Category Archives: reviews

Is It Wrong to Try to Pick Up Girls in a Dungeon?: Familia Chronicle: Episode Lyu, Vol. 2

By Fujino Omori and NIRITSU. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?: Familia Chronicle: Episode Lyu” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

So technically this is the second volume, the first having come out seven years ago. It was the one with Lyu and Syr in the casino, if you forgot. And it’s also the bit that the author cut out of the 18th volume, because that would have made it 700 pages. But in reality, this feels like Astrea Record, Vol. 4. We even get extra scenes with Adi, to remind us that she’s still tragically dead but oh so very, very shiny And of course the rest of the Astra Familia that Lyu was with five years ago? Also still dead. Fortunately, Astrea is not dead, and it turns that she has new Familia in a remote smithing town. And so it’s time for Lyu to run very fast, so that she can break down, get forgiven, level up and get stronger, and then run back to help Bel. Of course, it turns out to not be as simple as that.

Lyu groveling for forgiveness, which comes relatively easily, takes about the first 10 pages of this book. the rest is harder. When Astrea levels her up, she levels to 5, and anyone who read Book 18 of the main series knows that there’s something fishy going on here. Then Lyu tries to train with her new level, and discovers there’s a big difference and she needs to practice. Fortunately, she has three adorable Level 1 juniors to beat up… erm, play tag with, as well as a forest spirit who is really looking for an excuse to go all out… possibly a mistake given this is Lyu. Unfortunately for Lyu, the current captain of Astrea Familia, a Level 2 smith named Cecille, hates her guts. Despite, or perhaps because of, the fact that Astrea has entrusted her with something very important in regards to Lyu.

This is a book about Lyu, so it’s not a surprise that the plot is as straightforward as hell. Lyu is not quite completely healed, and also needs to go from Level 4 to Level 6 in about 5 days, something which no one has EVER done before, so strategy is called for. Fortunately, most of the strategy is “keep hitting things till you get it right”. As for Cecille, she’s not hard to figure out either, mostly as she’s very similar to Lyu, something Lyu knows as she very awkwardly tries to take on a mentor role. It turns out that trying to create the perfect weapon for someone you’ve only heard stories about that drive you crazy with envy can be very hard! It’s only when Lyu opens up and shhares her own tragedy that Cecille manager to find her own inspiration. That said, “straightforward” does not mean bad. This series has never really been known for narrative curveballs anyway.

Good stuff, and if you want to know what happens next, go read 18 again. I think next for us is the Sword Oratoria SS volume.

The Villainess Is Dead! Long Live the Empress! Redoing the Story After a Poisonous End, Vol. 1

By Iota Aiue and Tsukasa Kuga. Released in Japan as “Shokeisareta Akujo wa, Taikoku de Kouhi no Za wo Tsukamu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Mac B. Gill.

I would not be reviewing 80 billion of these villainess books if I was not a big fan of the genre. As such, I can usually forgive it if it’s a bit on the nose. There are a lot fewer surprises in this first book than is perhaps required, although you might call the end of the book a surprise, as I sense that making this a series rather than a standalone book was a last-minute decision borne out by the rushed non-ending. It does, however, have a terrific romantic couple as our leads. The villainess is honorable, noble, tricky, stubborn, etc. in equal measure. The prince (technically that is a spoiler, but come on, it’s revealed almost immediately and is not a surprise even then) is handsome, self-assured without being smug, and they realistically realize the truth about each other very fast. Also, there’s a handsome woman knight, who is such a great character I will ignore our heroine buying her as a slave (it’s fixed almost immediately).

