Sasaki and Peeps: The Psychics and the Magical Girl Drag the Death Game Crew into the Fight ~Alert! Giant Sea Monster Approaching Japan~

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

High School DxD: Ouroboros and the Promotion Exam

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This contains spoilers for the end of Book 11, but not till the third paragraph.

High School DxD remains one of the most shonen series ever written, because it’s absolutely filled to the brim with what makes a shonen series – on both sides. On the one side we have the shonen battle manga, with lots of powerful enemies, dealing with almost certain defeat, discovering that the person you just struggled to take out was merely the weakest of the ones you have to fight, etc. It’s the classic old-school “you defeat the bad guy by everyone in the cast shouting the hero’s name in unison as they hit him” shonen. But it’s also very much the other kind of shonen, in that the hero is excessively horny and can only think of sex, the girls are all in love with him and have big breasts, and the one who doesn’t have big breasts asks him to marry her once she grows up and gets them. That kind of shonen series. And when we combine them, what do we get? Well, we get the Breast Beam, of course, possibly the most High School DxD thing ever.

Issei, Kiba and Akeno have been through a lot recently, and have many accomplishments to their names – enough that they really should be high-ranked demons. But there are procedures to follow, so first they must take the exam to become MIDDLE-ranked demons, which, because demon society bases a lot of things on humanity, consists of a written and a practical test. The test itself proves to not be too much of an issue, even for a “poor grades” guy like Issei. The problem is that they’re being forced to take in a hideously powerful infinity dragon, Ophis, because Azazel is trying to achieve a greater peace with the other factions and hopes that she can help. Ophis, for her part, just wants to sit back and observe Rias’s group. Unfortunately for Azazel, if he wants peace, he’s in the wrong series.

Most English-speaking High School DxD fans, and yes, that includes the ones who actually *buy* the books, are familiar with the series to a ridiculous degree. They know that it’s 25 volumes long, and has a sequel that might equal that. And, of course, there’s the afterword from the author, where they discuss what’s going to happen in Book 12. That said, if High School DxD was not selling as well here, maybe if it was more like Index, it would be cruelly amusing for Yen On to simply cut the afterword and pretend that this was the final book in the series. “Yup, Issei dies. Bit of a downer ending, huh?” Of course, even someone who isn’t spoiled probably doesn’t buy that Issei’s death is anything but temporary. Still, it does make the final moments in this book nicely depressing, and also makes me wonder who’ll be narrating the next volume.

Solid book in the series. Fights. Breasts. And tragedy.

Baccano!: 1935-D Luckstreet Boys

By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

At last, we are forced to discuss the elephant in the room. This volume came out in Japan in August 2016, and there has not been another one since. Ryohgo Narita has been battling a lot of health issues. He’s also been writing another Bleach novel series, which was licensed in North America, and an ongoing manga series, which was licensed in North American AND got an anime. And, most importantly, there has been Fate/strange Fake, a light novel spinoff of the super duper popular Fate series, which began in 2014 but has had five new light novels since the last Baccano!, the most recent being this year. And it’s ALSO getting an anime. It has to be said, Dengeki Bunko know what is popular and what is merely a cult series. It has gotten to the point where, after I joked on Twitter about Narita forgetting about Baccano!, he actually replied to me to apologize and say it’s coming. So we’ll hold out hope. But till then, hope you enjoy this, as it may be a while till the conclusion we’re supposed to get with 1935-E.

The main thing that happens here which ends up dragging everyone into one place is that Charlie, the massive grizzly bear from a previous book, is now wandering around the streets of Manhattan. Fortunately, he very quickly ends up at the Grey Doctor’s office, where he finds friends in Isaac and Miria (who will befriend anyone). Unfortunately, Firo and Victor are also there, and they’re quickly joined by Ladd and Graham. Then everyone there (including the bear) is lured to Central Park, where ALL the Lemures have gathered, along with Maria and Luck’s other paid shit-stirrers. Oh yes, and Chane has come running, seeing that Ladd is there and really, really, REALLY wanting to kill him. None of this is surprising. What *is* surprising is that Lua gets a couple paragraphs all to herself, possibly the most she’s spoken in this entire series.

Usually in Narita’s books there’s always some normal guy who has to pretend not to be normal in order to get by. In Durarara!! it was Mikado, though he very quickly shot past that character type in a big way. It’s been a few people in Baccano!, most notably Jacuzzi. But in this entire arc, it’s been Nader, and that continues here – he’s basically the protagonist of this arc. (Melvi should be the antagonist, but everyone the last two books has spent all their time talking about how pathetic he is compared to the rest of the cast, so nah.) Nader is a two-bit villain who does not have the drive to be anything more, but when he finds out that Sonia is not only no longer in his hometown waiting for a hero to save her, but is actually the protege of Spike… well, let’s just say this is where the dramatic theme music starts playing behind him. Even Ladd notices the difference. I hope he lives, but it’s gonna be tough.

It’s also gonna be tough waiting for the next book, but at least we’re waiting a lot less time than Japan. Come back to Baccano! soon, Narita-san!