaving them was to help the Church make sure this war absolutely starts, and by the end of the book they’ve pretty much almost succeeded. While back on the Southern Continent, everyone is trying to assault an impregnable castle, and they will need to combine all their “in love with Allen and badass” powers to make it happen.

Tina, once again, gets some stuff to do but is not the focus, though that should change by the next book. The main narrator here, aside from Allen, is Lynne, who has always suffered a bit from being “smaller, more sensible Lydia”, and indeed her big spell is Firebird, only this one is not backed up by an ancient hard to control spell. Lynne, like the rest of the female cast, is mostly defined by “being in love with Allen”, and you get the sense they’re all doing this not so much to save the country as to not disappoint him. Caren also gets a lot to do here, and she and Lynne have a final confrontation against a smug Church kid, and Lynne, Caren and Tina are headed off to the City of Water for the next book. Stella is still suffering from Magical Plot Device Disease, but she’s better at being a general anyway. Only Ellie suffers, as it’s frankly clear that the story has outgrown her since Book One, but the author hasn’t the heart to get rid of her, as she’s simply too nice. (And clumsy, but only around Allen. The girls know how to abuse tropes in universe.)

So yes, after a huge arc, we’re getting another huge arc, as this war (or near war) is not ending anytime soon. If you enjoy watching girls beat the shit out of people and pine for a perfect guy, keep reading, you’ll get more of it.