Attack on Titan, Vol. 15

Leave a reply

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

This volume continues to examine the morality of our heroes and the military in general, but doesn’t quite hit all my hot buttons like the last one did, so I enjoyed it more. We start off resolving the cliffhanger from last volume, and Armin’s defense of Jean, which horrifies him so much he’s throwing up. Armin is an interesting character, balancing the ‘innocent’ Survey Corps member side we’ve seen in Jean, Sasha and Connie with his tactical genius side, where he can casually come up with horrible plans and then toss them off with a ‘just kidding’. But he’d never killed anyone before. Levi fares much better here than he did in 14, telling Armin he did what he had to in order to save Jean while also saying that this does not mean getting his hands dirty is a good thing. Sadly, I’m led to believe that Levi is kinder to Armin than to Historia as he values Armin more as a soldier.

(I do sometimes wonder if Levi and Hange have a plan for what to do when/if Eren dies. I have to think step 1 is “Kill Mikasa by any means necessary before she becomes a berserker”.)

titan15

Meanwhile, back in the city, Erwin’s on trial for his life, and everyone still believes the Survey Corps have become terrorists. Indeed, we see two of the MPs, Marlowe and Hitch, looking for Levi and company, and it’s startling how little they know given that they’re supposed to be part of the ‘bad guys’ group. (They were probably my favorite part of the volume – I love everyone talking about how Marlowe’s idealistic dumbness reminds them of Eren, and Hitch’s mourning for Annie, and subsequent horror when she finds out Annie was the Female Titan, is beautifully portrayed, a rare case where I will praise the art.) Hange’s job is to try to convince the little people of the city, those who hide in its slums and those who report on it in the newspapers, to stop doing what the government says out of fear. She offers the Survey Corps’ protection, but more importantly, Flegel Reeves finds his inner badass and becomes someone that a town can rally behind.

Erwin’s trial resolves itself in a fairly cliched way, but the fact that the government falls for the cliche so easily shows off how stupid and corrupt they’ve become. There’s several people who were simply waiting for a good time to make a move, and this isn’t so much ‘doing what’s right’ as ‘getting revenge’. Also, the town is unsurprisingly a bit dubious about the military seizing power, and no one really expects them to ever let it go. I suspect that whatever’s happening with Historia and Eren will put that on the back burner for a while – she’s seemingly been ‘converted’ by her father to their cause, and the Royal Family definitely seem to have SOME power in their bloodline, enough that touching Eren brings back some old and horrible memories.

So next time we finally get an explanation for what’s been going on with Eren’s father, and (I’m hoping) find out that Historia is playing an elaborate double bluff. Till then, I will freely admit Attack on Titan has won me back, and as long as it stops torturing for the greater good or emotionally abusing young women to get what it wants, it can stay there. Recommended.

(As a side note, Sasha is barely in this, but I loved her simply wrapping her entire body around Mikasa’s head in joy when she finds out the Corps has been cleared. And then Hitch’s as well. Sasha may not just be into food is what I’m saying.)

Kokoro Connect, Vol. 3

Leave a reply

By Sadanatsu Anda and CUTEG. Released in Japan by Enterbrain, serialized in the magazine Famitsu Comic Clear. Released in North America by Seven Seas.

Like many series I review here, I had assumed I’d do a main page review of Vol. 1 and the rest of the series would be consigned to the Bookshelf Briefs column. This despite the fact that the second volume improved on the first. And now the third has improved on the second, taking the cast to surprisingly dark places. It still has a tendency to have people lecture other people to advance the plot, but I’d really like to see how this Heartseed thing resolves now, if it ever does. It’s also very much a manga of two halves, or rather two-thirds and one-third, as the last part of the volume involves Yui wondering if she should date another girl… which is handled awkwardly, but looks like it’s trying.

kokoro3

In the first two volumes, Heartseed was more of a plot mcguffin than any sort of villain, possessing a teacher in order to explain the bodyswapping to the cast, and then making itself scarce to watch the fallout. But the fallout isn’t good enough for them, as Taichi and Iori manage to resolve their issues a lot faster than anyone was expecting. Like Inaba, Iori’s identity crisis ends up having a solution that’s a lot less complicated than one would expect, and I hope she manages to resolve a few more things going forward. But we can’t let all the problems be resolved like that… so Heartseed literally attempts murder, by tossing Iori into the reservoir and swapping Taichi and Yui at the same time, so that he can’t save her.

