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Magical Buffs: The Support Caster is Stronger Than He Realized!, Vol. 1

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By Haka Tokura and Eiri Shirai. Released in Japan as “Zatsuyou Fuyojutsushi ga Jibun no Saikyou ni Kidzuku Made” by M Novels. Released in North America by Airship. Translated by Maddy Willette. Adapted by Rei Geronimo.

I’ve gotten very used to light novels that are complete in one volume, explaining everything and resolving the plot, then having six more books after that as it caught popularity and the author has to suddenly come up with more plot and more characterization. It’s not very often I run into the exact opposite, though. This book features a main character with one of the biggest cases of self-hatred I have ever seen (and given I read light novels on the regular, you know it’s pretty bad). He has a childhood friend who is obsessed with him but also seems to have a bit of tragic backstory, and I was certain that by the end of the book we would hear about whatever it was that made the two of them like this to begin with. That does not happen. Instead, we get the guy doing the usual OP stuff (this is a “thrown out of the hero’s party” series, so of course), and then it just stops. To be continued.

Our main character is Wim, who is a support caster with a prominent “Abenteurer’s” party, and as you have guessed if you know this genre, the arrogant swordsman cruelly throws him out to that he can have his party consist entirely of women and him. (The one who replaces Wim, Sophia, rapidly comes to regret this.) Wim, unfortunately, has the self-worth of a sack of manure, so merely goes to the tavern he frequents and drowns his sorrows. Fortunately, he’s met by his childhood friend Heidemarie, who is a prominent member of the strongest party in the city. She wants him to visit them and show off his stuff. As does their leader Camilla, an Amazonian woman who screams badass. Wim has no idea what they see in him. After all, he’s only a support caster, an occupation that is useless unless you’re a multitasking genius. Good thing…

This book is not without its merits. I really did want to understand Wim, who really cannot even accept any praise or compliments without curling in on himself. Heidemarie also clearly has some issues. At first I thought she was the comedy stalker wannabe girlfriend, but as the book goes on it becomes clear that a) keeping tabs on him at all times may be smart, and b) she has almost given up on getting him to notice her. That said… at the climax of the book, we finally get to see his super special skill that only comes out when everyone’s life is on the line (we briefly saw it in a prologue, but it was hidden from us), and it basically turns out to be overclocking his brain to think faster, which most people cannot do but he is Stronger Than He Realized. It’s setting up for a flashback or for us to find out what happened to him to make him this way… but nope. He saves the day, he crashes and wakes up in a bed and is thanked by everyone, cue side stories, the end. It is almost comically unsatisfying as a single volume.

The series seems abandoned at 3 volumes, which for once may not be M Novels’ fault. The author seems to have abandoned it for another popular subgenre, as their webnovel page is filled with noble daughters having their engagements broken and then finding new love. More importantly, this has a manga, also by Seven Seas, and that seems to be far more popular, and is ongoing. Might be best to read that if you want more, rather than reading this book on a Wim.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 9

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

For the first few books of the series, each one focused on one of the women that Bel used to teach who has now fallen in love with him, as well as dealing with Bel’s phenomenally low self-regard. Now that we’ve cycled through everyone, and Bel has… started to deal with getting more self-confident (he still backslides a lot), we get to cycle through the heroines again, and the theme seem to be each of them dealing with a personal issue. For Allucia it was her sword breaking and her attachment to it, and now we have Surena, who has a much more serious issue (the monster that killed her parents has lodged itself on a mountain and is going after passersby) but who also suffers from being the heroine we care about least. Sorry, but since she’s always off being an adventurer, she’s way behind in the Bel sweepstakes. Still, she tries.

As Bel goes about his day, taking the time to look over Ficelle’s class and see that she’s actually teaching them magic swordplay properly now… not that that makes it any easier to get, as Mewi is finding out… he finds Surena coming to his house. She explains that she’s taking on what is likely to be a very dangerous mission, and she wanted to touch base with him just in case she doesn’t return. A while later, Bel is rather upset to hear she has not in fact returned. and Allucia, who may hate her romantic rival but doesn’t hate Surena the adventurer, swings it so that Bel can “take a vacation” and find out what’s happened to her. And it turns out what’s happened is a tough invisible named monster who’s almost entirely impervious to blades… and who both Bel and Surena recognize.

Speaking of characters we don’t usually see in the narrative, this book actually gets Lucy to leave her office and do something for a change, mostly as it turns out sending non-magical sword users to take on a monster who uses mana to kill its opponents is not the brightest idea. The book also shows off why we usually don’t have Lucy along, though – leaving aside that she’s not attracted to Bell and therefore can’t push the wife question at all (speaking of which, Surena gets little sisterzoned, alas), but it becomes very clear that she’s holding back, partly so as not to cause an international incident, but mostly as she’s too OP for this book. We already have Belgrieve as the very, very powerful swordsman who refuses to admit it, we don’t need a very, very powerful mage who revels in it.

The 10th volume only came out in Japan last month, so it will be a while before we see it here. In the meantime, rest assured, everything is exactly the same with these folks, for better or worse.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 5

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

I’ve said this before about TO Books’ output, but it bears repeating: a lot of their books are just too long. Now, I don’t mind this when the writing justifies the length, with series such as Ascendance of a Bookworm, where you could argue they needed to be even longer. But as I was reading the latest volume of All-Works Maid, I kept checking the page count to see how long there was to go. Like a lot of webnovel-to-print books, tighter editing is required but not always given. This is especially frustrating given the clever conceit of this book, where we start a whole new setup and then discover over the course of the book that the setup is not going to work at all and we have to go back to basics. I like the idea of starting a plot only to stop and say “nah, nevermind” when it’s deliberate, but combined with the flabbiness of the volume it does feel a bit frustrating.

After the attack the last volume, Melody has decided on a course of action. She – or rather Cecilia, her alter ego – is going to transfer into the academy, so that she can protect Luciana from whatever darkness is coming after them. Now, getting in is not a problem – she has people who can pull all sorts of strings for her, and she is a natural genius. As for the dark mana monsters that we saw last time, they too are lying low… mostly as their mistress is busy figuring out that otome gaming is hard when someone’s already broken the plot. It doesn’t help that there are simply too many villainesses walking around, and the narrative can’t contain ALL of them. Unfortunately, what ends up crippling Melody/Cecilia is something that a lot of AP-course high school kids have to deal with – overextending herself and not being able to be who she really is as she’s too busy being who she isn’t.

As I said, I do like the conceit of the plot twist here. As good an idea as Melody joining the students as Cecilia is, it detracts from the theme of the books as a whole, which is MAID. More Cecilia means less Melody, and that’s very bad for Melody. This is handled comedically at first, as Melody is horrified to find that Micah and Rook have been trained so well that, strictly speaking, she doesn’t have to be a maid in the evening at all. As the book goes on, though, and we see continual scenes of Melody going to bed and being unable to fall asleep, we start to get an idea of where it’s headed – collapse. I did also appreciate that while turning back into Melody full-time did temporarily give her a boost of adrenaline, it did not completely fix the issue, and she still needed sleep and food. I also really liked the new addition to the cast, an artist who wants to avoid her father’s struggles but also is consumed by the ART… and who may be able to spot the thread connecting Cecilia with Melody.

This is 8+ books in Japan, so they’ll have lots of time to plot and scheme in the future. But when they do, it will with with Melody maiding it like she’s never maided it before.