Knights of Sidonia, Vol. 1

By Tsutomo Nihei. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in the United States by Vertical, Inc.

I will admit to being one of the few people reviewing this title who has not read either Biomega or Blame, the author’s previous series released here. As a result, I wasn’t quite sure what I was getting into, except that the series looked vaguely Gundam-ey. And I have to admit, after finishing the first volume, I’m still not quite sure what’s going on. That said, it’s the sort of manga that rewards trying to find out, and there’s lots of little things here and there that make this well worth a read.

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This takes place somewhere in the future on a World Spaceship, a la Heinlein’s Orphans of the Sky. Much of the plot is not told to us via exposition or narrative, but simply by immersing us in our hero’s day-to-day life and expecting us to figure it out as we go along. Our hero, Nagate, has been living secretly underground for years with his grandfather (I think), practicing blowing things up in a flight simulator. When he runs out of food (is his grandfather dead? And for how long?), Nagate goes to find some, and accidentally falls into the processing machine (one of the more morbidly funny scenes in the entire volume). After being discovered, he’s quickly indoctrinated into the military and added to a team whose mission is to battle the Gaunas, alien life forces intent on destruction.

Our hero is not much for words (or indeed facial expressions), so getting some battle scenes almost feels like a relief. My favorite part of the entire manga is probably the cruelest: we meet a new girl, Eiko, who is standoffish and avoiding all the superstition that the other pilots perform. Given she’s in the chapter title, we naturally assume she’ll be like Izana and come to befriend our hero, though given how prickly she seems it may require him to show initiative. But no! They go out to battle Gaunas, and she’s not only killed off immediately but her form is used to become a hideous monstrosity that almost kills off Nagate too. This fakeout was well-played, and I applaud the author for it.

Towards the end of the volume we get a few more new characters, who are a bit too new to really grasp on to, as well as an indication that Izana seems to have fallen hard for our hero. Clearly this is meant to be a series with a few volumes to it, and I imagine all will become clearer as I go along. I’m left, however, with a sense of distance about the whole thing. Nagate has difficulty emoting due to his upbringing (at least, that’s what I imagine), Izana seems naturally repressed, and through most of the volume I kept wishing that I could get closer to our heroes’ mindset while being unable to. I did enjoy Nagate defending Izana against a hotshot egotistical jerk pilot (who then breaks Nagate’s arm), and hope that we’ll see more elements like this. Knights of Sidonia as a series is cool rather than warm, but it’s still fascinating, and I look forward to working out what’s going on in future volumes.

More New Licenses from Seven Seas and Vertical

OK, lesson learned. I will never go on vacation again. Sheesh.

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Seven Seas snuck out a 4th license right after I made my post the other day. Aoi Sekai no Chūshin de is being released over here as World War Blue, and is nine volumes long. It runs in Micro Magazine, which is owned by… well, Micro Magazine, and is about a war between Sega and Nintendo with the serial numbers filed off, featuring various anthropomorphic consoles. Honestly, compared with the other three titles Seven Seas talked about the other day, I find this the most intriguing.

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Vertical, meanwhile, has two new releases that are quite interesting. Satoshi Kon is better known for his anime productions, but in 1990 he did a short manga for Kodansha’s Young Magazine called Kaikisen, about a young man and the legend of a mermaid. It’s been re-released every few years or so in Japan, and Vertical will now be bringing it out over here, in one complete volume, as Tropic of the Sea.

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The other announcement is, surprisingly (to me, at least), from Hakusensha, who seem to finally be getting back into licensing titles to North America after a long Tokyopop hangover. Shi ni Itaru Yamai is a two-volume series from Hikari Asada and Takahiro Seguchi. The author only has one other title (a short ecchi school series), but the artist is well known for his saucy series, including maid series Enmusu, which ADV briefly published before dying, and a very popular series in scanlation, Oretama, which I refuse to discuss. (And no, don’t discuss it in comments, either.) This series, Sickness Unto Death (as Vertical will release it), is about a clinical psychologist who lives at a boarding house while he gets his degree, and a girl who also lives there who has the worst case of despair this side of Zetsubou-sensei. It looks to be a psychological drama, and is probably the title of the three of these that I’m looking forward to the most, despite the reputation of the artist and the fact that it ran in Young Animal.

