Category Archives: reviews

The Hitchhiker’s Guide to the Isekai

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By SAKKA KEIHAN and Shinobu Shinotsuki. Released in Japan by the authors at Comiket 96. Released in North America by J-Novel Club. Translated by Emily Balistrieri, Noboru Akimoto, Roy Nukia, Andrew Cunningham, Andrew Hodgson, and Mike Langwiser.

First of all, I really like the fact that this was licensed. I appreciate publishers taking a flyer on titles like this, especially when it’s something that was not published professionally in Japan, but rather was the author’s own fan work they sold at one of the Comikets. It’s also an amusing idea, the sort of thing you can imagine a writer’s group brainstorming about – deconstructing and parodying the isekai genre by putting themselves into the genre, and showing the pitfalls that most isekais manage to avoid by not thinking about them too closely. These stories think about things far too closely, and that’s part of the humor. It’s also a doujinshi, so it’s not too long (and don’t expect illustrations beyond the cover art – these are writers, not artists). That said, I feel it could stand to be a bit shorter. The danger of anthologies is that you find stories you like and stories you don’t, and this did not have a great batting average overall.

The cover art alone should tell you how seriously to take it. We start with Carlo Zen (the author of The Saga of Tanya the Evil) writing isekai as a travel guide for tourists. Tappei Nagatsuki (the author of Re: ZERO) then steps in with what amounts to a broadsided attack/homage of his friend Natsume Akatsuki’s work KonoSuba, as well as other “goddess grants you powers” works. Natsuya Semikawa (the author of Otherworldly Izakaya Nobu) has the isekai as a day trip to escape the burdens of deadlines. Natsu Hyuuga (the author of The Apothecary Diaries) writes the straightest isekai of the bunch, where they are not only transported to another world but are a “piglet” (the word “orc” is studiously avoided) and having trouble surviving; Katsuie Shibata trades on the fact that he took his penname from a Sengoku military commander and does the “accidentally summoned instead of someone else” story, and Hoko Tsuda is transported via delicious ramen into a “everyone mistakes everyone’s intentions all the time” world.

I’ll start with the good: Nagatsuki’s section is reason enough alone to buy this book, as it’s hilarious, especially if you’ve read KonoSuba. Getting hit by a truck, magical power lotteries, and Aqua herself (well, a 2nd rate expy of her) combine to make this tremendous fun. Carlo Zen’s section suffers from his dry, textbook prose (something Tanya readers will find familiar) but is an amusing “what about inoculations/money/customs declarations/etc.” guide. After that, though, things start to sink a bit, though I will admit I found the idea of Shibata’s (penname authors summoned as Sengoku commanders for a real fight) to be a very good one, but the execution was also a tad boring. Semikawa’s story was simply tedious, Hyuuga’s was far too normal (it read like a standard isekai), and Tsuda’s, I suspect, depends on knowing the work that he is riffing on, which I do not.

So again, your mileage may vary, and I like the concept and would like to see more author anthologies like this. But this particular anthology had more misses than hits for me.

Prince Freya, Vol. 1

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By Keiko Ishihara. Released in Japan as “Itsuwari no Freya” by Hakusensha, serialization ongoing in the magazine LaLa DX. Released in North America by Viz Media. Translated by Emi Louie-Nishikawa.

One of the habits that I’ve noticed a lot of creators have, particularly in series that have afterwords, is that they can sometimes apologize for the flawed behavior of the main character. Rarely is this an actual apology, it’s more to let the reader know that yes, the author did in fact plan for this character to be weak/annoying/overpowerful/perverse, and that it is a function of the plot, so don’t worry too much about it. We get that here as well, as the author tells us she is aware that Freya is a bit of a crybaby, but to hang in there because the story is about her character growth. What makes this amusing is that the author also starts the book with a startling image of Freya leaping off a giant cliff. Again, this is a fakeout (she looks tragic and doomed, but it turns out was gathering herbs that grow in dangerous places) but it does set up up to see her as bold and fearless… THEN shows us what she is is coddled.

