Yuri Tama: From Third Wheel to Trifecta, Vol. 5

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By Toshizou and Kuro Shina. Released in Japan as “Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

It is sort of mind-boggling that I finished this series. My review of the first book was decidedly lukewarm, and the second one I actively hated. (The incest, the main reason I hated the second book, briefly crops up again here, and no surprise it’s the worst part of this book.) But as the series got to the third and fourth volumes, and its wet rag of a heroine paused from her description of herself as a pathetic piece of excrement lying at the side of the road long enough to instantly seduce any young woman who happened to say two words to her, I gradually warmed to it more and more, especially as it became apparent it was fighting a losing battle against another yuri series with a similar premise that started earlier, was far more popular, and now has a popular anime. There’s No Freaking Way Yuri Tama was not going to get cancelled, and sure enough it was. But we do get this last book.

We pick up where the fourth book left off. Yotsuba’s two current girlfriends have a bet with her childhood friend and wannabe girlfriend that will be resolved when they perform. All Yotsuba has to do is film the performance… wait, no, they don’t trust her to do that. All she has to do is watch the performance. Oh, and go around the festival. Then she’s approached by one of Makina’s fellow idol group members, Mio, who wants to figure out just why Makina would leave a huge up and coming idol group to go and be in high school for a while. She immediately sees that Yotsuba is a giant sucker, and so makes her own bet: If she watches the upcoming performance and is impressed, she’ll let Makina do what she wants. But if not, Yotsuba has to convince Makina to return to idol work. Fortunately, Yotsuba is armed with nothing except near lethal amounts of rizz.

It’s remarked on several times in this book that people can’t read Yotsuba’s mind, it’s just that everything she’s thinking is written all over her face. This of course extends to why she gets so many people to fall for her – it’s because she cannot help but be genuine and honest with everyone, and she really is mind-boggled by how sexy and attractive and sweet and good all the girls around her are. To the point where the girls need to actually be that good to match the expectations Yotsuba has for them. This is a final volume, as the author notes in the afterword, but there’s no real resolution (the author, to be honest, sounded a bit bitter about the low sales). The bets essentially return everything to status quo, Yotsuba is still “Two-timing” with her girlfriends, and the usage of that word still bothers me.

God, Yotsuba was annoying. but as I read more and more from her, I actually came to root for her more and more. Which is more than I can say for Renako.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 11

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By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

Entirely unintentionally, I suspect, this volume of Dahlia came out so that I read it on New Year’s Day, and its own plotline is about celebrating the New Year. That made me smile. It’s a more leisurely book in general, with few ominous hints for the future beyond people with tremendous amounts of power and influence reminding everyone that Dahlia is not to be messed with. If we can’t get Dahlia to acknowledge her own worth, well, at least she has everyone else in multiple countries in her corner. I also owe Dahlia an apology. I’ve put the bulk of the blame for her utter lack of romantic progress on her complete lack of self-esteem, and while that’s true, there are two people in this relationship. And somewhere between Volf running around the training grounds in a giant wolf onesie and starting snowball battles with local children, I realized that Dahlia may need to wait a bit for her handsome young best friend to have the childhood he never got as a child but is having now.

It’s the New Year, and Dahlia and Volf plan to go around the festival together eating all the food. They’re convinced to go as a couple and wear the special masks made for couples to avoid unwanted attention. really. I’m sure that’s the only reason. Meanwhile, Dahlia and Lucia come up with some silly-looking but comfy nightwear for her, and Volf accidentally sees it one day. And then suddenly it’s become a huge invention, and they’re introducing various kinds to the Beast Hunters which they’re not only using to sleep better at night, but as camouflage when they fight monsters. Jonas’ father comes for a visit, and while Jonas wants to avoid him, Dahlia ends up meeting him and being thanked for being Jonas’ friend. And possibly more than friends? Finally, Irma gives birth safely and the twins are fine, much to everyone’s relief, especially Bernigi, who, with the help of Jonas, arranges a serious injury that requires that he and his wife go to the temple to get healed, where by pure coincidence Marcella and Irma are located.

Dahlia in Bloom’s sense of humor is usually more “put a smile on your face” than making you laugh till you’re sick, but the scene with the Beast Hunters all trying on their animal onesies and going outside to test and see if the flying squirrel one can make them fly… that was pure comedy gold. There’s also plenty of heartwarming here as well – Dahlia makes Volf a new magic sword, which as it turns out resembles his late mother’s a great deal, filling him with glee. (Though, as Jonas darkly notes, when used by someone with evil intentions it would be a fantastic assassination weapon.) And there’s dark tragedy here as well – each volume to date has ended with a flashback to Dahlia working with her father on something or another, but they’ve gotten closer and closer to the present each time, and with this volume, we finally see Carlo’s death. It’s well written and will make you choke up.

All this plus zero romantic progress! But that’s why we read Dahlia, of course. (Oh, and her big New Year’s gift is essentially a wine-of-the-month club, in case you worried she and Volf weren’t still drinking like fish.)

The Tanaka Family Reincarnates, Vol. 5

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By Choko and kaworu. Released in Japan as “Tanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

So yeah, I was wrong about more than one thing in my last review. To be fair, when it comes to one of those things, the rest of the cast got it wrong as well. When we hear there’s a new saint, we, and the King and prince, assume that it’s going to be Emma. I had wondered if the plotline would be that Emma had to move to the country of religious zealots. But no, it turns out that the saint is someone totally different. More to the point, I had said that this series was first and foremost a comedy, and while that’s still true, it does show that it is not afraid to get involved in drama when the need arises. Or in this case pure horror. For a number of pages we know nothing about what’s going on except that Emma and her brothers are terrified, to the point that Emma can’t even walk. And the explanation is not only eerie (though even it gets used comedically later) but also asks what the saint position even does.

After debating just staying forever, and William having to deal with his mother and sister being BL fans, the Tanaka family are returning to their capital… only to find this have changed while they’ve been gone. The Church has declared a new saint, Juana (who we briefly saw in a prior volume, but don’t worry if you forgot her, so did everyone else). And there’s a rumor going around that Emma was in fact a FAKE saint, and a lot of students are following Juana around and disparaging Emma. For the most part, this doesn’t really bother Emma and company, as those close to her are still her friends, and she doesn’t really run into the new saint. Until she does, and when Emma and her brothers see Juana’s face, Emma has a complete nervous breakdown and the entire family retreats to their estate. Which starts even MORE rumors.

Rest assured, there’s some good comedy here. The bizarre Church edict about buying new underwear makes the Tanakas boggle just as much as the audience, and the Tanaka Family themselves are always good for fun scenes, especially when we get a few of their uncles and cousins. But the book shines when we discover why Emma is so horrified about Juana’s face, and the nightmare that she has is harrowing and (possibly) may have led to real disaster were it not for their giant cats. More to the point, the Church and the Saint are trying to start a real war with real consequences, and it takes most of the book for the country to even realize it. Now, I’m fairly sure that things are back on the upswing, but it’s a good sign of how the Tanakas have sort of accidentally become the lynchpin that holds this world together – especially Emma.

This is basically “Part 1 of 2”, so we’ll see how it resolves next time. A great volume, with some nice depth.