New Licenses from Viz and Seven Seas

Well, I’m off on a few days vacation, so naturally everyone decides to pile on licenses the moment I leave. Taunting me with their interestingness. But this will not stop me from breaking everything down, and keeping you, the reader, informed.

magiI’ve spent quite a few posts discussing Shonen Sunday, and Viz’s lack of enthusiasm about the titles as opposed to Shonen Jump. Of course, this is a vicious circle, as SS series tend not to be among the best-sellers or ‘fan-obsessive’ series. That may change with this new license, however. If ever there was a series running in Sunday that cried out to be licensed, Magi was it. The author has been seen on these shores before with Yen Press’s Sumomomo Momomo, but Magi is a better, more mature work with a manga take on Aladdin and the Arabian Nights. This has the potential to be the first really big Sunday title over here since Inu Yasha, and comes highly recommended.

Viz’s Shojo Beat line also announced four new titles, two of which are actually Josei Beat. Yoroshiku Master is a Hakusensha series from the author of Penguin Revolution, one of the old CMX shoujo favorites. This ran in LaLa’s sister magazine DX, and at 3 volumes is a decent investment (and the third volume apparently has a Penguin Revolution short chapter to boot.) As for the plot, if you like bishie demons, bishie vampires, and bishie catboys, you’ll love bishie reindeer boys! Viz is releasing the series as Sweet Rein.

seiyuu-academyI was always a big fan of S.A. and its dense as lead heroine, so I’m quite happy to hear that they’ve licensed Maki Minami’s next series that ran in Hana to Yume, Seiyuu Kaa!, which will come out here as Voice Over! – Seiyuu Academy. The title describes the series – our heroine is enrolled in a voice actor’s high school, and not only has to deal with her less than stellar voice qualities, but also the usual high school shenanigans. This being a Hakusensha shoujo series, I’m certain that there will be a few pretty guys to help her out. The series should be 11 or 12 volumes.

Then there’s the two josei series. Viz must have been at least somewhat pleased with the performance of Butterflies, Flowers, as we have not one but two new titles from the pages of Petit Comic, Shogakukan’s josei romance manga for women who have outgrown the already saucy Shoujo Comic. Maki Enjouji’s Happy Marriage?! is 10 volumes, and has ‘Shogakukan’ written all over it: an office lady, trying desperately to pay off her parent’s debt, finds herself engaged to her company president – who she’s never met before! I have a feeling that this title will be just as compelling *and* frustrating as Butterflies, Flowers proved to be, but at least can be assured that it will be quite spicy.

midnight-secretaryThe last, and possibly biggest license from Shojo Beat is Midnight Secretary, Tomu Ohmi’s 7-volume story of a secretary who becomes the personal assistant – and so much more – of her company’s president. Unlike Happy Marriage?!, however, this president is a vampire as well! Despite not having the word Vampire actually in the title, I predict this is going to sell like hotcakes, if hotcakes that have to be shrinkwrapped due to content – this, like Happy Marriage?!, will definitely be an M for Mature title. That said, there’s more here than just put-upon heroine and abusive-yet-oh-so-hot boss, and I am very pleased we’ll get to see this.

Of course, Viz was not the only one to drop new licenses on us, as we have three new titles from Seven Seas. Centaur no Nayami (out over here as A Centaur’s Life), is sort of like Seiyuu Kaa!, only instead of voice actresses it’s monsters and other mythological creatures. The juxtaposition of ordinary high-school comedy with girls with centaur bodies and angel wings is what drives this title.

loveinhellJigokuren – Love in Hell is from Futabasha’s Web Comic High, and features a guy who dies one day and finds himself in hell. But he has the chance to repent. Judging by the art and descriptions I’ve seen, however, this title seems to aim at the reader who enjoys seeing young-looking girls torturing guys in various ways. I’d put it in the I Don’t Like You At All Big Brother/Mayo Chiki category.

Lastly, we have another title from Tokuma Shoten’s Comic Ryu (where A Centaur’s Life also appears). Monster Musume is another harem title, regarding the integrations of mythological monsters (in the form of cute girls) into society. They all glom onto our hero, who I suspect is a nice yet unlucky guy, as these types usually are. Of course, the law prevents interspecies nookie, so the entire reason for this title’s existence would appear to be teasing but not delivering. Luckily, there’s a nice harem audience that this would appeal to. I also note that between Love in Hell‘s heroine and this series, we’re covering ‘breast fetishes’ at both ends – small and large.

As we get further into the year, more of the Fall 2013 licenses will become apparent, but this is already a great number of titles for all sorts of fans. Which of these excites you most?