The Wallflower Volume 25

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By Tomoko Hayakawa. Released in Japan as “Yamato Nadeshiko Shichihenge” by Kodansha, serialization ongoing in the magazine Bessatsu Friend (“Betsufure”). Released in North America by Kodansha Comics.

In a welcome if slightly odd return, the Wallflower manga is back to individual volumes, after a brief omnibus format for the prior three. So we only get one volume of fun here, but it’s a very good one, giving the reader all the humor they need, and even a few romantic bones thrown. Be aware, though: they’re only bones. The series is still running and still not resolving.

The first chapter continues on from the end of 24, where Kyohei kissed Sunako at a party. Despite his insistence that it was merely a ruse to distract people, she’s in full-blown “darkness take this creature of the light” mode and curses him. Strangely enough, the curse seems to WORK – Kyohei feels increasingly ill, and we see (though others cannot) the creepy spirits of young girls attaching themselves to his back. This chapter manages to combine everything good about Wallflower. The spirits are genuinely creepy and unsettling, the explanation for who they really are is hilarious, and Sunako has to admit that she was wrong to curse him and stave off the spirits, in what becomes a very sexy scene. And then they’re both hospitalized. Of course.

In the next chapter it’s Halloween, and Noi has another one of her cunning plans, which somehow always seem to end up about as cunning as Baldrick’s. (This is, I think the 5th Halloween in the manga, showing that the series is very much not running in realistic time.) She shows Sunako this great fake tree with skeletons attached to it, and notes that it’s the prize in a competition. Of course, it’s a modelling competition. Sunako does her best, and seeing her as a goth loli babydoll is so jarring it almost becomes parody, but still lacks confidence in her looks. As always it’s Kyohei to the rescue, even in the hospital, but the resolution is not what Noi wanted at all…

Speaking of Noi, she then gets a focus chapter with the gang all going hunting for Matsutake mushrooms. After approximately 10-11 chapters with Noi feeling unworthy of being Takenaga’s girlfriend, we now have her worried about taking things farther. It’s actually a rather interesting reminder that of the seven main characters, only four are still virgins – clearly this is not a series aimed at otaku guys. :) Of course, the only male in that group is Takenaga, and he still wants to wait, especially after the gang eats some poison mushrooms, and Noi starts trying to seduce him with her sexy. “Not like this,” he says. All ends well, but those frustrated at the lack of romantic progress with Kyohei and Sunako can be equally frustrated that Takenaga and Noi are equally slow.

The last chapter is Christmas (again? wasn’t Christmas in the last volume?), and involves many of our favorite themes. Noi and Tamao (Ranmaru’s fiancee, who is rarely named in the manga itself) are trying to knit handmade gifts, but are thwarted by being a beginner (Noi) or having Ranmaru admit he hates handmade stuff (Tamao). Sunako doesn’t have their issues, but Kyohei is also depressed by all of this talk of handmade gifts, as it reminds him of his past with his mother – one that ended badly. And poor Yuki is just upset that he can’t get a hold of his girlfriend at all. Naturally, all is resolved in the end with Sunako’s help, and the final chapter ends with a big Christmas toast from all four couples (well, OK, Sunako is more surprised than toasting).

If you want another great volume of Wallflower antics, this will give it to you. it’s a lot of fun. If you want character development or resolution of anything, may I recommend a nice cup of tea instead?

Sayonara, Zetsubou-sensei Volume 9

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By Koji Kumeta. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

Fans of this series may know that the translator/adaptor for the first four volumes was Joyce Aurino. She then left, and as of Volume 5 the translator was David Ury. Well, either Kodansha has a policy of switching up every few volumes, or this series burns translators out faster than most (the latter is more likely), as we now have a third translator, Joshua Weeks. Joshua has translated Pink Innocent, I Am Here!, and Panic x Panic for Del Rey in the past. How will he be able to handle the adaptation nightmare that is Zetsubou-sensei?

Well, for the most part, pretty well. The one piece of bad news is that there are even fewer endnotes than ever. I think Kodansha has realized that most folks don’t care who Mitsui-kun is or why he was hospitalized, and that explaining these would make the book 26 pages longer. For the most part the ‘Despair list’ references are ignored, and we just get footnotes when it’;s an important piece of plot or dialogue, such as Setsubun, or Giri Chocolate. I think I’m fighting a losing battle caring about this, so will try to shut up from now on.

That said, the actual translation is pretty excellent. Nozomu is despairing again, something that makes me happier than words can say. Kiri’s “Don’t Open” is also back to sounding more like what I was used to with earlier volumes. In general, though, it’s an excellent translation because I didn’t really notice it. There weren’t the continuity errors of past volumes that made me angry that Del Rey never credited an editor. (Kodansha does not either, in case you were curious.) So hooray, I am pleased and can now move on to talking about the actual volume.

