A Mostly Yen Press License Roundup

I was away for a few days, so naturally the license DELUGE hit. As such, let me ask you to turn to A Case Suitable for Treatment, for the very last in news. :) Let’s see what 17 million titles are coming out soon, however, and talk about them a bit.

First the non-Yen stuff. Seven Seas has three more Alice spinoffs coming, featuring, I believe, Gray, Elliot, and the Twins. They sell well, and there are PILES of the things, so I see no reason why Seven Seas shouldn’t license them till they run out.

Dark Horse just announced today the license of Fate/Zero, the prequel to Fate/Stay Night that runs in Kadokawa’s Young Ace. It’s based on a couple of light novels that tell the story of the ‘fourth Holy grail War’. I admit I didn’t read F/SN when Tokyopop was putting it out, but it’s certainly quite popular, and Fate/Zero seems to be the most respected of the side projects.

Now it’s time for Yen Press. On the manga front, a big recent license is the Karneval manga from Ichijinsha’s Comic Zero-Sum. There’s over a dozen volumes to date, and it’s been a highly discussed series. Featuring two innocents on the run from forces beyond their control who end up with a defense organization called Circus, it’s the sort of title that defines the words ‘fantasy manga for young women’ and should sell like hotcakes.

There’s more Madoka Magica manga, as we get Orico Magica’s side story which posits a different meeting between its leads, which I’m sure will lead to puppies and rainbows instead of tragedy; and Tart Magica, which features Jeanne D’Arc and three fellow pseudo-historical young women as magical girls in the 15th century, thus showing that Kyubey can ruin EVERYTHING.

And on the Disney front, sort of, we have Big Hero 6, which just debuted in Kodansha’s Magazine Special. Based on the film due out this November, it looks to be geared towards the younger set, and is a rare Kodansha license from this publisher.

Now let’s talk light novels. I’d mentioned that I thought Yen was pursuing a surprisingly aggressive approach to the new Yen On line, and it’s clear that if anything I was underestimating it. Kurt says they’re going to go even further next year, with over 2 dozen books out in 2015 alone, from a variety of series. Sword Art Online sold quite well, and has I expect inspired the licensing of the Progressive novels that will debut in April.

I have whined on Twitter about the lack of ebooks for SAO and the upcoming Index novels, and I suspect judging from Kurt’s response in the interview that this is not something that will be changing anytime soon. It seems to be the Japanese side more than our side, as Yen says that they make an effort to get them when they’re available. So perhaps I should whine at ASCII Mediaworks instead.

As for the new LN series announced, we have four. The first, Log Horizon, has a plot that may seem familiar to fans of Sword Art Online, as it also has a large group of MMORPG gamers who find themselves trapped in a virtual world. Log Horizon seems to have a broader focus, however, and less romance/harem/fanservice elements than SAO does. Yen has also licensed the manga, though we’re not sure yet which manga they have – there are three possibilities, all from different companies. The novel is from Enterbrain, who also do Book Girl, so I’m hoping for ebooks here.

Speaking of fanservices, No Game No Life seems to be the most ‘otaku-oriented’ title that was licensed in this batch. It’s from Media Factory, and involves (try not to contain your shock), an MMORPG. A brother/sister gaming team, who in real life are basically shut-ins, are transported to a fantasy world where they have to use their amazing gaming skills to save humanity.

The Devil Is A Part-Timer!, aka Hataraku Maou-sama!, is a Dengeki Bunko title (i.e., the SAO/Index company). It sounds like the funniest of the new series, as Satan and his lieutenant are on Earth and powerless, and must find work while scheming to regain their powers. To make things worse, the woman who defeated them in the first place is back to finish the job. Luckily, she’s lost her powers as well. This has fantasy elements in it, but the mere fact that it doesn’t involve an MMORPG makes it the most intriguing of these titles for me.

Lastly, for fans of Pandora Hearts, Yen is putting out the novels which contain side stories from the main manga, which are titled Caucus Race. These are also, I believe, from Square Enix.

Judging by their interview, Yen isn’t done yet, and I suspect we’ll have a few more light novels announced at NYCC. Which unlicensed title do you most want? You are not allowed to say Baccano!. Or Durarara!!. Or indeed any title by Narita. But other than those?

The Heroic Legend of Arslan, Vol. 1

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By Yoshiki Tanaka and Hiromu Arakawa. Released in Japan as “Arslan Senki” by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

I must admit to being unfamiliar with the original Arslan fantasy novels this is based on. Published since the 1980s by Kadokawa, they also spawned a manga in the early 1990s, which ran in Asuka and was drawn by Chisato Nakamura, famous over here for many Harlequin manga adaptation\s. But now the series is being rebooted for a new generation, with the art being done by Hiromu Arakawa of Fullmetal Alchemist fame. This means that the action scenes are superbly handled, and also that our hero, Arslan, just happens to look like the child Ed and Winry would have had in FMA. Which is pretty much what you’d expect. If you hire an artist, you get their art style.