What follows is a classic sadistic choice. Iori’s near death, and Heartseed says she only has a half hour to love… provided one of the others doesn’t swap out before she dies, dying in her place. Of course, it’d only be their mind dying, their body would live on with Iori in it. And mostly, this is an excuse to show off how Taichi’s ‘selflessness’ is actually a really bad case of selfishness, as seeing anyone hurt makes him feel so bad he’ll do anything to stop it. Luckily, his friends are there to punch sense into them. Also luckily, Iori gets to swap out one last time to point out that she’d never be happy with any of them sacrificing themselves for her. And also also luckily, this was all a test/game, and Iori was never really at risk after all.

After all this, it’s nice to have a lighter story (this appears to be the end of the first novel, and the rest of the volume adapts a short story from “Volume 4.5”) that focuses on nadrophobic Yui. She gets a love letter in her locker, which turns out to be from another girl. Reactions range from Aoki’s, who adamantly says that man/woman relationships are the only natural ones (I know he’s in love with Yui, but still, shut the hell up, dude) to Inaba’s (who wants to leave things up to Yui to decide, but still uses the word ‘lesbo’), to Fujishima’s (we’ve seen her lust for Iori before, so she’s the one who’s best suited to tell Yui to follow her heart. I’m not sure how this will resolve itself in the next volume (though I can guess), but so far it’s a wildly uneven handling of the issue.

Which, to be fair, fits with this series in general. It’s dealing with the emotions and feelings of teenagers in general more than most high school comedies, and kids say stupid things. Awkward emotions are the order of the day, and this volume continues to serve them up. We’ve only got two more to go, so I’m interested to see how the adaptation wraps up.

A Somewhat Belated License Roundup

4 Replies

I’ve been meaning to do this for some time, but every time I prepared to write up the new licenses, some other publisher would announce that they were going to make new announcements in a few days and I’d decide to put it off again. But they’re really piling up now, and what with the con season starting soon I thought I’d best just get in what I have right now. Let me know if I missed anything. If nothing else, we can safely assume that the manga market ‘recovery’ is in full swing.

Two new Shonen Jump licenses. The first is Kagamigami, by the author of Psyren. It’s a supernatural detective series, and thus fits nicely into the rest of what’s currently popular in Shueisha’s shonen titles. It just debuted.

Boku_no_Hero_Academia_Volume_1

The other license is very unsurprising, as it’s the new breakout Jump hit. Boku no Hero Academia is from the author of Barrage, if anyone remembers Barrage. No? Right, moving on… it’s about a world of superheroes, and a young man who’s one of the select few who DOESN’T have them. Is he bullied? Take a wild guess. There’s a lot of over-the-top hot-blooded shouting, and the whole thing is a pile of fun.

There’s also four new Shojo Beat licenses. QQ Sweeper is a Shogakukan title from Betsucomi, by the author of Dengeki Daisy. I don’t know much about it, but the mere fact that it’s by the creator of Dengeki Daisy makes it a must buy.

Another title is from a very familiar author, it’s the latest from Arina Tanemura. 31 Ai Dream (Idol Dreams for NA) is about a woman who, regretting her choices in life and seeing her high school crush at their reunion with another woman, considers suicide. But then she gets a second chance (as one inevitably does). This is actually running in Hakusensha’s Melody (a shoujo/josei hybrid magazine) rather than her usual Ribon or Margaret stuff for Shueisha, so I suspect it may be a bit darker or more mature.

And recently they announced two more. From Kadokawa’s shoujo magazine Asuka we have Bloody Mary, which, well, vampires.

More interesting to me is Honey So Sweet, despite seeing ‘meek girl, gruff seemingly scary boy’ as the premise. It runs in Bessatsu Margaret.