We open with Westalia, our heroine, being executed after being framed for an attempted murder by her supposed best friend. (I did say this was a typical villainess book.) But it’s OK. She’s taken an antidote, and rises from the dead when her grave is being robbed. Fleeing across borders, she ends up in the Archadies Empire, where the Empress is chosen by a country-wide search. Though, given the literacy rate is pretty low, the finalists do tend to be rich nobles. Westalia came here on purpose. After spending her life trying to learn to be a good queen only to be betrayed, she’ll be damned if she’s going to thrown away trying to help people and do good. So she’s going to become Empress by hook or by crook. Fortunately, the only real competition she has seems very familiar, as if every villainess needs an idiot heroine…

I talked about being a fan of villainess stories, which means I’ve met my share of bratty younger sisters, evil heroines, etc. We get two varieties for the price of one here. Both are presented as “mostly sort of evil”, which is to say they’re evil until the point where the author allows them a bit of depth. Lily has always hated Westalia, and was too busy pretending to be her best friend to realize that her dilemma of being married off to a creepy middle-aged man might have been something solvable with Westalia’s help. (She’s merely disgraced, so we may see her again.) Meanwhile, Elizabeth is using her money and connections to buy the contest, so is very upset when that still isn’t enough. She seems to at least have a bit of self-awareness. She’s definitely coming back, because they rewrote the cliffhanger to assure it.

If you are a villainess fan, this is really good. If you can take or leave it, you probably won’t like it. I’ll definitely read more, though I suspect it might have been better as a one-shot.

Lady Bumpkin and Her Lord Villain, Vol. 3

By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

In the first volume, we saw how Agnes was physically, mentally and emotionally abused by her family, and it was pretty terrible (the abuse, that is, not the book). In the second volume, we hear how actually a number of young noble ladies have this problem, and many of them are cracking under the strain and falling for handsome guys with vague mind control powers. And now, in the third volume, we’re told that it’s pretty rare to find a teenage noble girl in Desnim who is NOT abused by their family in some way. Heck, even when we get the classic setup in this volume – abused, Cinderella-esque older sister, arrogant and spoiled younger sister – it rapidly becomes clear that the younger sister is not actually LOVED by her family or anything, and that if they lose their scapegoat they’re perfectly happy to offer up scapegoat number two. Oh, yes, and other noble girls are raped by priests until they’re driven mad. Meanwhile, Agnes and her husband flirt shamelessly and plan an official wedding ceremony.

It’s been a year since Agnes arrived in Sutrena, and she’s is happily married to Lord Nazel (who is very happy to perform his husbandly duties all the time now that Agnes is mostly over her shyness). Nazel wants to have the big wedding ceremony they never had when they were married, and cajoles Agnes into it. This will require a priest sent from the capital, who is rather downtrodden and overworked, so quite happy to end up in a domain where people appreciate him. They also need a silver ring from a different domain, and meet the pleasant lord, his wife, and their two children. One of whom looks like she’s about to fall over dead from overwork at any moment, and the other of whom looks like she was born to hold her hand in front of her mouth and Ohohohohohoho. So yeah, family abuse. Sadly, things then get worse. For both daughters.

We’ve seen “good older sister, spoiled brat younger sister” endless times now in light novels, to the point where I was ready to roll my eyes. It’s a credit to the writing, though, that I rapidly realized that Furla was not going to end up with a fate worse than death, nor was she going to be arrested with her parents (whose crime is treating their child like crap, really). No, this is about getting an incredibly selfish young woman who, deep DEEP down, realizes that she’s nothing special to understand that all her safety and security is now gone and that she can’t simply simper at someone and get her own way. Technically things don’t end well for her – she’s another of Agnes’ endless parade of former nobles who are now maids, and the guy she’s fallen for is in love with this series’ equivalent of Superwoman. But frankly, compared with where she could have ended up… Furla does OK. She’s even learning laundry.

I will once again be annoyed at the author for yet another “I don’t swing that way” joke, which is tedious. Other than that, the fact that this series pinballs between dark abusive tragedy happening right off screen and Agnes and Nazel being flirty and happy and adorable is both the series’ greatest strength and its greatest weakness. Also, still don’t know why there’s a chibi-Agnes on each cover.