Category Archives: reviews

Penguin Highway

By Tomihiko Morimi. Released in Japan by Kadokawa Shoten. Released in North America by Yen On. Translated by Andrew Cunningham.

For once, the book came first here. Yen has started a side business of publishing novelizations based on famous anime movies, but Penguin Highway was a novel turned into a movie. The prose is one of the best reasons to pick it up, as its narrator may be ten years old but he thinks that he’s a precise, logical scientist, and the book has fun with him sounding like this most of the time but sometimes letting the child come through. To Aoyama’s credit, he is pretty damn smart, though his two friends are no slouches either. I don’t remember doing quite as much scientific experimentation when I was their age, but then I was always more arts than sciences. The book helpfully is both, as the basic premise involves things such as eddies in the space-time continuum, but also has the sheer beauty, which must have looked great animated, of a can of Coke transforming into a penguin bit by bit.

As noted, Aoyama is smart and knows it, and tries not to get too egotistical but frequently fails, especially in his narrative headspace. He spends the days hanging out with best friend Uchida and fellow intellectual Hamamoto, avoiding the bullying of Suzuki and his two minions (why is it always one bully and two minions?), and getting his teeth cleaned as much as possible because he has a massive crush on the dental assistant, who is never named but is called “The Lady” throughout. Things are normal till one day, a bunch of penguins suddenly appear in a vacant lot. They don’t seem too bothered by being in Japan rather than Antarctica. Even more disturbing, a clearing in a local forest has The Sea, a giant sphere of water that seems to be influencing local topography. More things to analyze and write down, but also dangerous. And there are blue whales? And creatures that The Lady/Aoyama are calling Jabberwocks. Why is all this happening/ And how does it tie in with The Lady?

The plot is good, but Aoyama’s narrative is the best reason to read it. I started off the book laughing at him, as he sounded very much like a snooty fourth-grader, but as the book went on I really started to be drawn into his world. He is very smart about logical and scientific things, though when it comes to matters of the heart he’s lagging way behind, as even his best friend Uchida is able to see why Hamamoto is mad at him. For much of the book The Lady remains something of an enigma to us, and there are a few red herrings thrown around that are brushed off when the truth comes out (The Lady’s memories of her past, in particular). Also, loved Aoyama and Hamamoto’s dads, who both do their best to fully support their children so long as they don’t run into danger (which they do here, repeatedly).

The story ends on a somewhat bittersweet note, as with the best Japanese novels. It also has an afterword by famous manga author Moto Hagio discussing Aoyama and his tendency to be too clever by half. In the end, I don’t really have much to say about Penguin Highway except it was a really good book, and I’m glad I read it.

Silver Spoon, Vol. 8

By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

For years before this series got licensed, my joke was always “why is this popular work by the author of hit series Fullmetal Alchemist not licensed?” “IT’S A FARMING MANGA!”. And now that Silver Spoon *is* licensed and doing well (hopefully doing well – you are all buying it, right?), the joke is over but the point remains. Silver Spoon is indeed a coming of age story, and a sweet romance, but it is also, at heart, a farming manga. Arakawa is here to tell everyone exactly what it means to be a farmer in Japan. Sometimes that means taking pages and pages to learn how to make a certain kind of cheese. And sometimes it means taking a long, cold look at how difficult it can be to keep a farm going in modern Japan, as we find out what we suspected all along about Komaba – getting i9nto the Nationals was his last ditch shot, and now he has to drop out as his family’s farm is going bankrupt.

This affects Mikage as well. We’ve seen that she and Komaba have been commiserating about this (and politely telling Hachiken to butt out), and we find out why, as her family are guarantors for the Komaba debt, so this puts them in danger. Hachiken is once again told to butt out… but he refuses to, in one of the best scenes in the book. He can’t given anyone a solution, though he tries hard to find one, going over all the ideas that most of the adults have already thought of and discarded. (Crab!) But he can be moral support, and help Mikage, who is trying to keep up her fake cheer and failing. He can also be there for Komaba, watching as all their beloved cows get taken away to be sold. It’s a depressing scene, and is meant to be. This is something that happens sometimes when people try to keep a farm up0, and it’s never good.