Freya is a teenage girl in “fantasy medieval Europe”, whose mother is sick and whose adopted brothers are part of the Prince’s elite guards. We get a chapter or so showing us her life, where she tends to be sweet but also shy. Fortunately both brothers are awesome, so she need not worry (her mother is also awesome, we are told, despite now being ill). That said, there is a problem. Their kingdom is under threat, and the prince is actually dying. A prince who, it turns out, is a dead ringer for Freya. The brothers have been sent to get her so that she can imperso9nate the prince, but neither of them want this outcome. Unfortunately for them, Freya overhears them and decides to follow them to the castle. She may regret this: by the end of the volume the country is still in great danger both from without and within, and her resolve to impersonate the prince is derailed by personal tragedy and her own skittish personality.

It feels a bit strange, particularly from this publisher/magazine, to have a first volume that is almost all setup. I’m so used to one-shots that slowly turn into series, or stories that appear to be complete but then we get more of when they get popular. Prince Freya, though, is designed to run for a few volumes, and it shows. Freya is an interesting heroine, who is instinctively very brave and bold, but when she thinks about things she locks up and falls to pieces. It’s not helped that she suffers a horrible trauma halfway through the book (I’ll just say that one of her adopted brothers is incredibly cool, nice, loves her, etc. and let you take a wild guess) and that those in the book who aren’t her family are a lot less patient with her hysterics given that the country is in danger. Fortunately, the end of the book sees her acting instinctively, jumping off a building (she really does jumping from great heights)… and ending up accidentally kidnapped. Whoops.

It’s just a start, but there’s a lot here to make readers want to read more. We’ll see how Freya does as prince next time around.

86 –Eighty-Six–, Vol. 4: Under Pressure

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

The author brags about how this volume of 86 is much lighter in tone than the previous three, and I guess that’s true? Certainly the first quarter of the book makes a determined effort to be amusing, sweet and heartwarming in turns, with the only big drama being the arrival of Annette and her realization that her childhood friend Shin does not recall her at all, which makes atoning for her guilt rather difficult. Lena and Shin are VERY shippy here, despite the fact that Shin has difficulty getting that sort of thing. Frederica and Kurena play the part of the wacky jealous not-girlfriends to a T. But there is a plot here, which leads to the battle and action sequences, and that’s when the reader realizes that even in the lightest of 86 novels, things are still going to take a turn for the very dark, as we find out exactly what the Legion has been doing all this time, and how hard it’s going to be to defeat them going forward.

After the two-volume interqual, Lena is finally reunited with her former team, and she’s brought friends, as we add to the cast a great deal of the 86 who were fighting with her after Shin and company left and ended up in the Federation. Things are… still not great in terms of the Republic. In fact, they’re still monstrously bad, with lots of “give us back our animals they are not people” racism from their side – 86 has never been subtly about such things, and that doesn’t change here. Unfortunately, just because Lena (and Annette) have reunited with Shin doesn’t mean things are going to be happily ever after. Leaving the Legion aside, it’s pointed out that the 86 have had to cut away everything that is not related to battle in order not to go mad. If Lena wants them to regain that, she’ll just be forcing them to feel the unbearable pain again. Can she live with that? And as for Annette, isn’t this all just about her?

The second two-thirds of the book are an extended battle against the Legion in an underground subway complex with shopping mall attachment, which is annoying to our heroes as their powered suits don’t function as well there. The fight introduces a new variety of bad guy to the stage, and they’re pretty lethal right up front, taking out all of Annette’s bodyguards and almost managing to kill Shin. The exact nature of how they came to be, as well as how the Legion used the republic to get to that stage, I shall briefly gloss over except to say that it was disturbing and also disgusting. It’s well-written, though I was a bit annoyed by the return of the Legion with Kaie in them to taunt our heroes. We already got a sequence where they destroy the possessed Legion and seemingly send her to the afterlife properly, I didn’t need it all over again.

Future cover art makes me think the lighter tone will stick around, and none of the named cast that we remember died here, so in that respect this is a bit of a breather novel in the series. It’s also extremely well-written as always. Fans of the 86 won’t be disappointed.