By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Don’t worry, this is still Erna’s arc. I’m sure she’ll get the next cover. But each of these books has featured one of the main characters going beyond, finding new ways to live, new ways to be a spy, and new ways to cope with what they are inside, and then getting ushered off the stage for a while. Last time it was Sara, who spends this volume in prison, being tortured. (I was going to bitch once more about how fiction makes people believe torture works great, but the convoluted plot this series always has makes it work.) And this volume it’s Monika, who gets what may be the best “big action scene fight” we’ve seen in this series to date, and makes the most of it. Because she’s up against Nike, who is strong as hell, smart as hell, and angry as hell. This is a good matchup for Monika, then, who is also strong, smart, and angry. And, as it turns out, they may have even more things in common.

We pick up where we left off, with everything being terrible. Sara is in prison and getting the crap beaten out of her, and we hear that she’s revealed the names of her companions. Erna has PTSD after dealing with Nike, a mental block that makes her natural twitchy mess of a self even more of a twitchy mess. And Annette… is Annette, I’m afraid, no matter how much Erna might be trying to make her see the virtue of not being a psychopath. Fortunately, there are more allies. There’s Sybilla, who accomplishes a hell of a lot in this book by just going around, helping people, and talking to them. There’s Thea, who does what she does best – having amazing sex in order to advance the aims of her nation. And there’s Monika, who sees that Nike has made Erna scared and decides that the best solution to this problem is to kill Nike. Easy peasy.

I remain impressed at how this series is handling Monika’s sexuality. It’s a core part of her character. Its illegality in her nation means that suppressing it, keeping her feelings inside, is not only natural to her but what is the right thing to do for her. And she recognizes that in Nike as well, recognizes a fury and drive that stems from a repressed love for another woman. They’re kindred spirits, and Nike even says that she’s incredibly upset Monika isn’t on her side. (There’s also Thea, who sleeps with both men and women in this book, but her arc is more about “enjoying sex is not only part of my job, it’s also great, and I’m not a slut because I have it.) I also appreciated that – finally! – we got a flashback to Monika’s heart to heart with Lily. Monika being Monika, she triers to do the “let’s pretend it never happened” thing, but Lily doesn’t want to do that. She realizes that she hates it when guys leer at her because of her body (can I read this as a tacit critique of most Spy Classroom artists – she gets more skeevy fanart than the other girls combined) and the only thing holding her back is her inexperience with love at all. Basically, I like that this series makes LGTBQ issues part of the intrinsic plot without making the romance the point or making it for fanservice.

The author says the 5th SS collection is next, but bad news, we already had that one. As a result, we have to wait to see when Yen schedules 12, which I think wraps up this arc. Good luck, Erna! And your increasingly small number of allies!

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

We may have finally drained the Avian well dry (or maybe not – I hear there’s another spinoff just started that features them), but that doesn’t mean we’re going back to the main girls for these short stories. In fact, as the cover might suggest, the main girls, with one or two minor exceptions, don’t appear in this story at all. That’s because, despite the formatting, this really isn’t a short story collection at all, it’s a prequel, dealing with Inferno, the spy group Klaus was drafted into years ago, and how they trained him to be what he is today, as well as hinting at their tragic downfall. It honestly may be the best collection to date, and despite the ending being as sad as you’d expect (I am thankful the writer did not go full Se7en on us, but it was close enough that I did not like it), most of this can best be described as heartwarming or funny. Mostly as Inferno have adopted a feral cat. Named Klaus.

In a prologue, we see Guido, who we know well from the start of this series, coming across a terrifying monster who steals food and leaves it with kids. This turns out to be Klaus, who is ten years old and turns out to have been named by Guido. Klaus is feral, and I mean that sincerely. Over the course of the book, we get the other members of Inferno giving their brief opinions of Klaus (they like him, with the exception of the tsundere in the group), we get four stories. 1) Guido takes Klaus on his first mission, taking out a gang, as well as its leader who is busy trying to train his eldest daughter Sybilla to be a murderer; 2) Gerde takes Klaus on a mission to see who is killing a politician’s allies, and Klaus starts to gain empathy; 3) the twins take Klaus to another country to learn how to read people and also the fine art of triple crossing, and 4) Heide and Klaus go to see why their agents keep disappearing, and Klaus learns some unfortunate things. Well, unfortunate for him, Heide seems happy.

Heide was probably my favorite part of this book (and I was highly amused at the author writing it so that it made emotional and storytelling sense that they had sex, while at the same time leaving an out just in case it needs to be taken back later). Heide is an annoying older sister-style brat, but like a lot of those she is annoying out of love. Really, the whole group is great. Unfortunately, as Veronica points out, Klaus has gotten TOO close with them, too involved, and throughout this book we see her and Guido yelling at each other in the background, and we know how that turns out. The final story, written for this book (the other four were in Dragon Magazine) shows us where Klaus was when Inferno were wiped out, and the answer is “in a horror movie” essentially. Still, Klaus ends up taking the right lesson from his time with Inferno, and resolves to build a new family for himself. It’s really sweet, in a tragic spy sort of way.

Also check out the afterword, which has the author’s “stories that will never be written”, some of which are funny, and some of which are kind of creepy. The anime may have tanked this series,l but the books are still great.

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

After the events of the last volume, which were dark but not as dark as the rest of the series, we’re back into pitch black with this volume, which does just about everything except kill one of the main cast off – and even that’s left up in the air at the end. It turns out, amazingly, that being a spy continues to be very hard! And that one of the few things harder than that is starting a revolution. Honestly, this particular book feels very relevant to our times right now in a way that I will try not to go into great detail about. Things aren’t helped by the fact that we’re down a good two-thirds of our regular cast. The team split up to do their big job at the end of the 9th volume, and it’s now over a year later, and they’re still split. Which is good news if you’re a fan of Sara, of course, as well as Erna and Annette, but fans of other girls will have to be patient.

The book consists of one main plotline interrupted by a subplot that happened before the start of it. The main plotline continues the adventures of Erna and Annette that we saw at the end of Volume 9, as they try to incite a revolution among the people, infiltrating an underground organization, investigating a very suspicious mine explosion, and trying their best to avoid getting noticed by Nike, who is the country’s top spy, and would absolutely destroy them. Oh yes, and Erna also has the added problem of Annette, who has basically resolved that she’s just going to get more and more evil as time goes on, and eventually will not be able to be held back. The subplot involved Sara, who objects to Klaus’ plan – not splitting everyone up, but pairing Erna and Annette, which she regards as a bad balance. Klaus takes the opportunity to show Sara how far ideals go in the spy world.

This is technically Sara’s book, despite the fact that the bulk of it is pretty much Erna’s show. I feel very bad for Erna, who after weaponizing her woobiefication finds that being a woobie is something that can happen whether she wants it to or not. By the end of this book she’s a wreck, but I’m sure she’ll get more opportunities for cool things later. Sara, probably not so much. Now, I am not so naive as to think that the author is going to kill off one of its more popular characters. I do, however, think Sara will probably sit the rest of this arc out. Which is fine, as this was a really killer performance by her. The theme of “you are a very competent spy but still about 5000 times less competent than everyone else” is a hard lesson to take in when you are trying to ensure everyone survives and lives happily every after, and it’s very Sara that she accepts the lesson and then decides to be an idealist to the end anyway. It’s no wonder that “big sis” Sybilla says about Sara, “She’s such a mom.”

By now you know what I’m going to say: next is a short story collection? Yup. Still, good start to this arc, which reminds you how difficult it can be to make folks understand who are the right people to hate.