That said, Hachiken’s moral supprt is far more useful in regards to Mikage, who is ready at this point to give up on her own dream just as Komaba has to give up on his. She doesn’t want to run a farm. She wants to work with horses. And, with Hachiken there as moral support, she tells her parents this. This is the other fantastic scene in the book, as it gives us everything we want from these characters. Hachiken’s impetuousness and resolve, Mikage finding it in her to stop repressing her own feelings, her family’s discussion of the big problems with this (her grades, mostly)… and of course there’s room for some humor as well, as the whole thing feels like they’re about to announce they’re engaged, which causes her father to flip out.

The volume ends with Hachiken starting to tutor Mikage, which once again shows off how good he is at teaching/studying, as he realizes that she’s hopeless about memorization unless it involves horses, so frames every Japanese history question in terms of cavalry and the like. It’s both funny AND brilliant, and I hope it pays off. In the meantime, I’d say this is the best volume of Silver Spoon yet, but that does a disservice to the great volumes before this. The whole series is fantastic.

Baccano!: 1934 Peter Pan in Chains: Finale

By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

At last we reach the finale of this arc. This being a Narita book, all of the plot bombs that were set up in the prior two volumes go off here, and the result is very satisfying. You get the sense of people growing and changing over the course of the series. Christopher points this out himself, as he notes that after spending time with Ricardo, he doesn’t want to kill people anymore. Meanwhile, Rail, driven to the point of madness and despair, discovers that new families and friends are just as good as the old ones. And Firo once again reveals his dark side to us… but it doesn’t last long. Firo is still Firo, the Peter Pan of the title, and his philosophy allows him to stand up against the murderous Leeza, and also save her. There are a few threats and nasty things going on, but for the most part this is a very feel-good sort of book. You leave it with a smile on your face.

There are a few intertwined plot beats that I really liked. On his train to Chicago, Isaac gets into conversation with Sham, talking philosophy as Sham tries to deal with the face that he’s betraying Huey. Isaac’s “do good things, worry about consequences later” attitude is puzzling to Sham, but not to the reader, who’s seen that over the course of the series. And, as we see, it’s not just Isaac. When Rail tries to end it all by jumping off the top of the Nebula building, Jacuzzi rushes in to stop it even if it means his own life, because that’s just the sort of person he is. And then Nice grabs him, and Miria steps in… hell, even Lua, the most passive character in all of Baccano!, is ready to leap in there to save Rail’s life. It’s a great moment. And, of course, it’s resolved by Isaac, arriving in the nick of time to do what he said he would earlier and joyously reunite with Miria.

It’s not all heartwarming, of course. Ladd’s violence can be terrifying, particularly if you’re Leeza, and it’s nice to see him and Firo in such opposition. The method of Huey escaping Alcatraz is somewhat revolting, and the sort of thing only Huey would even think of doing. And Nice runs into the mob, and her thoughts of how they might deal with her and send her back to Jacuzzi make you shudder. This is a fun world to read about, but a highly dangerous one to live in. That said, in the end this is about not destroying things. Rail doesn’t blow everything up with bombs in the end; Ladd decides to become “a model prisoner” so he can get out of jail sooner and return to Graham and Lua; Christopher and Graham each realize that killing each other is not really what they want. And Renee… well, OK, her ending isn’t so sweet, but there’s no denying she deserved everything she got. Narita loves his smiling amoral villains.

So what happens next? Well, it’s going to take a long time to find out, as we leave the world of the 1930s for a few books. Next time Baccano! goes back to Italy in the early 1700s, as we meet a young Huey Laforet and his burgeoning, if irritating, friendship with a certain Elmer C. Albatross.