Category Archives: reviews

One Piece, Vol. 93

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

Because One Piece has been running for so long, there aren’t a lot of plots that it hasn’t at least taken a glance at along the way. That’s probably why Oda is having so much fun with the time travel angle introduced here, with the long-lost heroes reappearing twenty years later, seemingly the same as before. The eventual beat when they all finally arrive hasn’t happened yet, but we do meet Momonosuke’s little sister, who is now of course a young woman, and also a striking reminder of how Oda loves to contrast ugly men and gorgeous women when he draws. (Or in this case ugly boys.) She’s got a lot going on in this volume, so it’s amusing that the thing I noticed most was Oda mocking shippers in her interactions with the completely sexless Zoro. (To be fair to Zoro, he does get that people would take them sleeping together the wrong way.) And then there’s Toko, which… well, I’ll get to her.

As with previous Wano volumes, the action slips from place to place almost too fast to follow, trying to make sure that everyone gets something to do. This means we get to see Nami and Robin in the baths (and Nami accidentally flashing everyone, which reminds me of her deliberately doing this in Alabasta); Sanji being, well, Sanji; Luffy, still in prison, having to fight off most of the guards one by one for entertainment, and meeting up with an old, seemingly feeble man who of course has a very badass past; and Shopper trying to deal with the fact that he’s now allied with Big Mom, who has lost her memories and thus is bright, cheery and friendly again. Chopper, of course, knows this will only last till her memories return, so spends a lot of the time terrified. (There’s some interesting lettering going on in these scenes to show “girly’ speech – excellent job by Vanessa Satone, the letterer and touch-up person.)

And then we get to the end of the book, where Oda reminds us how well he can have chaos quickly turn to tragedy, with the public execution of Yasu, who turns out to have a secret identity (not a surprise). He’s spent much of the time bopping around the manga dressed up as the stereotypical Japanese jester, with a giant grin on his face. The grin remains even as he’s about to be executed (by firing squad, a particularly dishonorable death in the period that Oda is riffing on here), and there is an explanation of everyone smiling and laughing in the face of tragedy… but then after his death, it turns far too creepy for that to really be the case, especially when his daughter sees his death and can’t stop giggling (as she has the entire book) even as she cries out that her father is dead. The cliffhanger, unfortunately, implies that it may be the One Piece equivalent of drugs at work once more.

So yeah, everything is kind of terrible at the moment. Sure would be nice if we could start a revolution soon. Still, this was a chaotic but solid volume of One Piece, a bit better than the last couple of books.

So I’m a Spider, So What?, Vol. 8

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

I’ve discussed before that the world that this book takes place in is a really horrible world to live in, but I don’t think any book to date has hammered that home quite like this volume, which shows us again and again the downside of “everyone is morally grey trending towards black”. On the surface, the plot of this book involves Ariel, White (Shiraori is used sparingly here, so I’ll stick with White for now) and company slowly moving towards the demon lands, only to be halted by the presence of an ogre/oni who is terrorizing everyone and everything in their way. White’s narration is seen less than ever before, and flips back and forth with the ogre’s narration, with cameos from Vampy, Potimas and a few humans. Those cameos are important, though, as they remind us that one person’s practical decision is another’s life-breaking horrible tragedy. And the reader may not agree with the practicality.

There’s actually a timeskip involved here: the book takes place two years after the end of the last one. Unfortunately for White, she’s no closer to being able to use any of her powers than she was before – she may be a God now, but in terms of fighting ability she’s as weak as a kitten. In her head, she spends most of the book whining and moaning about it. Of course, in reality she’s as silent as ever. Fortunately, by the end of the book she’s in enough of a life-or-death crisis that she’s able to regain a bit of her powers. This is the light part of the book, as, deadly danger aside, Ariel’s group is a lot of fun, and the danger they’re in never feels too lethal. It’s the slice-of-life camping trip part of the book.