Crunchyroll has a new digital license, Persona Q: Shadow of the Labyrinth. I assume this is based on the Persona series of video games, about which I know very little except that many of my friends and acquaintances are obsessed with it. There seem to be two versions, one for P3 and one for P4, that run in Shueisha’s Bessatsu Shonen Magazine and Shonen Sirius, respectively.

testament4

Seven Seas had a tabletop game announcement, and good luck to them. Moving on: they also announced some manga. Shinmai Maou no Keiyakusha (The Testament of Sister New Devil) is based on the light novel of the same name (no, they haven’t licensed that – you do know this company, right?), it features a young man who finds his father has remarried and he has two new sisters – only they’re a demon lord and a succubus. It runs in Kadokawa Shoten’s Shonen Ace, and will definitely appeal to those who read that description and did not roll their eyes.

Jitsu wa Watashi wa roughly translates as “Actually, I’m a…” and the cover features various characters all holding fingers to their mouths in the standard Ssssh! gesture. It apparently features a young man who is known for being unable to lie, and his run-in with various girls who all have secrets to keep, mostly supernatural. If you guessed that a harem ensues, you’re right. Hijinks also ensue. The art is very popular as well, though be warned those are some big mouths. This runs in Akita Shoten’s Weekly Shonen Champion, which rarely gets much attention over here.

Vertical had some new stuff to talk about. Ninja Slayer is a novel series supposedly created by two Americans, though many suspect this is just a cute marketing gimmick on Enterbrain’s part. In any case, it also has several spinoff manga, one of which, Ninja Slayer: Machine of Vengeance, ran in Kadokawa’s Comp Ace magazine. I believe it’s complete in one volume.

Seraph of the End is a manga series that Viz has licensed, which features, you guessed it, vampires. But it’s based on a novel series that Kodansha puts out, and Vertical have licensed the original novels. I wasn’t wild about the manga, but might give the books a try.

Lastly, and most importantly, we have Kizumonogatari, part of the long-running Monogatari series by Nisioisin, creator of Medaka Box, which you may have heard me banging on about once or twice, and Zaregoto, a series I deeply loved that did very poorly indeed over here. This is actually the third of the series, but takes place before any of the others, and the agent recommended starting with it. I absolutely cannot wait for it. By the way, Vertical have said they’ve ONLY licensed this book – they may license more if it sells well. Ergo, please buy this book. I will be pushing it hard. (And we all know how much my opinion drives sales.) I’d give you a cover image, but it’s part of the ‘Kodansha Box’ line, so the covers are all boxed art.

rosegunsdays

And Yen Press also has a few new things. To my delight, we have a new manga based off of Ryukishi07’s sound novels. This time it’s Rose Guns Days, which is not connected to the same universe as Higurashi or Umineko. Telling an alternate history of post-war Japan, Yen has licensed ‘Season One’, which ran in Gangan Joker. The artist is Soichiro, who also did Alliance of the Golden Witch in the Umineko series.

Final Fantasy Type-0 Gaiden: Hyōken no Shinigami could possibly be a part of the massive Final Fantasy universe. Something about the name suggests that to me. It ran in Shonen Gangan.

Horimiya has an intriguing history. There was a webcomic called Hori-san to Miyamura-kun which GFantasy picked up and released 10 volumes of, and it also spawned an anime. Now it’s getting an official manga with a different (most say better) artist, and that’s 6 volumes and counting and also running in GFantasy. The plot seems to be a sweet and sometimes angsty romantic comedy, and it has the usual ‘is this shonen or shoujo?’ feel you see in many GFantasy titles.

Lastly, Yen On had a new announcement, one many of us have been expecting for some time: The Irregular at Magic High School. This was the #1 light novel franchise over the past year, even managing to beat out Sword Art Online and Kagerou Daze. Its male lead seems to be the emotionless stoic badass, which I suspect may be part of its appeal after years of average schlubs starring in these sorts of vehicles. It’s got quite a few volumes… but honestly, after Index, nothing surprises me anymore. It has a couple of manga spinoffs… oddly, Yen haven’t licensed the Square Enix one, but have instead opted for the Dengeki Daioh version, The Honor Student at Magic High School, retelling the story from a different perspective. This might work out well – I’ve dropped a few manga adaptations that just tell the novel straight up.

That should do it for now. Which of these has you most excited?