The volume starts off with three very “Japanese” stories, and they’re possibly the weakest in the collection. That said, I was amused at Rin’s cherry chocolate factory, a giant cynical snarl at the Valentine’s Day industry in Japan. As the chapters go on we begin to discuss issues that are more “universal”, such as overaccessorizing, biased viewpoints, and the concept of “overcharging”. My two favorites were the ones that resonated with me the most, as Nozomu talks about people who try to look down on their betters with condescension, and trying to pretend that major decisions and announcements are really no big deal.

As the series has gone on, we’ve moved from a series driven by the insanity of its cast to one where it’s all about observational humor, so it’s no surprise that there’s not as much to discuss here character-wise. There are no major murder sprees from Chiri; in fact, her scariest moment is in a courtroom scene where she proves that the line between funny and terrifying is microscopically thin. We do see Jinroku-sensei has a huge tattooed back (implying he was once a yakuza, though this isn’t in the notes), and see the dangers of Chie-sensei being the serious type who doesn’t usually joke. My favorite character bit of humor was probably Manami, who’s absent from the overcharging chapter because she’s far too busy with housework, noting “Housewives don’t have time to recharge.”

Oh yes, one other reference I loved that wasn’t spelled out. As this volume was being written, the first anime series was broadcast. This meant that some of the characters were becoming associated with their voice actresses. Particularly Rin, who Kumeta Koji was very amused to see was voiced by Akiko Yajima, best known in Japan as “Crayon Shin-chan”. As a result, at the end of this volume and in subsequent ones, Rin will appear with her ass facing the reader, in tribute to Shin-chan’s tendencies. (Rin also joins the class as a student this volume, but will continue to be a “semi-regular”, only showing up when she needs to.)

I could go on about this series for a while, as you can see. And I’m pleased to see that many of the issues I had with prior volumes in terms of the editing and continuity seem to have been sorted out. Definitely recommended (though if you read Japanese, google for the Kumetan Wiki to find all the references you’re missing).

Kimi ni Todoke Volume 9

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By Karuho Shiina. Released in Japan by Shueisha, serialization ongoing in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Viz.

I had a lot of questions at the end of Volume 8 that I wanted answered. Luckily, most of them are answered here, as we get a lot of resolution to various plot tentacles and head closer towards our leads becoming a couple. Though, word of warning, we still aren’t there yet.

I know that the focus of this volume is Sawako and Kazehaya, but I have to start off here by talking about Kento. Given that our two leads have so much trouble communicating, it’s somehow incredibly appropriate that everything that goes wrong in this volume (as well as one last thing going right) is the result of Kento simply talking and talking and NEVER SHUTTING UP. He is cheerfully trying to do what he thinks is best for everyone – but he’s wrong, and it takes the entire volume and a giant slap in the face from Kurumi (I hope people cheered) to make him see that. And so, when he realizes that his big mouth and misconceptions have screwed over everyone to date? He immediately goes to Sawako to talk to her some more, and tell her that he was totally wrong and he wished her good luck with Kazehaya. He’s such a contrast to everyone else in this manga my jaw almost drops.

Speaking of Kurumi, I never thought she’d become an audience identification character, but her ran to Sawako halfway through the book could almost have been the reader in many ways. It’s very easy to feel bad for her, even if you did dislike her at first. After all that sneaking around, she confessed straight out – and was rejected straight out. And now seeing the girl that she was rejected for being a giant coward is just too much to bear.

Is she really being cowardly, though? In many ways the entire plot of this series is ‘poor communication kills’, but nowhere is it hammered home more than in this volume, where not a page goes by without Kazehaya or Sawako misinterpreting each other, due to lack of confidence, poor verbal skills, and a whole lot of assumptions. It’s less surprising with Sawako, whose poor interpersonal skills are brought up when it’s noted how far she’s come with everyone EXCEPT Kazehaya. As for him, he gets less sympathy from most of the cast, especially Pin, who rather cruelly tells him to “just give up on her.”

Ayane and Chizu don’t get as much to do here except worry about their friend and constantly try to stop Kento from opening his mouth. Ayane’s reaction to Kento admitting he may have screwed things up is the comedic highlight of the volume. And Ryu too is almost absent, but that’s because he only gets involved when absolutely necessary – his line to Sawako “I don’t know if I should be saying this, but you need to explain yourself better.” is of course the entire book condensed into one remark. It’s also great that he tells her where Kazehaya is at the end.

“Did my words say what I wanted them to?” And so Sawako rushes off to find Kazehaya, and tracks him down to their classroom. And then… the book ends, in what is possibly one of the most frustrating cliffhangers I’ve seen in manga. We *desperately* want to see this resolved, want these two to finally get it, to see what they mean to each other. But now we must wait for Volume 10. In the meantime, what a great series.