By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s honestly rather surprising that we haven’t had one of these yet for Tearmoon Empire. Other light novel series are very fond of their .5 volumes or added bonus story collections – hell, Spy Classroom almost has more short story collections than regular volumes. But Tearmoon Empire has pretty much been too busy with Mia trying to save history and make it so she’s not guillotined, poisoned, or does not otherwise live to see her grandchild grow up. As a result, we not only have this collection, which seems to go up to about the 9th or 10th book in the series in terms of the timeline, but there’s a second already out in Japan. I’m not certain if they’re bookstore exclusive-type short stories or if they’re written for this volume. One thing is for sure, though, which is that while Tearmoon Empire is hilarious, and also a thriller, and sometimes a mystery, one of the things it does best is show off that doing good things, and paying it forward, makes everyone happier.

There are too many short stories here to give a breakdown as I sometimes do. I will therefore note some of my favorites, starting with the wraparound plot. Empress Mia, now a grandmother, is having trouble sleeping because her husband Abel is away visiting Sion, no doubt for another sword battle. As it turns out, Bel is also awake, mostly so she can get into mischief. To prevent this, Mia starts telling Bel old stories from back in her teenage years, i.e. around Book 1-10. Anne later shows up, and the whole vibe of these sections is just so nice to see. Seeing Mia at rest, having accomplished what she set out to do, and everyone else living their best lives, just puts a big silly grin on your face. I also loved the glimpses into Mia’s mother, and how this passes down into the wedding dress she shows her father before she marries Abel.

There’s also another ongoing plotline throughout this, which has to do with how Mia’s story is being retold. I’ve talked before about who I think the identity of the snarky narrator of this series is, and while we don’t delve into that we do get two other strands of the story escaping from the bounds of reality. Mia and company go to see a theater group putting on a “fictional” play that seems a little too real to Mia… it’s her life, right down to the time travel! The writer seems to get divine inspiration, rather than it being sinister, but I did love Mia wondering when she’ll tell Abel the truth about herself, as she knows she’ll have to one day. The other subplot shows Mia trying to stop everyone overselling her accomplishments – Elise’s history books have Mia literally flying, something that causes the actual Mia to cringe in embarrassment. She reassures herself that everyone will realize it’s exaggerated. That does not, in fact, happen. Sorry, Mia, you’re just that amazing to everyone. Even Ludwig. (The fountain pen gift, and how Mia makes him accept it, was also brilliant.)

Basically, these stories put a smile on your face and a song in your heart. Now let’s get back to the main plot, as if Mia is killed off in Book 17 all this may be irrelevant.

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s been a long time since the last volume of Tearmoon Empire, so it feels good that this volume was a lot of “here’s what you remember best about the series”. Lots of snarky narrator, lots of Mia thinking of a selfish reason to do something only for everyone around her to take it as the noblest reason ever (even when she literally says “I do things for myself”). Some lovey dovey stuff with her and Abel. And of course the ongoing plot, which is… erm, let me check my notes… or right, Princess Orania, who seems to only care about fishing, and Mia’s attempts to befriend the hell out of her. Which naturally end up interacting with her kingdom, a civil war, preventing another terrible future, and those pesky Chaos Serpents. Though honestly, to the Chaos Serpents, Mia is proving to be even more pesky, and they’re rather annoyed that she keeps showing up right before they enact their evil plans. It’s almost as if she has a book that can see the future.

Tearmoon Empire plays in the larger ocean of both villainess books and time travel to fix the future books, so it’s not a surprise that Orania’s tragic backstory may ring a bell to fans of those books. When you’re in a political marriage but only one of you is actually in love, life can be difficult, and naturally that can mean projecting all your hopes and dreams onto your child. Fortunately, sometimes your husband takes pity on you and gets you another husband who loves you! And you can have children out of love and live happily now! Hrm? Your first daughter? Meh. Whatever. As you can imagine, this has pretty much broken Orania, whose father is of the opinion that she can do whatever, he doesn’t care. Well, until the cliffhanger ending of the book, which promises there’s more behind that… hopefully for the better.

As for Mia herself, she mostly has a pretty good book. Honestly, it’s Rafina who suffers this volume – first because she’s the only girly girl in the entire cast, and thus the only one horrified at the idea of handling the live bait involved in the fishing contest. But also because Mia a) tells her that there’s an active slavery ring going on, something that infuriates Rafina, but b) dealing with it means Mia will be absent from the Holy Eve Festival. Let’s face it, Mia has too many friends, all of whom want to monopolize her time. I’d suggest she find technology to clone herself, but I can only imagine what a disaster that would be. We’re sixteen books in, and it’s getting harder and harder to wrangle everyone together to do a thing. And sometimes she can be completely caught off guard, like with the ending of this volume. Yes, after a couple books that don’t end in the middle of an arc, we’re back to normal here.

Fortunately, we won’t have long till we find out how Mia gets out of thi… hrm? Short Story volume, you say? Ah well.

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

Generally speaking, unless God is literally involved in the plot, the “how and why” of these time loop stories is rarely examined. We know why – so they can redo their life and get it right this time. And for a lot of Tearmoon Empire, that’s been the case. Even with vanishing diaries and conflicting timelines, the premise has been “Mia fixes things so she’s not executed”. But with Bel and Patty, things aren’t quite so clear cut. We can guess that Patty might have been sent back to screw up Mia’s timeline fixes, but if so that’s going pretty badly. As for Bel… is it really just to help her mature and keep Citrina happy? Or is there some deeper purpose to her presence? Is there a guiding hand in this that is not Saint Mia and her sarcastic narrator? Unfortunately, this is Bel’s problem to solve, as Mia has a whole host of new things to deal with. Which, mostly, she handles very well.

This is a “set up the next arc” volume, so there’s a bit less drama and a lot more talking. What drama there is comes from Patty, who is on the verge of a nervous breakdown, and Mia realizes that she may have left it a bit too long before she needs to tell her the truth. We also get more details about Patty’s brother, who was supposedly very ill, and also supposedly assassinated by Citrina’s family… though we discover most of those “assassinations” were “ship them overseas on a boat” instead. Once Mia returns to home base, she must deal with her clingiest friends being out of sorts about not spending time with her, and also has to win over a new princess in order to further her own plans. Unfortunately, this princess is following daddy’s orders, and while she’s savvy she’s not really that clever… except when it comes to fish.

After last volume reminded us that Sapphias exists, this volume does the same for Esmeralda, who has mostly been absent from the story since the shipwreck arc. She’s very aware of that, in fact, and has been hearing about Mia having all of these adventures – some of them dangerous, but that doesn’t matter – without her. As for Esmeralda herself… look, with Mia, we have her genuine character growth constantly undercut by the narrator, so we have to pick it out in between the snark. The narrator, however, mostly shuts up when Mia or her immediate offspring aren’t involved, though, and it allows us to see that Esmeralda has changed as much as Mia.This also means that she not only spots regrets in others – such as one of Mia’s ex-maids who is now at the Mia academy – but also in herself, as she finally gives Arshia a richly deserved apology… which, to Arshia’s credit, she doesn’t accept. More needs to be done before the bridges can be repaired. It’s also a good example of the timeline changing as we read. as the start of her arc in this book has Esmeralda an obscure, mostly forgotten figure who worked behind the scenes, while at the end she’s a famous diplomat.

I was annoyed that the fat jokes seem to have returned here, but other than that this was an excellent volume, showing Mia actually thinking things through and making clever decisions, though it’s her empathy, as always, that wins the day.