And then there’s the rest of the book. The countryside is being plagued by a series of infants being kidnapped,l and as we’ve read the early books we know exactly who and what is behind that, but here we see how it’s affecting the families who are destroyed, and it’s heartbreaking. Ronandt, who was so much fun as a goofy old man obsessed with our spider, has been demoted as he’s lost all sense of what is harsh training and what is abuse. The adventurers in this book almost all die like dogs, and those that don’t ponder just giving up and going back to their farm. The ogre is a walking ball of rage half the time (we’ve seen him in earlier books as well, but here he’s getting his “official” intro) and the half that he isn’t is depressing and bleak… then horrific and disturbing. Lastly, Buirimas, the man presented throughout the book as a noble warrior who died without ever seeing his wife and infant… is also shown to have done something so mind-numbingly inhumane that I have no words. Again, when you don’t think of others as people, you lose the ability to make correct moral judgments.

So overall this was a good book, but the mood shifts are a pain in the neck, and by the end I was very glad it was coming to a stop. Next time hopefully they’ll hit the demon land, and perhaps another timeskip can put us closer to where we left off with Shun and company? Oh, and Potimas is still the worst. I really hate him.

The Engagement of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Konyaku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

As we’re getting a bunch of new ‘light novels for young women’ in a row lately, it makes sense that some of them tend to fall along the same lines, particularly given they’re mostly in the ‘romance novel’ template. So I expect those who are keeping up with J-Novel Club’s releases of these series will feel a certain familiarity when they see a book-loving eccentric noble whose intelligence is vastly underrated dealing with her engagement with a noble from a much more prestigious family. Fortunately, this book and Bibliophile Princess don’t share much more similarity than that. Marielle feels more like a Jane Austen heroine: savvy, intelligent, always observing, and content to stay out of the limelight. Unfortunately, like most protagonists of this sort, she has one big blind spot, which is her own self and her love life. And she has one big flaw: she’s a fangirl who can’t stop thinking about her beloved and his friends in trope-like situations and outfits. Oh yes, and she secretly writes bestselling romance novels.

This relatively large book is divided into two sections. The first deals with Marielle getting engaged to Simeon, the heir to an earldom and friend to the Crown Prince. From her perspective, it’s rather baffling, and she assumes it’s been arranged by her family somehow, but she goes along with it mainly because Simeon, while handsome, has a rather severe face and wears glasses – in other words, she loves his type rather than him. That said, it turns out that he’s observed her far longer, and knows far more about her true self, than she is aware. The second, longer chunk of the book is essentially a mystery novel, as Simeon and Marielle go to an estate to help the young heir to an earldom (a different earldom) who is being attacked by hostile relatives. Oh yes, and the Mysterious Thief Lutin is also around, stealing from nobles. Will they run into him? And will Simeon hold that riding crop that Marielle loves so much?

For the most part I greatly enjoyed this book, so let’s start with a few flaws. The identity of the villain is glaringly obvious, though I suspect the reader is supposed to know who it is as well. For a mystery, there isn’t much guessing. Also, both Marielle and the author of the Marielle Clarac series like BL fantasizing to a certain point, but prefer straight romances and reassure their partner/readers that there’s no actual BL here, which can be annoying. That said, for the most part the book is excellent. Marielle is a delight, being both very smart and observant while also at times being a shockingly naive 18-year-old. Simeon is exasperated by her but also brings it on himself a bit by being unable to confess his true feelings to her (Marielle doesn’t realize her own feelings till late in the book, so she has an excuse.) There’s a subplot with Marielle befriending some sex workers which does not denigrate the profession at all, and they turn out to be her closest allies. And while the mystery is easy to solve, as a thriller it works fine, with some great set pieces near the end, including a mutual confession, which is good, as I did not want “do they really love me?” to be an ongoing plot point.

This is an ongoing series, but the volumes each have a different title a la Haruhi Suzumiya. If you like romance novels with a 19th century feel to them, I would absolutely give it a try.