Category Archives: reviews

Slayers: The Sorcerers of Atlas

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

These books came out in the early 1990s, but they got a recent re-release to prepare Japan for new volumes after a long break. As a result, the afterwords from the author that we see here are new. In this one, the author talks about the struggle to make Slayers into a series… as he points out, when you defeat the demon lord in book one, where do you go from there? The answer is that awkward second book, very similar to that awkward second album. Last time I pointed out the anime skipped it, but I’d forgotten that they did circle back round to its events in Slayers Next, a full season later. It’s not hard to see why they skipped it – there’s no regulars other than Lina and Gourry, there’s less humor and more horror than you’d expect from a series like Slayers, and the pacing also feels very odd, ambling along for 2/3 of the book before realizing that it actually has to come to a conclusion.

Lina and Gourry, on vacation in the city of Atlas, are doing the usual (Lina inciting bar fights by punching out creepers, Gourry snarking at her) when they’re hired by one of the local sorcerers to be his bodyguard. The head of the sorcerer’s guild has vanished, so there’s a bit of a power vacuum going on at the moment, and protection from the other side is needed. Lina is, frankly, not all that interested, but she gets more so when they’re attacked by two demons with masks. Fighting ensues… then, when Lina and Gourry go to investigate the competition, they find, buried at the bottom of an underground lake in a crystal prison, the missing head of the sorcerer’s guild. What follows is amazing to Lina and Gourry but not to the reader, who probably guessed what was going on about Page 40. The main surprise is when one of the characters involved DOESN’T die.

It has to be said, the most annoying aspect of this book is how it handles Lina. Gourry is supposed to be the big dumb muscle, though the anime exaggerates that to the poi not of parody. Lina, though, is supposed to be the one who gets what’s really going on. Unfortunately, here she’s got to be unable to make sense of the actual power struggle among the sorcerers in order for the plot to function, and you sort of slap your head a bit when she lets the cheerful obvious bad guy out of his prison and then walks away. She’s clueless. There’s also a lot more grotesque horror than I’d expect in a Slayers book here, with graphic descriptions of body mutations and diabolical experiments. And even then, the obvious payoff – the evil sorcerer is killed in a murder-suicide by his creation – doesn’t actually happen. (The anime fixed this.)

So yeah, overall a disappointment, although Lina’s narrative voice is still a lot of fun. That said, I know the series picks up again soon, and am definitely looking forward to more.

I Refuse to Be Your Enemy!, Vol. 3

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

For the most part, while reading this series, it’s fairly easy to simply ignore that it’s meant to be a “villainess otome” book at all. Yes, Kiara’s memories of the game do sometimes come in very handy, but they don’t always match, as she’s altered the world too much for them to be the same. That said, there is one big subplot that is very dependent on Kiara’s original role being the villainess who gets killed off. Kiara is no longer filling that role and so it has to be filled by SOMEONE. And so we see a lot more of Ada, the spellcaster who uses fire we briefly saw in the second book. After Kiara ran away, she was next in line to be married off to the frog-faced noble and turned into a weapon, and boy is she angry about it. It’s an interesting reminder that this fantasy military action-adventure still runs on otome game rules, which means you still need a villainess no matter who it is.

As for our original villainess, now turned heroine, she’s doing pretty well here. While still not wanting to directly kill anyone, one battle sequence shows that she’s come to terms with indirectly doing it, in a chilling reminder of how deadly Earth Magic can be when used cleverly. Reggie’s army is slowly moving towards the capital, though it needs to make a few detours (farmers have a limited amount of time to cultivate, and they would like to have their land back). Things are mostly quiet on the romance front with Reggie, but that’s just because this is Cain’s book – he’s her bodyguard and has a crush, and starts to come on strong before being told that Kiara really is not ready to think about this sort of thing (she never dealt with love in her previous life, either). And there’s another surprise… Reggie can use magic?

Fortunately at least one of the pair of doomed lovers has decided to be less doomed – Kiara is taking more care of herself here – well, a bit more, but it’s visible – and no longer seems quite as willing to throw her life away for Reggie. The same cannot be said of him, unfortunately. Hearing about the fate of his game self seems to have given him a big case of “I’m living on borrowed time anyway”, and trying to hide the aftereffects of the wound he got last book is not really helping anyone in the long run. In particular, he’s clearly jealous of Cain and his closeness to Kiara, but almost seems to be giving up rather than fighting back. His fatalism had better change in the next book. Giving Kiara an evil counterpart who’s obsessed with him might help – all the setup for that is in this volume.

I never really have as much to say about these books. They’re so straightforward and serious – I believe I counted two jokes, which were admittedly quite funny – and they don’t give much to overanalyze. They’re just a good yarn. And this is the halfway point of the series, so I expect things to move even faster next time.

Restaurant to Another World, Vol. 5

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By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

Last time I said that the book jumped around several time periods, and that goes double for this book, which shows us a few of the ongoing characters and their development but is also happy to show us how the fantasy world is coming from a period where there were battles to the death between humans and demons, between Empires and Kingdoms, and between vampires and “liliputians”. Indeed, it’s not really clear how time connects the world to the restaurant – there’s one story here which feels like it reads as a vampire from way in the past ends up at the restaurant of the “present”. That said, I honestly think that I’d need to go back and read the pr3evious books if I wanted to keep track of it all. This is a series about fantasy characters eating food, and while it’s doing its best to provide plot and characterization to go along with that, anything else is secondary. Which, as I’ve said before, makes it hard to review.

The “big” development at the start of the book is that the owner puts a sign on the fantasy world-side of the door that translates the restaurant’s name and purpose for the denizens of that world. Until now, the clientele it had attracted – at least in regards to first-timers – always tended to be either people in dire straits or people who naturally say “oh hey, what’s this door in the middle of nowhere?”. Now that it can say what it is, it’s attracting more newcomers who might have been wary were it just a door with Japanese written on it. Of course, even if they’re aloof elves that literally live in the clouds, they still end up enchanted by the clouds. I also liked that the customers are interacting with each other in ways other than talking about the food – one bard with a broken leg who found the door in the middle of nowhere gets healed by a priestess, meaning the restaurant is literally a life-saver.

The “main” cast still don’t do much but serve food. I had wondered if the series might be going for some sort of romance between the owner and Aletta, but there’s absolutely no sign of that here – I think it’s got nothing else on its mind but food. Aletta is still working on recovering from the abuse she received in the fantasy world – when she comes down with a bad cold (and gets some egg porridge), she fears that she’ll end up being fired for being unable to work. Kuro has a more difficult problem – she’s hideously overpowered, doesn’t speak (she communicates with customers telepathically, and none of them notice this at all), and is at heart a stoic sort of character. She seems to care for Aletta and the owner, but it’s hard to get a grasp on her. I’m not sure we ever will.

All this and food, food, food. There’s roast beef, Chinese congee, mille crepe cake, etc. The series continues to be a peaceful meal of a book.