By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

The danger of a series like this, which tries to change genres with every new volume, is that eventually you’re going to hit up against one that you’re not really all that interested in. When I saw that this volume was going to be about VTubers, I sort of groaned. It’s not my thing, and I don’t do the virtual idol thing either. So when Type Twelve decided to make this her new thing, I was prepared for this to be a slog. Fortunately, I was saved by the fact that the author knew which character to give the spotlight to this time around. Kurosu has gotten short shrift for a good deal of the series (when the anime came out, most wondered why she was even there at all), but her deadpan horrible personality meshes really well with trying to be a hot VTuber success, especially since we also still have her desperate 13-year-old horny urges to bang Sasaki (which is never going to happen, and I think she knows it deep down).

As noted above, Type Twelve is done with school because of … well, see Book 8. Instead, she’s decided to try uploading videos to Youtube (yes, they use the actual word). This becomes a competition, with everyone in the “family” (thus not including Elsa and Peeps, who already have a Youtube channel) competing to see who can get the most page views… and the winner has to order the loser to obey any command. Naturally, this gets Neighbor Girl tremendously excited, as even she knows that middle-management dude Sasaki is not going to be able to compete with four cute young-looking girls. She decides to (with Type Twelve’s tech help) become a cute, happy VTuber… which is a disaster. However, the backlash actually forces her to use it to her advantage, and she comes back admitting the happy girl was a fake and she’s a depressed introvert. This goes MUCH better… to the point where she’s scouted!

I’ve talked before about how the neighbor girl is so screwed up and horrifying that it almost comes around to being funny, but that’s not really sustainable if you’re going to have the series develop characterization (which is debatable – honestly, I think this author is far happier having its characters be cutely meta than learning anything about themselves). Over the course of the last few books she’s been forced to endure a lot and also interact with others far more than she ever did before. As a result, while her quiet cynical sarcasm is present and correct, as is her twisted sex with Sasaki fantasy, she no longer looks as if she’s actively trying to kill herself. Actually, she may have found a career path – her quick deductions at the scene of a crime, while getting in the way of the plot, show off a detective skill that’s actually kind of scary. Is she healing? A bit?

The others, rest assured, get stuff to do, and Hoshizaki gets the funniest part of the book. But yeah, this continues to interest me, even when it’s playing around in sandboxes I don’t care about.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

(This review discusses the dialogue in Sasaki and Peeps 8, which uses several sexual slang terms, and I mention them towards the end. Be warned.)

This is my own fault, I suppose. Last time I suggested that the middle part of the volume was a bit boring, and I said that Sasaki and Peeps was at its best when it was ridiculous rather than down to earth. Given this volume takes place at Kurosu’s school, I was perhaps not overly optimistic. Oh, foolish past me! This is easily the most off-the-rails volume of the series to date. I’ve also talked before about how the series is a harem series that doesn’t really have its lead be interested in anyone, and that’s done away with here as well. Sasaki manages to have a libido. When you add to this horny middle school students, numerous people being paid or threatened to act as “honey traps”, and a truth serum that also doubles as an aphrodisiac, and you have all sorts of no. On the bright side, at least for me, this volume is easily the shippiest he’s gotten with Futarishizuka, who, in age and compatibility, is Best Girl.

Type Twelve wants to experience school life so she can learn about humanity – and, in particular, she wants to learn about love. So they fake her family register, change her name to Twelve Sasaki, and she transfers into Kurosu’s school. Along with Sasaki, her new math teacher. And Futarishizuka, her new English teacher. And two of the other new teachers are Mason and Inukai, the ones working with the magical girl. Oh yes, and the magical girl they’re working with also transfers in. Naturally, with so many World’s Most Wanted girls in one location, every single enemy sends their minions to kidnap Twelve, kidnap Kurosu, kill Sasaki, etc. And that’s not even counting the pink magical girl, who as always, wants to kill all psychics.

There’s quite a bit of death and gore in this book, mostly due to the magical girl, who is here to kill psychics and chew bubblegum and she’s all out of bubblegum. the final scene with her and Futarishizuka is actually very sweet, and possibly the nicest Futarishizuka has ever been. Kurosu, aka neighbor girl, also gets a much larger role than usual, though for once she’s too busy being the straight man (and tsundere, as Twelve correctly notes) to try to get into Sasaki’s pants much. Unlike many other women in this series, who are trying to seduce him for money, because their parents are being threatened, or because all their inhibitions are down. And then there’s Type Twelve, who is the reason that I think this book needs a bit more of a content warning than other books. She’s trying to figure out human love, and is very good at making boys her “simps” – but when she gets an actual confession, and uses truth serum to verify it, things go bad fast – and we find out that Kurosu’s classroom is a hotbed of sexually active teens. In addition to simp, ‘fuckboy’ is used here, and there’s also mentions of spanking and anal sex, though only in conversation, not in actual content. Basically, teens are horny and awful.

Fortunately, this seems to have stopped Twelve wanting to learn what gangbangs are (oh yes, that’s mentioned as well). She now wants to drop out of school. Where to next? We shall see. Honestly, I would not mind going back to isekai world for a while, which seems a bit less unhinged. Till then, boy, this will be fun if ever animated.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I do feel that this series might have a conclusion in mind, but it really is meandering towards that conclusion, to the point where I was actually a little bored somewhere in the middle of this volume. Which is surprising given it’s an isekai-lite book, and I usually tend to prefer those. For the most part, the bulk of this book is spent integrating Type Twelve into the main cast, which has Futarishizuka and Sasaki making decisions that make sense in a “we’re trying to save the world” sort of way, but narratively in a book makes them sort of terrible. It doesn’t help that the idea that all of this is secret is really being blown apart, with Neighbor Girl’s classmates all discussing whether aliens are real or not after spotting the huge obvious flying saucer. Each book tends to set up the next book, and I suppose that’s true here. And to be fair, the end of the volume definitely was excellent. But I’d like to know the author has a final volume envisioned.

Type Twelve wants to learn more about humanity from Hoshizaki, and has decided the best way to do this is to pretend to be a family. Hoshizaki is the mother, Sasaki is the father, Kurosu and Abaddon are her older siblings, Elsa (returned from isekai land) is the next door neighbor who’s always dropping in, Sasaki is the family pet, and Futarishizuka is the crotchety grandmother, a role she takes to with gusto, to be honest. They go shopping, they buy a house – well, OK, Type Twelve steals a house – and they go to the amusement park, which Futarishizuka, with the reluctant help of Sasaki, tries to depress the robot so that she’ll give up and return home. Everything changes, though, when Kurosu says there’s a new death game coming to a mysterious island, and she wants their help in going after the big prizes that come with said game. Alas, when they get there they find that things will not go that well…

As noted, the death game is the best part (the worst part may be when Kurosu, running away from interaction with her classmates, comes across her teacher screwing her bullied classmate, and she just sort of stomps away in a fit of pique that she’s not able to get that with Sasaki). They arrive assuming that everything will be much the same as the previous games, but not only is everyone on the angel AND demon teams now trying to kill her and Abaddon specifically, but there are also a lot more random elements. A psychic is killing people because he can, the magical girl rips a hole in reality to go kill psychics, and Type Twelve has to literally blow herself up 9she gets better) to save the main cast. And, oh yes, the entire death game has been co-opted by rich assholes. Because of course.

I greatly enjoy this series when it’s being ridiculous, but when it’s down to earth it can sometimes lose me. The next volume… has everyone going to Kurosu’s school. Oh well, we shall see.