Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 4

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Sometimes when you’ve lived a certain way your entire life, and are suddenly shown that there are other ways to live, it can be very very difficult to go back to what you have always done. That’s what Reirin is dealing with in this book, as a consequence of the body swaps. For the most part, she’s held this in, because, well, that’s the sort of person she is, but the stress of the situation in this book and the fact that, for the first time, someone might be dead because of her actions, makes her have a breakdown and admit – she hates being in constant pain. She hates being at death’s door. She never used to worry about not waking up every time she fell asleep, now she does. And it terrifies her. It terrifies her so much that she misses something else – why is her sickly, dying body now so utterly healthy whenever Keigetsu is in it? I mean, this is new, right? It wasn’t the case in the first book. What’s going on?

We pick up right where we left off with the previous book. Reirin, in Keigetsu’s body, is trying to deal with the outbreak in the village, while she and her allies also try to figure out how to stop the entire village, AND the maiden, being burned to the ground as a “necessary measure”. Meanwhile, Keigetsu (in Reirin’s body) is having to deal with her reputation being tanked so hard that there will be no way for her to come back from it, and now she has to give a tea party with three of the other maidens, including the one behind all of this. Fortunately for both of them, they have actual allies this time around, including the Emperor. Which helps a lot, let me tell you. But is it going to be enough?

There are three scenes in this book which should make every reader sit up and cheer. The first is the tea party itself, where Keigetsu finally manages to apply al of the observational skills she’s never really tried to use before to manipulate the conversation away from the master manipulator and swing things back her way. The second I mentioned above, where Reirin (who is noted beforehand to have never cried before) breaking down, a scene which is probably the first time I actually though that she and the Emperor could be a good couple after all. But the final scene is magical. Everyone is doing their best to stop Reirin’s roaring rampage of revenge, and they fail miserably. But it’s actually Houshun who’s the MVP here, as all this has done is make her FAR more interested in Reirin than she was before. She’s clearly one of those “anything but a boring life” villainesses, and now that Keigetsu is effectively a dual heroine, we needed a really great bad guy. We have one now. “I’ve taken a liking to you” is like a white glove thrown to the ground. Let the duels commence.

That said, our dual heroines may be in trouble with Book 5, which promises (in the author’s afterword) to break them up. This remains one of the best series I’ve read this past year, and is recommended to everyone, even if you think you’re tired of villainess books.

The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister!, Vol. 1

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By Makino Maebaru and Murasaki Shido. Released in Japan as “Kon’yaku Haki Sareta “Kūki” na Watashi, Nariagari no Dan’na-sama ni Totsugimashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by piyo.

It’s all about looking for the jagged edges. That’s a very good rule of thumb when reading these books, especially the ones written for women that have a tendency to amount to “Cinderella story” or wish fulfillment. It also helps me when I’m trying to get past a beginning that might seem less than ideal. The start of this series is excruciating, with Iris, our heroine, getting dumped by her sneering fiance, mocked by her shallow sister, and sold off to a noble who is seemingly buying her for money by her abusive father. All the while she carries in her inner monologue a refrain of how she’s “dull and plain”, and everyone compares her to air. It’s a good portrayal of an abused noble, but you also want to throttle her. Fortunately, the moment she leaves everything about her life comes up roses. The jagged edges, though, remain throughout, and show off hos this world really is not a very nice place at all.

So yes, Iris has spent her life training to be the wife of the Marquis’ son, but he likes her sweet, blonde sister better, so she is instead dumped on Lucas Stock, a merchant recently made a baron, who wants her to be his wife on paper so that she can train his staff and employees on how to better interact with nobles, as they’re all commoners like he was. She takes to this with aplomb, quickly managing to win over everyone by generally being nice, intelligent, and unlike most other nobles, while still managing to convey how to deal with other nobles anyway. And, of course, she and Lucas gradually come to realize that they quite like this marriage thing, and would not particularly mind if it became genuine, though honestly they’re both too pure for that to happen right away. As for the Marquis’ son and Iris’ sister… let’s just say I’m torn between whether Mikhail is merely a rapist or whether he’s also a murderer.

See what I mean about jagged edges? Everything about Iris’ plotline in this volume is sunshine and roses, showing her learning to love herself and how she blooms when around other people who actually value her. Everything ELSE in this book ranges from vaguely disturbing to downright dark – the scene where Airia, Iris’ sister, is making out in the garden with Mikhail and sees a shoe in the bushes, which he quickly distracts her from, is absolutely chilling. Iris’ lady maid, Kiki, has a fear of nobles that is hinted to be because of physical abuse, and she’s very careful to wear clothing that does not show skin below her neck. Lucas’ benefactors, while happy that he’s made a name for himself, cannot help but emphasize over and over in front of Iris how he was once their servant, and that as far as they are concerned he still is. Meanwhile, Iris holds a food festival.

The book ends with Airia, in a letter, begging her sister for help, though I do not trust little sister one bit. Those jagged edges may be more visible in the next book. Till then, plow past a beginning so cliched I made fun of it on Twitter – there’s a lot more to this than just plain girl has her dreams come true.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 5

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

It’s been so long since the start of this series that I had honestly forgotten the setup, which is, of course, the standard “disgraced fiancee” story that I’m trying to stop calling “Villainess” when it doesn’t apply. To be fair, we spend so little time dealing with it that it was very easy to forget. But now, as if the author realized that there was more material to mine here, we’re going back to where it all began. Not just as the reigning queen of a foreign country, that would be too simple. Laetitia is also going back to school, which she of course left when she left the country, in order to complete her education. And you know what that means… the horrible guy and the horrible girl who started this are back, and they’re determined to get right back on the “why are you bullying her, you terrible woman?” cliche bandwagon.

Laetitia and Glenreed are going back to Laetitia’s home country, Elltoria. While Laetitia is going to get her education finished while she’s there, the main purpose is the celebration of the King reigning for ten years. And honestly, given how much of a family feud everyone has going on during this, you can see why ten years is a big deal. Sadly, the candidates for taking the throne after the King steps down are a) Laetitia’s old fiance, who is shallow and annoying, and b) Princess Velta, who judges men by how handsome they are and is a conniving backstabber. Honestly, neither one is all that appealing, but you can bet that Laetitia’s going to get dragged into this anyway, protected only by her magic power that is so high that it’s literally unheard of.

It was nice to see the author poking at their own setup, as well as the typical setup for novels like this. The idea that a prince of the realm can dissolve a long-standing engagement with a woman who has been trained for years to be the next Queen, just by shoving her into a fountain and saying, “the engagement is off!”, boggles the mind. What’s more, after hearing so much about Laetitia’s brilliant, talented brothers, who adore her, it’s rather odd that ALL of them were away when this played out. Sadly, we don’t learn WHY this scheme was hatched, but at least learning that it’s a scheme is sufficient. As for Laetitia and Glenreed, sorry, she’s still ludicrously oblivious. Hell, Glenreed’s main issue is that, because he hasn’t told anyone about her past life in Japan, he is jealous of a dog. Who he thinks is a former lover. This is funny but also quite sad. But mostly funny.

A lot of this book felt like the “your series is popular enough now, start spinning out subplots that will allow it to continue for a long time” sort of thing, but it read well enough. And there’s frozen oranges, lest you worry food doesn’t get a look in here.