Death’s Daughter and the Ebony Blade, Vol. 5

Leave a reply

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

This series does have, amidst its themes of “war is hell” and the like, a love triangle at its core. This is part of the series’ annoying sub-theme of “all the aides are in love with their commanders” that I dislike, but I’ll ignore that for the moment. Claudia is easiest to understand, she’s a classic tsundere who’s in love with Ashton but refuses to admit it to herself or others. Ashton is in love with Olivia, though it’s not clear if it’s romantic or just a shining ideal, but he is otherwise a classic romcom harem lead, with a few “could these women actually like me?… naaaah” monologues under his belt. And then there’s Olivia, who loves Ashton and Claudia, but I suspect the author is not intending us to be thinking “yay, polyamory”, but rather that we’re supposed to think that Olivia is not quite human and doesn’t understand romantic or sexual attraction. It’s a bit of a mess.

The start of the book features Olivia and company headed to the Holy Land of Mekia, there to meet up with its leader, who has taken a shine to Olivia. They try to lure her to their side with promises of using their resources to find out where Z is, which makes Claudia curse, as this had never even occurred to her to try to offer Olivia, and Fermest can’t do it very well as they’re at war. Still, an incident involving Ashton’s near-death… again… convinces Olivia that she’s not going to change sides for now. In the meantime, the empire continues to have a very bad time, which is what happens when your grand vizier… pardon me, chancellor… is evil and your empire is secretly run by a death god. When the Kingdom comes calling, with Olivia at its vanguard, who will rise up to meet her? And will it be enough?

We get a nice little flashback in this book to Olivia’s parents (though she was originally called Caroline) and are reminded that her mother is of Deep Folk descent, which is leading to a lot of subplots converging. Still, she may have human/deep folk as birth parents but her upbringing is all Z, and that’s what really makes her as inhuman as she seems at times in the series. She has no real fear of monsters that would kill anybody else, and when asked where she grew up, points to the middle of a forest that has a reputation so bad that anyone who tries to investigate it finds their investigators dead. That said… Olivia is also gradually getting more humanity in her, and that’s entirely due to Ashton and Claudia, who are definitely a calming, soothing influence on her, even if they can’t actually stop her from doing what she wants. This series is not going to end with polyamory, but if it *did*, it would be great.

It might also end with most of the cast dead, admittedly. After all, war is hell.

Peddler in Another World: I Can Go Back To My World Whenever I Want!, Vol. 4

Leave a reply

By Hiiro Shimotsuki and Takashi Iwasaki. Released in Japan as “Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyōshōnin o Hajimemashita” by HJ Novels. Released in North America by J-Novel Club. Translated by Berenice Vourdon.

It’s pretty astonishing how much authors think they can get away with provided their hero is mild-mannered and polite. Shiro already has the ability to go back and forth between his world and Japan – something most isekai’d folks don’t get. He gets magical translation, teleport abilities (sort of), and currency conversion. He doesn’t need to learn how to make mayonnaise because he can just go buy it at the local Inageya. He has, hovering around him at various points: his grandmother, who looks like a young girl; his twin high school age sisters who alternate between being mean to him and sucking up to him; a young girl who worships him and her hot widowed mom; a powerful fairy who’s tsundere for him; the mayor of the town; and (in this book) we add a dragon. He has to have little to no personality for this to work. If he had any notable character traits at all we’d despise him.

We pick up right where we left off last time. Shiro’s twin sisters Shiori and Saori have found the door to the other world, and there’s no way they aren’t going through it. To his surprise, instead of leading to his shop it drops them in the middle of the forest where he started way back when. While there, he finds a huge egg, which the twins insist he carry with him. Eventually, all is explained and the twins decide to start their OWN store dedicated to clothing and makeup, the egg finally hatches… and inside is not the minor monster they expected, but a dragon. A very powerful dragon. Who quickly morphs into a young girl and imprints on Shiro heavily. Now they have to figure out what to do with her… especially because demons are also apparently looking for the egg, and would likely destroy the entire town to get at it.

As with previous books, this is not great. Elianna the rabbit girl continues to be the most annoying character ever, and not in a fun way as the author is clearly intending. The twins are also annoying but that works better because it’s in the typical bratty sibling way. As for the plot itself, despite the threat of imminent death and the supposed murder of 3/4 of the cast, everyone is fine. This remains a slow life book at heart, so it’s no surprise that this manages to be one of the murderous demons who knows that murdering humans is not the right thing to do now. Not to mention that she has a very good reason to want the egg… and the whole thing ends up being undercut massively, because the whole reason for this plot turns out to be something she could just have bought at Shiro’s store. The sad trombone noise is almost audible.

All this plus we finally get “I am your slave” in this isekai. Shiro’s not going to be down with the whole slave thing, but I doubt he’ll really protest too much, because mild-mannered and all. If you like beautiful twins, cute dragon children, and hot demons… there are still probably better books with them in it.

My Friend’s Little Sister Has It In for Me!, Vol. 10

Leave a reply

By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

This is a flashback volume, as Akiteru explains to an increasingly despairing Mashiro exactly how he first met Iroha and started the game company. As such, as you can imagine, Mashiro barely appears in it, though she does get many of the funniest moments. Just as the “main” series ends each chapter with a conversation between Akiteru and Ozuma, this one ends them with a conversation between Akiteru and Mashiro… as Mashiro stares in disbelief at the fact that the boy she loves was starring in a wacky harem comedy long before she ever came back into his life. I’ve talked before about how the series seems to abuse her for the laughs, especially since she’s clearly not the winning girl, but there’s no denying it’s funny. Also funny are Akiteru’s deadpan reactions to all of this. Past or present, Akiteru is hopelessly, incurably earnest – and as the cliffhanger ending shows us, that may end up being his downfall in the long run.

As you might be able to tell by that cover, Iroha was not always the teasing girl in love with her sempai that she is today. Akiteru has become friends with Ozuma, which means he naturally meets his little sister as well. The siblings… don’t NOT get along, but definitely seem off – they barely interact with each other. Unfortunately, Akiteru also finds out that Iroha might be interested in joining a gang, and, because that’s the sort of person he is, resolves to try to stop this so she can stay on the straight and narrow. Things immediately go wrong when he runs into the gang’s leader… Otoi, who obviously has a deeper meaning to what she’s doing but finding out what that is will require more investigation… as well as pretending to be Otoi’s boyfriend.

The big surprise here might be that we meet a brand new supporting character, she plays a major role, and then we basically never see her again, as she does not appear in the main series. Asagi is a girl with major musical talent but comes from a very poor family, and being in Otoi’s “gang” allows her to be loaned an expensive guitar with which she can ply her trade on the streets busking. Her personality seems very familiar… deliberately, as it turns out, and she makes a nice contrast with Iroha, who is (rightly) very mistrustful of this friend of her brother’s who seems to be stalking her and far too invested in her life. That said, you can also clearly see why she falls for him – his earnestness is attractive as well as creepy, and also he’s basically found a way to make her dream come true (with the help of Otoi, who fills the deus ex machina role in this book handily). Iroha has genuine talent, and I think even her mother has to admit it.

The question is, will her mother destroy Akiteru’s dreams in order to advance her daughter’s? Stay tuned, because we’re caught up with Japan, and there’s no new volume there just yet.