By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

Each volume further a writer gets into a series, the more difficult it gets to write an ending that wraps everything up in a nice, neat bow and resolves all the hanging plot and character points. And since that’s the case, it’s always glorious to see a series that does it. This final volume of Good on Wolves (the series’ unofficial nickname among its fans here) is everything I wanted to see. The series returns to its roots, acknowledges how far it’s come, and settles back down after spending the previous volumes roaming all over the map. There’s also a proposal here, though this series is always going to be fairly mild about romance. The big emotional high for this story wasn’t Allen saying to Sara that they should get married and build a house, but rather the mountain wolves asking everyone to trust them and fighting together with the cast to fend off cockatrices. Good doggos to the end, even as scary wolves.

Sara and her friends are in the capital, living their best life. But they hear that things are a little rough in Rosa right now. They were building a paved road from the city to the Dark Mountain, but work stopped halfway. What’s more, the mayor apparently looks haggard. Who’s the mayor? Why Ted, of course! Despite this, Sara wants to go back to Rosa. She wants to visit the cabin where she started in this world, and she’s made her peace with Ted and his jerk antics. So the whole crew go up there, only to find… things are better than expected? Ted is exhausting himself, but that’s more his personality than anything else. He even has a fiancee! The road project is stalled mostly as they’re out of magic stones. Fortunately, when Sara’s around, monsters are sure to follow, and now there’s a huge number of Cockatrices making life difficult for everyone.

Much of this book, like the previous one, is showing off how Sara has matured and become an adult, much to the surprise of some (she’ll always be short and look pretty young). Her teaching is first rate, and she even helps Ted with his romantic relationship (which is also relatively free of drama). The only dramatic moment is when there’s a crisis with several hunters needing supreme potions, a “either you get all better or it kills you” sort of potion. Sara’s been lucky to this point, but one of the hunters doesn’t survive. That said, Sara briefly castigates herself but recovers quickly. She’s basically a doctor through most of this, when she’s not using her barriers to do virtually anything. If there’s one minor nit I have, it’s that Allen feels a bit left out until the end of the book – I’d like to have seen more with just the two of them.

This is another series that I’ve always loved, going from a small insular mountain (that we don’t even realize is a dangerous dungeon till much later in the series) then expanding outwards from a refugee camp to a city to a bigger city and finally to the capital… then back to the mountain in the end. Bye, Sara. Enjoy your career, your married life, and your many, many pet wolves.

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

Even if I hadn’t already seen the news that the next volume is the final one, the fact that the book starts with Sara and Allen finally being a couple and dating would probably have made me think it anyway. The author does not seem to be the sort who enjoys focusing on romance, as we saw with Nelly and Chris and as we see here. Allen and Sara’s first date is exactly the same as their normal work, going dungeon crawling. Allen needs a checklist on how to do a normal date like a normal person. It’s very funny, but it also underlines once again that our core cast are not normal people, and Sara may be the worst of them due to where she landed when isekai’d. The best joke in the book has her being asked to take a class on common sense, because she doesn’t have enough of it – and she has to ruefully agree.

Sara is eighteen now, has settled into her job, and is now dating Allen, though that mostly seems to involve them acting exactly as they always have. They’re not staying long in their current digs, though, as they get a request to take Ann, the Invited we met a few volumes back, to the Capital so that she can become a knight, which is the career that she’s decided on. This will likely take a while, meaning Sara and Nelly have a tearful goodbye for now. On the journey there, they’re interrupted by some cotton sheep, which like all cute-sounding animals in this world are actually vicious monsters. Fortunately, the sheep end up going north of our heroes’ destination. Once at the capital, Sara reunites with old friends and former enemies who she can now grudgingly get along with, and that’s probably for the best, as it turns out the cotton sheep have turned again and are heading straight for the city.

There’s one point in the story where everyone finds out they now have “nicknames” that almost read as titles, and I was rather startled at “Allen the Hero”, till I remembered the whole giant turtle thing and went “oh yeah, guess he is”. In fact, every single one of the Invited, as expected, are fast becoming legendary, as are the folks who hang around them. Kuntz is tricked by his brother into helping to train his fellow rookie hunters, and the training, which ropes in the rest of the group, ends up showing everyone in the city why the Invited are so different – their imaginations and otherworld experience means they can simply think of magic and powers differently. This is why in the past they’d been essentially forced to do whatever the kingdom wanted, and the big thematic climax of this book is not the final fight against the sheep, it’s the fact that Liam a) offers a plan that does not require them, and then b) politely asks if they have any other ideas. He too has come a long way.

Will this series end with babies ever after? Almost certainly not. Will it end with wolves? Almost certainly. Good heartwarming isekai.

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

Of all the series I was expecting to parallel the main plot in this one, Though I Am an Inept Villainess is perhaps not the most obvious choice. But it does make sense. Sara has had a life in Japan where she spent most of it ill and not being a real kid, and then she ended up in this world and spent almost all of it also not being a normal kid. Even when she met up with Allen, who is himself nothing like real children in this world, they both act relatively mature, and they’re both surrounded by adults most of the time. And now they’re 17, which is to say they’re adults in this world, but have not quite mastered the emotional heft needed to survive as an adult. As a result, when a traumatic event happens to both of them, they have their first big fight. And everyone around them suffers. Because these are GOOD KIDS.

Now that Nelly and Chris are married, they have the perfect choice for a honeymoon: go explore a dungeon, of course. And they take Allen and Sara along with them. Unfortunately, the deep floor of the dungeon turns out to be filled with gargoyles, which badly injure Chris and Nelly and give Allen near fatal injuries, which Sara has to treat by giving him a potion that either works pretty well or hastens death. Allen survives, but as it turns out he has to “take it easy” for a month or else he’ll never get back his old strength. Unfortunately, medical research is still mostly in its infancy in this world, so no one knows what “take it easy” really entails. Meanwhile, Sara, who has her barriers, was perfectly safe throughout this. Allen is realizing that “strong enough to protect her” is going to need a big re-definition.

I do appreciate that the book does not make this ENTIRELY Allen’s fault. Just mostly his fault. It’s about an 80-20 split. The main issue is that the only ones who still see Allen and Sara as kids are Allen and Sara themselves. Everyone around them assumes they’re going to be married in a few months, but the two of them still can’t quite make that jump, and when Sara goes to the capital alone, without Allen, it’s a game changer for her, and everyone comments on it and realizes exactly what’s happened. It must be depressing when everyone around you knows you better than you know yourself. In any case, Sara is a full-fledged apothecary with little more to be taught, Allen is learning how to fight properly as opposed to the hand-wavey bullshit way Nelly fights, and they are developing careers. Settling down will soon need to be a thing.

Unfortunately, the next book seems to start a new, non-romantic arc. Well, I suppose that’s fine. This is a great series. And it had a good amount of wolves this time, too!