The story itself is about a fantasy kingdom that seems to be defined as “not quite Persia”, and its young prince who is having difficulty living up to the expectations placed on him, particularly since he doesn’t get much love from either of his parents. He does have some awesome advisors, though, one or two of whom even survive past this first book. After a prologue showing him getting into a prolonged chase with an escaped prisoner from Lusitania, whose country is a bit more democratic and less dependent on slaves than Arslan’s own, we move forward to seeing Arslan at 14 or so, getting ready to fight in his first battle, not knowing how much of a disaster it will be.

As you’d expect for a fantasy series, much of this first volume is devoted to worldbuilding, though there’s also some healthy character development. Arslan has a bit of a complex about wanting to impress his stern and cold parents, neither of whom seem to hold him in much regard – there may be an answer for that, it’s hinted later, as Arslan may not be the King’s real son. He’s the sort of nice, earnest, naive protagonist you enjoy seeing grow to maturity in stories like these. His main ally seems to be Daryun, who is also stern but actually cares about Arslan, even if he has to be prodded to do so on occasion by his father.

I imagine that the next couple of volumes will be trying to figure out how to retake the kingdom now that it has fallen, and attempting to reassess their enemies. The enemies themselves don’t get much of a look-in here – the child who drags Arslan around in Chapter 1 did not return, much to my surprise, in the battle. As for the masked man who appears to be the main villain, he’s driven by a hatred of the King (who, I will admit, is not a caricatured bad King/bad father as I’d expected – he’s a decent King who likely is aware his wife is having affairs and that Arslan isn’t his, and this galls him, as it’s also clear he’d do anything for her). Like a lot of Volume 1s, this seems to be mostly setup, but I’m definitely on board with what is shaping up to be a thought-provoking and exciting new action series.

Attack on Titan, Vol. 13

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

For a while there Attack on Titan was able to keep its readership breathless, with a chase sequence and rescue that went over multiple volumes, following a long extended siege that revealed stunning information about half of our cast. There’s been no time to catch your breath and think about what’s really going on. And that’s this volume’s job, to try to take a step back and work out what everyone is fighting for and why. And the answer is not really one that anyone is going to find pleasant. Levi notes it himself while discussing things with the team – this has been a horrible, twisted world for 100 years now, and there’s no sense that even stopping the Titans will really fix anything. Do we really want the good guys to win if the leadership in place is so rotten?

The whole Survey Corps team, minus the four obvious ones, are now back together again and part of Levi’s new squad. Sasha has returned relatively unharmed from her trip to the north, and attempts to bring a certain levity with her – her interactions with Jean about food are meant to be reminiscent of the first few volumes. Even here, though, we cut from the comedic scenes to Levi staring into space, overlaying his old squad – now all dead – with the new team he’s in charge of. Levi is not the most personable guy in the world – between him and Hange, who’s wildly mood swinging through this entire volume, we might almost have a functioning human – but I think he’s good at knowing how to get what he needs, and right now that means he has to be mean to Eren, as being driven into a corner seems to be the only thing that allows Eren to control his Titan abilities.

Then there’s Historia, whose past comes into play here. She explains her childhood to the squad, and it is, needless to say, horrible. Living her life as best she can, and only realizing once she starts reading books and other stories how truly terrible it is. Abused by the other children, and her own mother despises her. Then she’s almost killed, only saved at the last minute by her father denying her own existence. What makes it worse is that there are also bits she can’t recall, as a mysterious young woman, the only person who ever shows her any love and affection (besides Ymir, and trust me she’s cut up about that as well), erases her memory every time they met as kids. This is actually the most plot specific part of the volume, as Eren is also dreaming about that young woman, who may be related to both of them? Who knows.

Meanwhile, back in the city, Pastor Nick has been tortured and killed by the military police, once again showing us how it’s the Survey Corps versus the world here. Erwin is doing his best to try to get on top of things, and in the end makes the decision that the royal government has proven itself unfit to lead, and needs to be overthrown. Which is all very well and good, but he says that at the same time as we cut to Levi and Hange, about to torture the same MP who tortured Pastor Nick. Replacing one group who advocates torture to get results with another one does not fill me with glee, though I may have to save that subject for the next volume.

This has never exactly been a fun series to read, but this volume in particular is grim and grimy, helped along by Isayama’s art, which has improved to “OK” but that’s still a step below most manga artists, including the ones who draw his spinoff stories. I also disliked everything about the subplot with Armin being threatened with rape by a member of Reeves Company, particularly as, seeing some of the cast laughing about it later, I think we’re supposed to see it as a funny interlude rather than disgustingly awful. Attack on Titan is still one of the most compelling series out there, and you’ll want to see what happens next. But when the fighting slows and you start to deal with the city, its citizens, and our heroes, you can’t help but feel weary.