Category Archives: reviews

The Dirty Way to Destroy the Goddess’s Heroes: Damn You, Heroes! Why Won’t You Die?

By Sakuma Sasaki and Asagi Tosaka. Released in Japan by Famitsu Bunko. Released in North America by Yen On. Translated by Jordan Taylor.

I didn’t have high hopes for this title going in. Despite assurances from the publisher that it wasn’t THAT kind of dirty, the title still didn’t inspire confidence. It was also the most traditional “isekai” of this month’s debuts. But as frequently happens with things I read, as I got further into the book I found myself warming up to it. This is mostly thanks to the main hero, Arian, who is bright and shiny and yet also lonely and needs a friend. Had the book gone with the original set of heroes we meet, who are rather quickly dispatched, it might have been unbearable, just watching a Japanese guy with nothing to stop him become a sadist because it’s fun. (Indeed, we’re seen other light novels like this, though mercifully few have been licensed.) But Arian’s inner goodness causes Shinichi, the protagonist, to reach down and find his inner ethical sense, and so the last third of the book is actually pretty good, despite the appearance of yet another lecherous and corrupt bishop from a questionable religion.

Our hero is Shinichi, a standard young Japanese protagonist whose backstory is merely hinted at, but who seems to relish the opportunity to let loose in the situation he’s now in. He’s been summoned by the demon king to a) eliminate the heroes who keep attacking, and b) find delicious food for his cute daughter, as all the demon world food tastes awful. With the help of a sharp-tongued maid who rains abuse on him at every opportunity, he’s soon able to dispatch the first group of heroes through his prior knowledge of old-school RPGs and also by being a complete and utter bastard. However, the remaining hero that’s left to attack is not only far more talented than the previous heroes, but she’s also cute and a kind, good-hearted person! Can he find it in himself to trick her and save the demons?

There are, of course, still a few big flaws in the book. Despite a last-minute attempt to give him some inner monologue, the bad guy of this volume is (apologies for spoiling, but it’s obvious the moment he appears on the page) your standard corrupt and evil priest, in this case a bishop. Celes, the dark elf maid who accompanies Shinichi on his tasks, is so much like Ram from Re: Zero that I was almost calling the hero Barusu. Possibly as, while he shows signs of depth that may be explored in future books, Shinichi really doesn’t do much to stand out until, as I said, the last third or so of the book, where he uses his sadistic cleverness for good rather than evil. Well, OK, for the good of the demons, but they’re more interested in better food than attacking humans. On the bright side, I liked the relationship between Arian and Shinichi, though I’m sure it will be walked back a bit in the next book. Her immediate infatuation feels in character.

This isn’t the greatest light novel out there, but it gets better as it goes along, and there’s hints of some depth down the road. Recommended for isekai fans.

The Saga of Tanya the Evil: Nil Admirari

By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

Sometimes war can be filled with pitched battles, back and forth action and excitement, and sometimes war can be filled with not a heck of a lot happening except people talking about tactics. The same holds true for Tanya the Evil, especially in this sixth volume, where action scenes are kept to an absolute minimum in favor of dialogue, inner monologue, and a lot of grumbling about the futility of war. Which, it has to be said, makes for a book that’s a bit of a struggle to get through at times. Most of the time Carlo Zen balances his dry military tactics prose with other scenes that pick up the pace, but we don’t have that here, so some of this book is simply boring. But not all of it. There is, once again, the threat of peace on the horizon, and Tanya is all for it, though she’s not the one in charge, and you get the sense that von Zettour is not simply going to agree to anything that isn’t “we win, and then discuss terms”. Winning, of course, is not happening right now.

The title is Latin once more, and means “Nothing Will Surprise Me”. That’s put to the test in this book, which sees the nation of Ildoa getting involved – seemingly to be a neutral broker for peace, but in reality looking to get the best deal for themselves by playing both sides. As the Empire is not-Germany, Ildoa is not-Italy, though their political leader seems to be nothing like Mussolini so far – Carlo Zen is avoiding the main Axis villains in this series. The Empire is understandably rather wary of Ildoa, who put on a show of strength that actually shows off that they don’t have much strength to back it up. Still, an overture for peace is a start. Certainly it’s what Tanya wants, to the surprise of everyone – possibly the funniest scene in the book is when she talks with Visha, Weiss and the others in her unit and realizes how they’re all warmongers, not realizing who trained this into them.

