Category Archives: reviews

The Tatami Time Machine Blues

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By Tomihiko Morimi and Yusuke Nakamura, based on the play “Summer Time Machine Blues” by Makoto Ueda. Released in Japan as “Yojōhan Time Machine Blues” by Kadokawa. Released in North America by HarperVia. Translated by Emily Balistrieri.

I had mixed feelings about The Tatami Galaxy as a novel, as I appreciated the story, the writing, and the other characters, but the nameless protagonist drove me nuts. We honestly spent far too much time inside his head, to the detriment of my enjoyment. If only, I probably did not think at the time but should have, there could be a book with the same cast but where events happen so fast and require so much action that the protagonist does not have all that much time to be a pretentious ass? I was probably yearning for a book just like this one. Taking a pre-existing play written by frequent collaborator Makoto Ueda before The Tatami Galaxy was written (it has a famous live-action film of its own) and putting the Tatami Galaxy characters in it is a fantastic idea, mostly as it turns this into a comedic farce. And boy do these characters work well in that genre.

This is not a sequel to the original, but more an “alternate story”. The setup is the same. The narrator lives in a dilapidated apartment complex, he has his terrible best friend, his cool beauty crush, and the annoying guy who’s been a college student for at least ten years now. The plot starts when the remote for the complex’s one air conditioner, in the narrator’s room, is broken and it’s the hottest time of the year. This is a problem, as they’re busy doing things like making Akashi’s movie about a time traveler going to the Shinsengumi period and turning them all into slackers. Then a *real* time machine shows up, and they get the bright idea to go back in time and grab the air conditioner remote before it gets broken. But… doesn’t this create a time paradox?

The discussion of time paradoxes and closed time loops is interesting, but honestly it’s just an excuse for madcap antics and the narrator freaking out at said madcap antics. The narrator has the same problem he had in Tatami Galaxy – he wants to ask Akashi out but is too much of a coward – but aside from one section in the middle he is not allowed to dwell on this, and honestly his problem ends up being solved by the time loop and Akashi, who (as in the first book) has the patience of a saint. There’s also a time traveler from the future, whose identity is so obvious that even spoiling it here would feel lame, but who allows the plot to happen. And there’s Ozu being terrible, and Higuchi being annoying, and Hanuki being a free spirit, etc. This doesn’t have the grand feel of the last quarter of Tatami Galaxy, but it’s not aiming for that. And honestly, it may be the true canon. The narrator and Akashi come up with the plot for The Tatami Galaxy towards the end, and even name it. So perhaps that’s the fiction and this is the reality.

If you enjoyed the first book, or the anime, this is a must read, and go watch the anime too. Honestly, maybe Morimi should use pre-existing plots more often.

I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now, Vol. 1

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By Suzume Kirisaki and Cosmic. Released in Japan as “Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta” by M Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I wasn’t sure whether I’d enjoy this new series, which I mostly decided to read because, well, I was reading CIW’s other two debuts this month, so hey. It begins with the old chestnut of “adventuring party doesn’t see the value in strategy so gets rid of the weak guy who’s actually the pillar of their support”, though most of the time those people are merely thrown out, not butchered and left for dead. The “I’m being raised by a dragon but we can’t communicate well, can we become a real mother and daughter?” plot is arguably the main one, and it’s a lot better, reaching a few levels of heartwarming along the way. That said, the big reason I enjoyed this book as much as I did was the ghost story. Not a literal ghost, but the idea that everyone is haunted by the presence of this guy, but they can’t remember his name. That’s fantastic.

Our nameless protagonist is, as noted above, murdered by his party members. They’re on a very dangerous mountainside and decide to use his corpse as bait to get away from monsters. As he crawls towards his inevitable death, he is picked up by a dragon. Back in the dragon’s lair, she finds she’s now a 10-year-old girl, and has lost most of her memories of her past. The dragon is clearly trying to raise her as a daughter, but has no idea what humans need in terms of food, etc., so they both struggle for a bit. That said, the previously magic-less protagonist, now named Lushera, can now breathe fire and manipulate lightning and other dragon-ey things. Meanwhile, back in the town the adventuring party came from, they’re highly disturbed by his old guild badge, which has his name blocked out but has stats that are out of this world.

