By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

One thing I appreciate about Tearmoon Empire is that, unlike a lot of other current light novel series, it’s not really trying to be a mystery – or at least, not a mystery where the reader is supposed to figure things out. All of the things that are going to be happening a hundred pages from now are helpfully signposted before we get there, and even when Mia doesn’t really figure something out someone else does (Rina has been a godsend for this series, as she’s allowed to be the bitter cynic Mia can’t be). And, most importantly, the answer to every “how on earth could this happen” is always the same answer: it’s those Chaos Serpents again. Indeed, this time we get a woman who’s been a Chaos Serpent for a very long time as the main villain of this volume, and she’s not only out to destroy Mia’s alliance but she has a grudge against Mia personally… as well as the girl who looks a LOT like Mia’s grandmother.

We pick up with the plot we started in the last book, as Mia has created a horsemanship tournament to try to help Ruby get our of her arranged marriage… and possibly to get Vanos some glory so that Ruby’s crush is more likely to actually appeal to her father. Naturally things don’t quite go the way Mia planned… but honestly, they mostly do, and while Ruby still can’t quite work up the nerve to confess, for the most part it’s a happy ending. Unfortunately, there’s no happy ending in Tearmoon Empire that can’t be erased by the next arc, as Bel comes by with shocking news… Ludwig’s future diary says that Mia is going to be betrayed by… Sapphias! This is baffling, as any reader who remembers Sapphias… which may not be many, to be fair… will recall he’s firmly in Mia’s corner. What’s going on here?

Much as I’ve talked about Mia’s character growth in the books as we’ve moved along, I do appreciate that she can sometimes be caught absolutely flat-footed, as she is here with the identity of the latest Chaos Serpent traitor. It’s pure coincidence that Mia’s love of weird mushrooms just happened to vibe with Citrina’s “oh, those are basically used for confessions” knowledge to save the day. Mia’s real skills, which she’s always had but have been honed over these books, are improvisation – the narrative calls it “riding the wave”, but that’s a talent a lot of people just don’t have – and her increased empathy, as honed by the guillotine. Mia may have been ignorant of the Serpent plot here, but her goals for the cooking party – get closer to Sapphias’ fiancee, then try to work things out without accusations or violence – shows she may actually be a very good politician as an adult almost despite herself. It’s no longer “her selfish cowardice was misunderstood by everyone”.

I enjoyed this volume so much I will forgive the one or two mild fat jokes I spotted near the start. Hopefully next time Mia can finally solve the problem of her grandmother, who is desperately sad but can’t show it because of abusive indoctrination. That said, Tearmoon is (mostly) lighthearted, so hopefully the solution won’t be as bad as the end of Book 11.

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

I really enjoy the fact that, even though there are many characters who are introduced into this series to be goofy and comedic, no one is allowed to stay only goofy and comedic. Mia is obviously the biggest example, but we’ve seen a few others pop up. Here we notice that Bel has not only returned from the future slightly older, but she’s also slightly wiser, and while her grades may still struggle, she knows the value of studying and can start to think cleverly on her own. It’s fantastic to see, because “Bel is dumb” was getting as old as “Mia is getting fat”, another punchline we don’t see here. Even the narrative is getting in on being clever. I love the discussion of how Bel’s time-travel (and Mia’s) not only is affecting the present/causing alternate futures, but it’s also reverberating into the PAST, changing the past before it can become that present. Which might make fixing the Patricia problem easier… but also possibly harder, if Mia keeps accidentally acting like a comedy villainess.

The book starts off with the end of the last arc. Julius has been revealed as the villain, and it also turns out he’s Barbara’s son. This comes as a big surprise to Barbara, thanks to the efforts of the Chaos serpents. Still, everything ends up sort of okay, and while some people are punished, and even imprisoned, no one has to be executed. After this it’s summer break, and Mia returns to Tearmoon, with a rather large entourage – not only is Abel coming along, but so are Yanna and Kiryl, the orphans who would rather not go back to their orphanage, and also Aima, who is happy to be checking out the horses of other countries. Unfortunately, new problems abound. Ruby comes to Mia sobbing as she’s being engaged to a noble… and in a world where no one really objects to political marriages, that’s hard to fix. Worse, the Chaos Serpents are still around and still trying to kill Mia.

Just because we’re getting rid of some running gags doesn’t mean they’re all gone. Near the start of the book we get another hilarious sequence where everyone decides to make sandwiches and Keithwood tries desperately to stop them accidentally poisoning everyone (though he also finds a potential future partner, because Tearmoon Empire enjoys pairing off everyone almost as much as How a Realist Hero Rebuilt the Kingdom does). I also really enjoyed this book leaning into how horse riding has now become equal to dancing in being something Mia is really good at. When she took that huge jump I cheered along with everyone else. If there’s one down side to this series, it’s that the author and publisher can’t figure out a way to have each arc end at the end of a book. This is another book that’s one third the climax of the last arc, and 2/3 the start of the next one, and since the climax is mostly explanations, it means we don’t get much oomph here. Oomph will have to wait for Book 14.

Which isn’t scheduled here yet, but I assume it will be along before too long. I really appreciate how this series has matured along with its heroine.

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

The cliffhanger ending to the last volume already told us that Bel had returned “from the dead”, so it’s not a surprise to see her on the cover, though it is a bit of a surprise to see her looking older. Mia is also stated to have grown, and for once the narrator, usually snarky, has to assure us that it’s height this time rather than the usual fat jokes. We are told that Mia is now sixteen, which is nice to hear, but also ominous, as it was when Mia turned eighteen that she was captured by the revolution in her first timeline. And it’s probably because we’ve come so far, and are theoretically closer to the end of this series, that Mia is allowing one big secret to come out. Not her own, of course – heaven forbid – although we see some signs in the future that Ludwig may figure it out. But with so many people having seen Bel shot in the neck with an arrow and killed, there’s no other way to explain her return than time travel.

Of course, Mia has bigger problems than just Bel’s resurrection and presence back in the past. Another young girl showed up behind Bel… and Bel has no idea who she is. So presumably not from the “good future”. What’s more, the girl’s name is Patricia… the same as Mia’s grandmother… and she claims to be from a family that Mia can’t quite remember but isn’t around anymore. (It’s hinted she’s suppressing the memory as what happened to the family terrified her.) Mia, who is more on the ball in this book than any other book, is 90% sure that this is her grandmother, somehow sent into the future, the opposite of Bel, but that’s even more terrifying, as it becomes clear that Patricia has been indoctrinated by the Chaos Serpents!

I think the most interesting part of this book is that we see Mia eating a giant pile of sweets throughout, but the narrator rarely chimes in to mention her weight. This is because the sweets help Mia to think and not get distracted, and Mia needs to do a giant pile of thinking in this book. Mia is sixteen, as mentioned earlier, and while still tending towards doing the right thing for the wrong reason, she has learned to not only trust her instincts but anticipate them. She knows she cannot just ignore the Patricia problem and hope it will go away, as (let’s be honest) she did with Bel. And there’s plenty of what we read Tearmoon for, as Mia accidentally comes up with kingdom-altering ideas that will reverberate for decades to come… only it’s getting less accidental. Mia still frames it as being selfish, but she’s not only getting the best results here, she’s getting it because of her words and actions. Her final speech is a fantastic example. It was a terrific lesson. I really love her.

That said, whoops, another nasty cliffhanger. Luckily, Book 13 should be out in late August. Can Mia rescue her own past as well as her own future? And can we still quietly ignore some of the May-December romances in this series? (Looking at you, Citrina.)