On the other side, we have the Commonwealth and the Federation still making very awkward allies, as they come to the realization that the Empire is far stronger than they had expected. (The Empire, of course, is coming to the same realization about their enemy.) Colonel Drake appears to be the Lergen of the Allied side, and he has his own Tanya analogue in Lieutenant Mary Sue, still bright and idealistic and shiny and driven by sweet, sweet revenge. “The Saga of Tanya the Evil” is a Western title, albeit one approved by the author, I believe – the Japanese title, Youjo Senki, translates as “The Military Chronicles of a Little Girl”. Tanya is evil in the sense that she’s working for the Empire, and she can be morally reprehensible at times, but she knows about war and why things happen. Mary Sue, though, can’t believe everyone doesn’t think the way that she does, and she’s a headache to everyone around her. I really want to see her and Tanya fight again – perhaps I should watch the movie.

So there’s a lot of talking but little forward movement in a book which sees Tanya’s unit going from the Federation to the Empire Homeland and then up towards the Entente Alliance in an effort to win the war. Which Tanya knows isn’t happening, but she can’t convince anyone else. A necessary read for fans of the series, but it’s really dry and dull at times, I admit.

Our Dreams at Dusk: Shimanami Tasogare, Vol. 2

By Yuhki Kamatani. Released in Japan by Shogakukan, serialization ongoing in the magazine Hibana. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

It was always a possibility, of course. We’ve seen that sort of thing in countless other titles. The new character comes along to an already existing group and is able to magically help all of them with their problems. And indeed, we saw Tasuku last time introduced to the drop-in center, and the bulk of this second volume revolves around Misora, the kid from last time who was rude and dismissive of Tasuku, and is on the cusp of puberty and also having gender identity issues. It would make perfect sense to see Tasuku help drag Misora out of their shell and help them come to firm realizations. Indeed, we start to see something like that. But life is just not that simple, and Misora’s issues are deep-rooted and not easily solved. And so we end with more lashing out, and more slurs used to hurt, and more art as metaphor with Tasuku’s world literally collapsing around him.

Both people on the cover are Misora, who dresses as a girl at the drop-in center but would never do anything like that at home. Their relationship with Tasuku is extremely bitter and confrontational, and Misora takes delight at times in not only correcting Tasuku’s misconceptions but also hammering on Tasuku’s wounds. At the same time, of course, Misora is also guardedly opening up to Tasuku and feeling him out, ready to lash out in pain and fury at the slightest sign of pity or confusion. But at least Tasuku has defined himself, even if he can’t admit it to the man he loves. Misora is not sure at all what they are – a boy, a girl, or what have you. And they also know that puberty is soon going to make this much, much harder. Meanwhile, Tasuku’s story is hardly over, as he’s spotted at the drop-in center, and outed to his crush… who may already have an inkling about things anyway.

The plot of this volume is very good, but it’s the journey that’s even better. There are no wasted pages, and the frustration burns off the pages as Misora spews more and more slurs at Tasuku – there’s lots of them in this book, all meant to push Tasuku away and also other him to a degree. There’s also more terrific art – I’d mentioned the collapsing building metaphor earlier that serves as the climax, but there’s also little moments like Tasuku taking a wave that Tsubaki gives to him and consuming it at stars, or Misora shown in the water of a glass that Tasuku drops, about to shatter to the floor. Little moments like these help to move the reader along, and the character moments – which can be agonizing – help to slow things down. (I also want to know more about Tchaikovsky guy, and hope we see him next time.)

If you’d been on the fence about reading this series (and I can’t imagine too many who were), pick it up. It’s a painful journey, but also amazing to read.