By Mugi Mameta and Nagisa Hanazome. Released in Japan as “Aisanai to Iwaremashite mo – Moto Maou no Hakushaku Reijou wa Kimajime Gunjin ni Ezuke wo Sarete Shiawase ni naru” by M Novels f. Released in North America by Cross Infinite World. Translated by JC.
There are times throughout this second book (and indeed the first one as well) when you can kind of feel everything about to go off the rails. Abigail is a lot, and not only does the cast have trouble trying to control her, so does the author. Perhaps we did not need quite so many scenes of her yelling ‘coitus’, especially as the writing has not quite mastered the difference between “Abigail sounds like someone who has grown up isolated and also is more monster than human a lot of the time’ and ‘Abigail sounds and acts like a 6-year-old”. Where the book does succeed, though, is the divide between genres. The rest of the cast are in a tense political thriller, and also investigating a corrupt domain that abused our main character horribly. Oh, and killer monsters are everywhere. Abigail, however, is in a cooking manga.
The first half of this book is all smiles, as Gerald and Abigail travel to the sea for fish and souvenirs, try to decide if a whole sheep or a whole cow is a better gift for someone, and finally have their first time, which is offscreen but which Abigail seems to like a whole lot, given how much she uses it as a go-to “calm my husband down” thing later. In the second half, though, they’re both forced to go visit the royal family, and deal with the fourth prince, who is in charge of the old lands that Abigail grew up in. Unfortunately, the officials sent there to take care of things have all disappeared/been murdered, so he really needs Abigail (and Gerald) to head over there to help him figure out why. What they find there is that Abigail’s blase description of her abusive life proves to be more horrifying than what they thought.
As with so many other series that are basically “everything was terrible till the start of the first book, everything is wonderful from that point on”, the best parts tend to be the jagged edges that stick out on occasion. Everyone seems to be trying to kill Abigail, be it hired bandits (who she spots running alongside their carriage) or the citizens of her former land (who try to poison her), and things get to the point where an angry dragon decides to kill every human in the area because they’re just that terrible. The best part of the book, as it’s the most horrifying, is when Abigail decides the solution is to let the dragon kill her and be reborn as a human again and get married 15 years down the road. It has to be explained to her why everyone hates this. Then again, Gerald is no better, as he doesn’t seem to understand why Abigail is upset he ran off to fight and left her behind, to the point where she had to climb to the op of a high tree to fix everything.
This is not in the top tier of Cinderella style genre books, but it’s solid. I’ll read another.
