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Death’s Daughter and the Ebony Blade, Vol. 7: Exordium

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Always lovely when I have to eat my words. You may remember at the end of the last review I did, where I said that Ashton’s death likely wasn’t permanent, as this was not that kind of series. Well. Um. Guess it is now? I feel a bit guilty, given I recently dropped a series (The Mythical Hero’s Otherworld Chronicles) for getting too dark and cynical, but in this volume Death’s Daughter also doubles down on the dark. The good news is that it’s not nearly as cynical, and gives us some hope that the series will not end with everyone slaughtered (the flashforwards to how various dead commanders will be remembered helps). the bad news is that Ashton’s death does not seem to be the sort that can be undone by magical means, and also lots of other regulars die here as well. The very bad news is that the author couldn’t cram all the plot into this book, so the 2nd part of Vol. 7 is still to come.

The final battle between the Asvelt Empire and the Kingdom of Fernest ends up being completely upended by the arrival of ghouls controlled by the new emperor, who is not remotely evil at all, of course. This has always been a “war is bad” series, but the ghouls also help to remind you that even though war is bad, there are still ways that it should be fought, and these corpses do not do any of that. This is also bad news for the United City States of Sutherland, who get a “become my vassals or be destroyed” message from the empire, with one of the states serving as an example of what will happen. Even the Holy Land of Mekia can’t deal with this, and the Seraph finds that the ghouls are not a product of mage tactics. As for Fernest, well, let’s just say a lot of the cast who’ve been around since Book 1 gets one last battle. And, um… where’s Olivia, anyway?

The reason I spoil that Ashton is found dead in this volume is that it happens right at the start of this book. We then spend almost the ENTIRE book waiting for Claudia and Olivia to find out about it. We don’t even see Claudia till 4/5 of the way through the novel, and Olivia, after a brief scene showing her happily training with Z, is also absent for the bulk of it. There’s two reasons for this. First, I get the sense that if Olivia and Claudia were actually present throughout this volume, there’s no way that the series couldn’t avoid killing them off too, which would make the end a bit bleaker than I think even the author wants. The other reason is, of course, to show their devastated reactions at the book’s climax, because otherwise this would feel a bit too much like “the book was just cut in half arbitrarily”. The counterattack needs to start next time, even if the romantic resolution isn’t going to happen anymore.

So what’s next? There’s certainly a lot more cast we can kill off, but I suspect the last book will have a bit less of that. Till then, oof. This was a punch to the gut.

Raven of the Inner Palace, Vol. 5

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 5

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

Generally speaking, I enjoy these “sweet love story” light novels, enough so that I’m reading several in the genre, but they have their flaws, and this 5th volume of An Introvert’s Hookup Hiccups shows off a big one: the lead couple is simply far too earnest. You would think that would not be an issue, especially since they’re now a genuine couple, but that’s exactly the crux of the problem. After spending the last quarter of the last book groveling and apologizing to each other for their mutual deceit, they both realize that other people were involved in this dare as well, and the other people realize it too, and (while not as bad as our leads) they are also very earnest people. And so the entire first THIRD of this book consists entirely of apologies. It is, frankly, exhausting, repetitive, and mildly annoying. Get back to being accidentally smooth with each other, please.

So yes, the book opens with Nanami’s best friends apologizing to them for the dare. Then they apologize to their families for the dare. And then Nanami’s mother apologizes to them because she knew about the dare. Then they go apologize to the guy who confessed to her while they were fake going out. Honestly, this was the most interesting apology, if only as Yoshin and Shibetsu are bonding so closely and so quickly you want to check the genre of the book you’re reading. After this, though, it’s all sweetness all the time, as they go to cheer Shibetsu on in his basketball tournament, visit a trampoline park (where Yoshin learns that sports bras exist and what they do), meet Hatsumi and Ayumi’s boyfriends, go to an indoor pool at night, and end up having a surprise wedding photo shoot, which they only put up token resistance for.

Yoshin spends a good deal of this book wondering if he’s really doing enough for his relationship, or thinking about his future and how to be a breadwinner, etc. The irony, of course, is that he’s way ahead of most of the cast when it comes to honest love and communication, and lacks the “this is too embarrassing” gene that most light novel guys tend to have. I think he’s probably going to be good no matter what he chooses to do. We also get a better look at the two boyfriends, as I said. I mentioned in an earlier review they both sound like they’re starring in light novels of their own. It’s still not wrong. The book lightly glides over the “stepbrother/stepsister” one, and the other one has a big age difference. There’s parental pushback, but not for the reason you might think. Basically, they’ve got a few more problems than the sickly sweet Yoshin and Nanami, who (it is literally pointed out) will be married the day they graduate high school and likely having their first child nine months later. The book is sweet and not sleazy, but these kids are quite horny for each other.

So yeah, the series could have ended fine as of Book 4, and I could have done without Apology Tour 2023, but this gives readers what they want. That cliffhanger suggests that the initial premise is not entirely gone, however…