The Melancholy of Haruhi Suzumiya-chan Volume 2

By Nagaru Tanigawa and Puyo. Released in Japan as “Suzumiya Haruhi-chan no Yuutsu” by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Yen Press.

Generally speaking, when a company licenses a series they’re hoping it sells to as broad a market as possible. A series like, say, your average Shonen Jump fighting series is likely to sell more copies in North America than one about a guy whose female classmates all have dirty minds. Likewise, it’s gonna be hard to sell a manga here, even an award-winning manga, based around a traditional Japanese card game.

The exception to this, of course, is a series that is part of a larger media franchise. Haruhi Suzumiya is a franchise that will tend to have a certain number of sales no matter what. Thus it’s easier to release something like this, which in many ways has so many things going against it. Volume 2 is a) based on Haruhi Suzumiya, which is itself a polarizing series with a large amount of hype backlash; b) a 4-koma series, something that is not as easily translatable to North America as you would expect, and has earned the ire of many online reviewers; and c) requires a love of the “boke and tsukkomi” (dumb guy/straight man) routine so essential to Japanese comedy, as it forms the basis for over half the punchlines here.

As an example, one of the first jokes in Volume 2 has a parody of the typical datesim game, with all the females of Haruhi presented as “10 possible options” to the player. Of course, there aren’t that many Haruhi females, so Itsuki notes in an astonished voice, “Could I be one of the two remaining heroines?” Kyon, always the tsukkomi, responds, “Nobody cares!!!” This type of punchline can be seen a lot in broad comedy manga such as Gintama (when it’s Shinpachi delivering it) or Bobobo-bo Bo-bobo (where Beauty delivers it). However, without seeing this sort of thing constantly for years, it’s possible the reader may see it as someone shouting randomly at the end of each unfunny gag.

So, you have a series with many obvious weak points. However, if you do like Haruhi, 4-koma, and boke/tsukkomi, as I do, then you will have tremendous fun with this. It continues to develop the silly characterizations from Volume 1, with Yuki now writing her own games, Tsuruya and Mori-san (the maid) developing a fierce martial arts rivalry, and Asahina (big) beating the crap out of her past self. And there is of course, Achakura, who continues to be a comic highlight, especially since she now gets her own tsukkomi in the balloon dog Kimidori-san, and thus can be boke and tsukkomi when needed.

We’re starting to see some stories here that weren’t animated for the Haruhi-chan Youtube project 2 years ago, though some still do work better on screen (particularly Achakura and Kimidori-san defusing the bomb). Overall, though, this is pure comedy. It’s even lampshaded at the end, where the preview implies a serious plot for Ryoko in the third volume, then this turns out to be a dream Yuki had, who says outright that Haruhi-chan is a gag manga. I can certainly see how any one of a number of factors would irritate the potential reader. This is a manga with a very narrow market focus. But for that market, it’s great.

Manga the week of 6/1

…um.

Well, Yen has two Korean manwha coming out (which I generally don’t cover on this site.)

And Little Brown is releasing the 5th Haruhi Suzumiya novel, which features Snowy Mountain Syndrome, the first story to be released here that isn’t yet animated.

But that’s it. Frequently when the first or second of the month falls on a Wednesday, Diamond treats it as a ‘5th week’. So no Viz blitz here, folks. Move along.

Gente Volume 3

By Natsume Ono. Released in Japan by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Viz.

I had mentioned at the end of my review of the second volume of Gente that it led into the events of Ristorante Paradiso, and that this volume would be a sequel. Which is not quite the case. Yes, it takes place after that book, and Nicoletta is present throughout. But while her issues with Claudio are an ongoing small plot in the book, for the most part she’s not the focus, and there’s nothing approaching plot resolution here.

Nothing really changes or wraps up here as Gente has always been a series of vignettes. The end of the manga comes, and it doesn’t so much end as stop. This is not to say that it’s not an excellent volume, for those who don’t mind that sort of thing. Several times as I read along I was thinking that I’d hit a lull, or a chapter that didn’t work as well as the others, only to find by the end of it that I had been pulled in and was reading with rapt attention. Even the one-shot people I’d never heard of managed to make me interested in their lives.

My favorite chapters in the book were probably the two that dealt with the Rizzos, a middle-aged married couple who have lost whatever spark they had in their marriage, and compensate by having constant affairs. Signore Rizzo proved to be far more than just a womanizing jerk… while still not being terribly likeable. His conversations with Nicoletta, who thinks he’s an absolute ass but can’t quite stop talking to him, are fantastic. There’s even some humor, as all the men in the Ristorante note how they’d like to have a daughter like Nicoletta… including Claudio, who immediately gets slapped down by them. (If you want cute Nicoletta/Claudio moments, you really should go read RP rather than this. Nothing really changes.) And we then get another ending showing that marriages, even ones where the love is lacking and the affairs are constant, are still marriages. It’s sort of a bittersweet comfort.

The other chapter that really felt strong for me was the final one, dealing with a conflict of interest. Nicoletta’s birthday happens to fall on the same day as the death of Gigi’s father, and he goes to visit the grave every year… except this one, where he feels Nicoletta is more important. Unfortunately, Fate seems to want to kick him in the face for that. He goes the following day, and runs into a girl who says she’s been watching him every year he comes by… and also that she’s an orphan living in a treehouse. It’s another chapter where very little happens, but seeing the little girl bond with Gigi and bring him out of his dour shell is quite touching, even if she does turn out to have been fibbing. (Also, Gigi goes from Rome to Turin in one day? That’s quite a haul.)

And so the manga ends, pretty much as it began. There was little to no plot to speak of, but you enjoyed spending time with these people, and were surprised and pleased at how their lives interacted in the most interesting ways. Plus things are open in case Natsume Ono wants to return to the Ristorante later. If RP was the appetizer, and Gente the main course, what about dessert?