Category Archives: though i am an inept villainess

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 11

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

The author speaks in the afterword about having grand plans for a lot of wacky fun in the second half of this arc, but as they began to actually write the book, it became apparent that wacky fun was going to have to take a backseat. This is a serious book, with lots of threats to our heroines and the city as a whole. Reirin herself is still battling her own chronic illness, and has come to terms with the fact that she’ll be dying very soon – something which absolutely terrifies Keigetsu. And then there’s the brothel they’re infiltrating, which is filled with sex workers who are trying their hardest to be the one who steps on rather than the one who gets stepped on. There’s a chilling drug that not only can give you lifelong addiction, but no one knows how it’s made! And then there’s the guys who they’ve left behind, who are ready to rush the place at the drop of a hat, and have taken their hats off and prepared to drop them just in case.

In order to help Nadir stop the drug trade and find evidence to convict his crooked aide, Reirin and Keigetsu (who remain swapped the entire book) have to infiltrate the brothel that is the most likely source of the drug. Seika is going as well, of course, because she’s come to the horrifying conclusion that her childhood friend may be there. Unfortunately, for Reirin’s plans and perhaps Keigetsu’s self-image, Reirin-in-Keigetsu is not considered pretty enough to be a sex worker, so she’s made a simple laborer while the other two infiltrate above stairs. Still, this lets her easily investigate… but she’s coming up empty. Meanwhile, things go from bad to worse for Keigetsu and Seika – not because they’re being bullied as newbies (they’ve seen far worse in the inner court, and are more appalled at how unsubtle it is), but because Kinyou, Seika’s friend, *is* there, is the one at the very top, and will do anything to throw Seika out of there fast.

For those of you not reading this as a yuri series (there are some, right? The author if no one else…), there’s a lot of good stuff here. We’ve seen subtext between Keigetsu and Reirin’s brother Keishou in previous books, but there’s even more of it here. Likewise, while they start off as enemies, fans of shoujo manga should realize that Seika and Prince Nadir’s back and forth is very familiar, and likely may also turn romantic. That said, the author also cannot stop writing the strongest relationships in this series between the women. Seika and Kinyou have what amounts to a DIY marriage ceremony before Seika departs for the inner court, and there is a lot of anguish and pain between the two of them that does not scream “besties!”. Speaking of anguish and pain, Keigetsu is still reeling from the reveal that Reirin is much closer to dying than anyone thought, and it’s not a surprise that the solution that pops into mind is “why don’t we just stay like this forever so she can have my healthy body?”. Reirin would never allow that of course… so Keigetsu has to start hiding things from her again, which I’m sure will go as well as it always has.

Reirin says she’s going to tell everyone else at court about her condition in the next book, and presumably stand down as a maiden. I’m 100% sure that won’t happen, but I’m unsure where this will go. In any case, this series remains terrific, though as always, if you suffer from chronic illness, it can be very hard to get through.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 10

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Something we’ve seen throughout this series but especially in this volume is the idea of what an “ideal” woman is in this Court Intrigue series. The series began by showing us that Reirin was delicate, fragile, and good at all the things that men prized in a woman, whereas Keigetsu was boorish, clumsy, and the one thing she’s really good at she has to keep hidden. Of course, we now know that delicate flower is not the word anyone would use to describe Reirin – except maybe Seika, and even she, by the end of this volume, has had the Reirin pedestal in her mind taken down. Here we also get a foreign delegate who explicitly regards all Ei women as weak and unable to fight back, and Seika (who among the five maidens has been the most feminine one) has to come to the realization herself, and then tell him, that in fact the Maidens all learn to be silk hiding steel. No more so than Reirin.

After the events of the last two volumes, everything is seemingly back to normal, and the maidens are back to learning how to be consorts. However, a foreign prince is visiting the country, and Seika is in charge of the welcome. She decides to rope in Reirin (because she adores her) and Keigetsu (because Reirin won’t go without her) to help her with the ceremony, which is mostly ceremonial – they roll out the red carpet and the prince says he is content, and everyone is happy. Unfortunately, it turns out that Seika, especially after torturing and starving the consort and effectively moving up in the power structure, is battling family who very much want to bring her down. What’s more, Seika’s seaside city is a lot less happy and content than she thought when she grew up there. And the prince, who has his own agenda, is far from content. Worst of all, I used the word “seemingly” at the start of the paragraph for good reason.