The other important thing about this book is that the author calls it a “transsexual fantasy”, as the male protagonist, on being nearly killed and then reborn as a dragon’s child, is now a different gender. This is handled pretty well, mostly through subtext, as we see Lushera’s discomfort when having to wear girl’s underwear for the first time, and her constant astonishment at the fact that her new body is “cute” and “pretty”. But yes, it was the “ghost story” that fascinated me. Lushera’s old life is erased by (presumably) dragon magic, but it was just her name, and everything she did – which was a lot more than the stupid party that killed her thought – is still heavily influential on those in the town. We also learn the tragic reason she and the party were there in the first place, which neatly ties in to the new relationship she has with her dragon mother, one where she struggles to admit that it’s love for a parent.

This is another one of those “there’s more to the story, but it also could easily end in this volume” sort of books. I’d definitely put it in the “better than expected” category.

Stuck in a Time Loop: When All Else Fails, Be a Villainess, Vol. 2

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By Sora Hinokage and Tsukasa Kiryu. Released in Japan as “Loop kara Nukedasenai Akuyaku Reijō wa, Akiramete Sukikatte Ikirukoto ni Kimemashita” by DRE Novels. Released in North America by J-Novel Heart. Translated by Andria McKnight.

There is apparently a 3rd and final volume of this coming soon, which surprises me, as right until the end I thought that this book was the equivalent of that new Shonen Jump series that is told “you have 3 chapters to wrap up all your plotlines”. This volume hits the ground running and does not let up in terms of reveals, backstories, and monster fights. Thankfully, Selene is no longer stuck in a time loop, as at least in this book she manages to make it all the way through without resetting. Unfortunately, bad things keep trying to happen to her, leading to a change in her goal: escape this time loop’ is now secondary to ‘live freely and happily and screw everyone else’. Well, everyone else except Dier, of course. The romance in this series is so mild as to be almost nonexistent, but it is there, and deep down Selene is probably “quite fond” of Dier. Just don’t ask her to say it.

Unfortunately, Selene, Dier, and the king find that even taking all the other powers from the guardians is not enough to change the mystery stone tablet. Fortunately (?) for Selene, a solution presents itself fairly quickly: her little sister Soleil has finally gained the powers of the sun, and her mother is now telling Selene to step down. Selene says no, and so the two of them have to have a fight to determine who gets to be head of house. Which… makes little sense, given that Selene is a master of shadow and Soleil just came into her power last week. What’s stepmom’s real agenda here? Well, it’s a big one, and is tied deeply into their family, the past of this country, and Selene’s own late mother. Unfortunately, none of these revelations are particularly good news, and Selene spends most of the book in battle.

I was pleased to see that little sister was not evil as I’d theorized at the end of my first review. She just has an evil mom. That said, Soleil is not all that interesting, being the standard “yes, mother” daughter who must break free of her shackles, etc. Selene is the star of the show, and the reason we’re here. I’ve mentioned her emotional walls before, and they’re still very high, making the narrative sometimes feel as if she’s reading off a phone book when she’s actually facing off against monsters who have possessed her family. The best part of the book is probably Selene’s father, who I had written off as a minor part of the series, returning and showing that, like his daughter, he does actually feel things but has tremendous difficulty expressing them. This forces Selene to have her one and only major emotional moment in the book. That said, it’s only about halfway through the book, so she doesn’t “change for the better” or anything.

The cover to the third volume, due out in Japan next month, has the characters walking into the twilight but looking back at the reader with a smile, and you know what that means. I’ll be back, and continue to hope Selene has a love epiphany or something.