The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 7

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

This is not the final volume in the series – the eighth book is currently streaming on the J-Novel Club site, and has the standard romance novel final volume cover (heroine in wedding dress), but this does pretty much resolve all the remaining plot points that we had. This includes the love story, which takes up most of the first half of this book, and the demon lord story, which takes up most of the second half. I actually quite like the way that one shifted to the other. After the traditional Misunderstanding (TM), Rosemary has locked herself in her room and refuses to see anyone. Now, in reality this is because she’s a lovesick teenager who thinks the guy she loves is confessing to another woman, but to the rest of the palace it looks like she’s trying to protect everyone because she knows she’s possessed by the demon lord. Which is… not QUITE true, but honestly, events happen in the same way they would if it were.

After the events of the last book, everyone is basically terrified that the demon lord has possessed Rosemary, and her father is in fact coming up with a plan just in case they’re unable to save her. Kanon, our Japanese import, is of course devastated that all this has happened because Rosemary took the attack meant for her. And Leonhart is upset that he wasn’t able to protect her, upset that he cannot convey his love to her, upset that he’s unworthy of her because he’s too old/too common/whatever. That said, no one is sitting around waiting for things to get worse. The sorcerers are busy trying to design a demon lord-catching trap, and Rosemary, despite being a devastated teenager, really is researching possible ways out of this. That said, the actual power behind the demon lord turns out to be far closer to her than anyone could have guessed…

There’s some interesting isekai physics here, which Kanon and Rosemary discuss. Basically, she’s been summoned but they can send her back fairly easily at the moment… but the longer they wait, the more the “hole” that she went through to go from Japan to this world will deform, and eventually she won’t be able to return. Hell, I’m not even sure whether she will be returning – there’s no way she can miss the wedding next book, right? As for Rosemary and Leonhart, yeah, sorry to spoil the obvious, but they’re not destroyed by the demon lord, and they do eventually manage to confess to each other, after not one but TWO false starts where they do it while the other is sleeping. As for her other potential boyfriends, well, they’re sad, but I think in the end it’s very much a case of “as long as Rosemary is alive, that’s fine”. Which, given the entire premise of this book has been “trying to stop Rosemary getting killed”, thematically fits.

So we’ve almost wrapped everything up, and I for one am quite happy to have a victory lap if that’s what we get… unless, of course, there’s one final assassination attempt that Rosemary has missed. Either way, this has been a good romantic thriller.

Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero, Vol. 1

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By Yusura Kankitsu and Ruria Miyuki. Released in Japan as “Rettōgan no Tensei Majutsushi: Shiitagerareta Moto Yūsha wa Mirai no Sekai o Yoyū de Ikinuku” by Dash x Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I have been reading Japanese media for a long time now, so I’m very used to the self-deprecation that many authors use when they’re talking to the reader. “Thank you so much for reading this wretched series of mine” is a dime a dozen in Afterwords, usually with a shower of thanks for the publisher, editor, and artist who worked on the book. Unfortunately, there’s a problem when you do that. The work has to actually be good, so that we can smile and say “Aw, it’s fine, take pride in your work, it was good!”. But when you do the “oh no, my mediocre prose” afterword and the reader thinks “actually, I think you’re praising it a bit too much”, that’s not good. That’s not self-deprecation, it’s trying to deflect honest criticism. So, let me honestly criticize this book: it’s generic and terrible, aside from one scene towards the beginning when it leapt past terrible and into appalling.

We begin with the most half-assed “banished from the hero’s party” I’ve ever seen, as the leader of the party tells our overpowered mage that since he’s so terrifying, he should go live by himself on an island somewhere. Abel, not wanting to do this and fairly disgusted with the world he’s in now that regards his amber eyes as scary, decides instead to reincarnate himself two hundred years in the future, when hopefully the world is less prejudiced towards his OP self. When he’s reborn, as a child, he finds that the opposite has happened: magic has declined, and amber eyes (which required years of training to get to be the terrifying things they are) is now a sign of no magic power and those who have them are abused and belittled. What to do?

Let me get the worst part out of the way. Abel is quickly joined by Lilith, the daughter of the Demon Lord that he slew long ago, who he also rescued. She’s been waiting for him to reincarnate, and is now buxom and hot. They bathe together, since she says he’s just a child. He… and I was wondering if I even read this right… gets out of the tub to prove to her he’s a man and sleeps with her. We’re never told HOW old he is when he wakes up, but “child” is used. What the hell? Fortunately, the rest of the book is content to merely be the “standard fantasy” the author says was his goal in writing this series. There’s a bratty noble who very quickly becomes our hero’s best pal/puppy (well, he acts like one). There’s an arrogant redhead who uses a sword and fire magic, which I think is legally required in all fantasy. And there’s our hero, who is ludicrously overpowered compared to everyone else in the land, and he proceeds to show this off while showing as little emotion as possible.

I’ve tried to avoid series in this vein lately, and this volume reminds me exactly why I’m doing that. Garbage.

Turning the Tables on the Seatmate Killer, Vol. 2

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By Aresanzui and Sabimizore. Released in Japan as “Tonari no Seki ni Natta Bishoujo ga Hore Saseyou to Karakatte Kuruga Itsunomanika Kaeriuchi ni Shite Ita” by Monster Bunko. Released in North America by Tentai Books. Translated by IpsMoink.

There have been so many of these sorts of series since the first volume of Seatmate Killer came out in English that I had to struggle to remember which one it was for a bit. That said, unlike a lot of the sorts of series I mentioned just now, this is not a sweet and syrupy “they’re already a couple” romcom, it’s more of a “rehabilitation project” sort of romcom. The easiest comparison is with Rascal Does Not Dream, and indeed you could describe the plot to Seatmate Killer as “what if Sakuta and Koga were classmates and worked together to help his sister”. That said, Seatmate Killer needed something to separate itself from the pack, and it has decided that something is the com part of romcom. This series is here to be wacky, and it will not let you forget that until about 4/5 of the way through the book.

Yui and Yuuki are still much the same as they were at the end of the last book. She tries to get him to fall for her/teases him, he ignores her/tries to rehabilitate her tendency to do this, and they both pretend to be a couple in order to help his shut-in sister. Things are complicated with the arrival of Rio, Yui’s friend who has been dubbed the “seatmate breaker” by Yuuki’s friends as she tends to make everyone who sits next to her hate her. As it turns out, in reality Rio is a lonely, socially inept teenager who is desperate for Yui to validate her, and now Yuuki finds himself trying to help two different girls… which unfortunately ends up reading quite a lot like him cheating. Can a party help to resolve this, or will it just make everything worse?

As with the first book, the payoff in this volume is quite good, as each of the characters reveals depth that they normally tend to conceal. Mina, in particular, was impressive here, quietly mentioning to Rio that she is well aware that her brother and Yui are faking a relationship for her benefit, but is leaving it alone mostly as she thinks they make a good couple. The trouble is that we have everything before the payoff to get through before we get to that. Everyone has that friend who tries to hard to be funny and “on” all the time but just ends up exhausting and annoying everyone, and Seatmate Killer is this friend, as it’s simply too manic. Yui especially, though at least she admits that this is the mask she wears at the end. If this does get an anime, and liberally cuts some of the repetition, it could be fast-paced fun. But I was definitely sighing about halfway through and asking Rio “can you please just snap and have a breakdown soon so I can get to the good stuff?”

So this remains about mid-tier romcom, worth it for those who love the genre, but not essential.