When I started this volume I was a bit puzzled. The last book ended with such a dire cliffhanger for Reirin, what happened to it? As it turns out, I had reckoned without Reirin’s powers of trying to make everyone around her think things are totally fine. We’ve had lingering in the background the fact that the bodyswaps seem to be affecting Reirin’s health to a degree, but it’s only to a degree – and after the last extended swap, she’s actually worse than before. Reirin has a chronic unknown illness that no one can find a cure for. She has been dying for years, and it feels much closer now. And she just cannot quite work up the strength to tell Keigetsu about it. Unfortunately, that means that when Keigetsu, trying to protect Leelee by being brash as usual, ends up in a dire situation., a bodyswap means that Reirin is now in the dire situation. Reirin, who has come very, very close to accepting this is how she dies.

Keigetsu, needless to say, is utterly devastated when she finds out, especially when she realizes that she doesn’t have the power for several days to swap them back. Keigetsu still has a tendency to feel that everything she has achieved is thanks to Reirin, and even more so, that everything bad that’s happened to Reirin is her fault, leading to her literally saying “let’s stop being friends” at one point. Keigetsu, of course, fails to realize that she is the best thing in Reirin’s life right now. One of the funnier scenes in this book is seeing Gyoumei trying his damndest to talk to Reirin via Keigetsu’s fire every day, and realizing, as does Keishou, that Reirin honestly is just not that into him – or anyone, really. Again, this isn’t yuri, but if there’s anyone Reirin is interested in most at the moment, it’s Keigetsu.

Fortunately, the fact that there’s been another body swap, as well as Keigetsu literally begging Reirin to live, makes things better for the moment. Though I’ve no doubt that Reirin’s chronic illness is the series’ final boss. In any case, next time, it’s Reirin’s time to fight back. And we all know what that means. There’s going to be utter chaos. Highly recommended, and I hope the anime is good.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 9

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

So yes, there is a cliffhanger. Sorry. However, the cliffhanger does not mean this particular arc is ongoing. Everything hanging from the last few volumes about this arc is dealt with here, thankfully. But yeah, this was, from what I hear, supposed to be the finale, but the series got popular, so the author was asked to continue it. And it works pretty well, though I will admit that I do grow a bit weary of the “you can’t trust anyone, can you” aspect to some of this series. There is also a lengthy flashback explaining the Emperor’s past and why he’s been so gung ho about sorcerers. It’s well handled, but I’m going to be honest, I read this series for two characters, and the Emperor is neither of those two. Any time we cut away from Reirin and Keigetsu, I begin to lose interest. And that’s because they’re so dynamic and vibrant that I can’t look away.

After rescuing Reirin from her near drowning, the cast get together to check their notes and explain exactly what’s going on. We find that the Emperor’s older brother, the only sibling who actually gave a damn about him, was assassinated as part of the massive throne war that was going on. Assassinated by a sorcerer, who had been let out of prison expressly for that purpose. And the sorcerer then got away, so the Emperor has spent the last twenty-five years searching high and low. Fortunately, Reirin spots a way that they might be able to talk the Emperor down and convince him that Keigetsu can help him. But to do that, they’re going to need to pull off another really good acting job. Which is a shame, as everyone knows that when Reirin tries to imitate Keigetsu, she’s been failing miserably.

The main reason this book is fantastic is the fight that’s been coming for a while now between Reirin and Keigetsu. After the events of Book 8, Reirin thinks that Keigetsu is making other friends, and thus doesn’t need her any more. Which, unfortunately, triggers Reirin’s tendency to use “and then I sacrifice my life” as her Plan A all the time, which causes Keigetsu to lash out, scream in anger and say “I hate you”. We are reminded that these girls may be consorts in not-China, but they’re also teenage girls who have grown up unable to express emotions like normal kids. As a result, Reirin needs to be sat down and have it patiently explained to her that Keigetsu is, in fact, still her best friend and would be very upset if she died, and Keigetsu has to have it explained to her that Reirin has the emotional sensitivity of toast when it comes to their friendship, and thus cannot read between the “I’m worried about you!” lines that Keigetsu is throwing at her. They make up. It’s great. Reirin possibly overcompensates, but that’s not a surprise. But hey, everything solved…

…OK, no, there’s a cliffhanger, and so not QUITE everything is solved. Still, this was great, except the bits not about our two heroines, which was merely good.