Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 3

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Ah well, it was nice while it lasted. After my attempts to defend him a tiny, tiny bit and his struggling manfully with Rozemyne being, well, Rozemyne, it’s time to throw Wilfried back into the ball pit, as he once again becomes one of the more hated characters in the series thanks solely to one side-story right at the end. Sadly, this boy just can’t help but listen to people he shouldn’t, and poisoned words just flow into his ear so easily. I expect that this will mostly pay off in the next volume, but it leaves a sour taste for this one. With all that said, he still ends up more popular than Detlinde, who is cringe in all the worst ways, a spoiled rotten princess being manipulated and disparaged by everyone in the series, and I’m fairly certain she is going to die at some point in this series. Wilfried won’t die. But he’s not marrying Rozemyne either.

It’s the end of Rozemyne’s third year at the academy, and for once she can actually attend it, even if this means that she’s going to end up attracting even more attention. Not as much as Detlinde, though, whose Whirl ends up being a disaster (she uses too much mana, collapses, and also looks like a fool) but also a political bomb (she triggers a magic circle that it the rumors say declare she is the new ruler, something that appeals to absolutely no one). As for Rozemyne, most of this volume is spent in conversations with others. There’s the fallout of their bridal battle with Dunkenfelger, there’s the research results that they’re pushing (and trying to get credit where it’s due), and there’s a discussion with the royal family that also involves Ferdinand, who is there accompanying his fiance, so actually gets to meet Rozemyne for a day or two.

Rozemyne is getting better at being a noble, but she’s also getting better at knowing when she has to ignore all the social niceties because things actually have to get done. Her bluntness here in front of both Hannelore’s mother and Eglantine is excellent, and shows off her rising star for everyone to see. (Hannelore also briefly shows a spine, though it’s much harder for her, and I compared her on Twitter to Yunyun from KonoSuba.) She also gets Ferdinand better than anyone else in the world… and he’s just as adept at getting what she’s concealing or hiding. Let’s face it – the two of them make a great couple, and even have nobility writing fanfiction about them in their head, even though the kind sweetness of their head bears no resemblance to the pinched cheeks of reality. Rozemyne had better stop looking 8 years old soon, we’re reaching a crisis point.

All this plus Georgine’s ongoing Evil Plans of Evil. You don’t need me to tell you how much of a must-read this remains.

Return from Death: I Kicked the Bucket and Now I’m Back at Square One with a Girlfriend Who Doesn’t Remember Me, Vol. 2

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By Eiko Mutsuhana and Yuki Nezozuki. Released in Japan as “Shi ni Modori no Mahou Gakkou Seikatsu wo, Moto Koibito to Prologue kara (※Tadashi Koukando wa Zero)” by Earth Star Novels. Released in North America by Cross Infinite World. Translated by Alyssa Niioka.

You’ll notice that the title has slightly changed between the first and second volume. The first volume was dedicated to Oriana trying her best to alter the present so that she can once again be together with the man she loves, and earning a hard-won victory (albeit for herself, not for everyone) that is promptly destroyed by a nasty little cliffhanger. And now it’s time to try again… only this time it’s Vincent who has the knowledge of Life #2, and Oriana who doesn’t remember Life #1 *or* #2. Needless to say, he’s a bit bummed out by this, especially since this Oriana, who is not really driven to study hard to be near her beloved, is in a different class. Still, he is here to try to win her love anew and also find out why they keep looping back in time. This particular volume focuses far more on the first part of that than the second.

To be fair, that’s probably because it’s a lot harder for him to pull off the first than it is the second. He rather handily discovers that there’s a curse associated with the Dragon Tree that explains (unsatisfactorily) why he and Oriana have now died twice and why they keep “starting over”. He’s even more of an academic in this life (due to a promise he made with his father), so I think he’s got this in the bag. Sadly, romancing the love of his life runs right up against being a teenage boy, and the fact that he’s doing it for the third time (though he does not remember the first) does not really help him, he’s still a bit clueless about girls. Things are not helped by the fact that he is a duke’s son and Oriana is the daughter of a merchant… albeit a very successful merchant with noble connections, thanks to Vincent’s machinations.

This is still cute and sweet, and has lots of teen romantic agita if that is your thing. As with the first book, I found the teen agita a but *too* realistic. I also appreciated getting a bit more backstory regarding Yana and Azraq, which helps explain a lot of what was happening in Volume 1 that we couldn’t quite wrap our minds around. The main issue with the book is the fact that it’s clearly Book 1 of 2 in this arc, and is no doubt based on a webnovel, so it does not remotely have the exciting cliffhanger of the first book, but simply comes to a stop. Presumably to pick up in the third and (I presume) final volume. What’s more, as noted, this is mostly all romance, so any “why is this happening?” is also left by the wayside.

So yes, if you want to see a teenager in love trying to get the girl he loves to overcome class consciousness and feel the same, this is a good book. If you want to figure out why they both died last volume, not so much.

The Revolutionary Reprise of the Blue Rose Princess, Vol. 1

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By Roku Kaname and Hazuki Futaba. Released in Japan as “Aobara-hime no Yarinaoshi Kakumeiki” by PASH! Books. Released in North America by Cross Infinite World. Translated by JC.

This book suffered somewhat for coming out on the same day as The Do-Over Damsel Conquers the Dragon Emperor, which is also about a noble young lady who is brutally murdered by a hateful mob and travels back in time to when she is ten years old, intent on getting a different result. Alicia does not have quite as many problems once she ends up back in her ten-year-old self as Jill did in Do-Over Damsel, but then Alicia is not quite sure of anything regarding her previous self. One of the more interesting parts of this book is that Alicia can only remember what happened the day she was killed. So she knows she became Queen, and was blindly defending her unfaithful husband out of love, but she’s not quite sure how things got to the point where everyone now hates her and she’s run through with a sword. The other major difference between this and Do-Over Damsel is that this is a far more serious-minded book.

So yes, Alicia is now back in time, when her father is alive, she wasn’t married off to the King of another land, and, most importantly, she’s not dead and disgraced. One of the few things she does remember is the face of the man who killed her… who has just shown up at a ball she’s attending. It turns out he has a tragic past that causes him to be shunned… but Alicia decides that the first step should be to get him as her advisor, so that she can learn why all of this happened at all. This is a big change for the princess, who before she “awoke” to her past life was pretty and beloved, but tended to avoid lessons and instead played tag around the castle. Fortunately, most of the cast takes her personality change in stride.

This is a solid book, whose main problem is separating itself from a pack that has gotten very, very cluttered with other series. (Including other series by the artist, who also drew Accomplishments of the Duke’s Daughter’s artwork.) Alicia is likeable, and the combination of her lack of memories from the past and the fact that she appears to have been somewhat shallow in her past life means that she’s able to mostly act her age. Clovis, her former murderer and current advisor, is also very nice when people are not blaming him for what his grandfather did, and I am also very happy that, for once, we actually get the “I’ve come from a previous time loop” confession straight away, which allows for more than one 10-year-old to try to figure out how to stop it. The rest of the cast are OK, with Alicia’s father the king seeming to be more savvy than he lets on.

Again, the main drawback to this is: there’s no reason to read it if you’re already reading 8 other “girl goes back in time to change her fate” light novels. But if you like that genre, this is another good one.