Spy Classroom Short Story Collection: Bridal Royale

Leave a reply

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

When I reviewed the 4th volume of The Magical Revolution of the Reincarnated Princess and the Genius Young Lady the other day, I talked about how the success of the anime gave me a new appreciation and love of the books. The same season that that anime ran, we also had the first season of the adaptation of Spy Classroom. Sadly, here I have the opposite problem, as I have to remind myself that I actually did enjoy this series and was looking forward to the next book. Fortunately, this short story collection is in prose, which is the series’ greatest strength, and so I don’t have to worry about lame attempts to hide Erna under a table. Also, I know it’s a short story collection, so am not really expecting it to be more than it already is. As such, I am pleased to say that this is a solid book in the series, with the ending especially pleasing me a great deal, even as it really leans in to having its cake and eating it too.

The wraparound plot, and final short story, involves the girls finding out that Klaus has married one of them on paper for the sake of missions where he needs a wife. However, no one is admitting they’re the wife. As such, interrogations ensue, which form the four main short stories. We see Klaus and Sybilla embark on a miniature Oliver Twist story, only one where Bill Sikes rather than Fagin is the leader. We then see Sara, who already has low self-esteem in regards to being a spy, trying to make herself usual by repairing the mansion, which ends up turning into a contest. Monika goes on a solo mission where we learn her backstory, and she also bonds with the mark she’s trying to take care of, despite her best efforts to be cool and collected. And Grete tries to help Klaus by saving the local meat pie shop he likes, which ends up becoming an escalating comedy of errors. Finally, there’s only one way to resolve the wife question… have a winner-take-all fight to determine who gets to be Klaus’ new bride!

The four main stories all ran in Dragon Magazine, which exists primarily to run short stories for light novel franchises. They’re all pretty decent, though the meat pie story was struggling to keep my attention. The four girls who star were chosen as they weren’t the focus of the first volume in the main series, so this fleshed them out. (This takes place mostly before the climax of Vol. 1, with the rest happening right before the start of Vol. 2). If you like romance, you’ll enjoy this, as most of the cast are in love with Klaus, and a few are not shy of saying so. If you hate the idea of romance, though, you will also love this, as Klaus makes it very clear that he sees his relationship with the girls as teacher and students, does not want to cross a line he shouldn’t, and hopes they all find other partners. I am in the camp that prefers this cast as a found family, so to me this was the best part of the book.

So yes, wipe that taste of the anime out of your mouth, the books are fine. What’s more, for some odd reason, this SS volume did not follow Yen’s normal publishing schedule, meaning we only have a month till the fifth book in the main series. I look forward to it.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 4

Leave a reply

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

Since my review of the third volume, we have had the anime version of this series, which covered the first three books. In my opinion, it was a fantastic success, and the way that it adapted the books, changing and cutting things to the anime’s benefit, was a definite highlight. That said, there were some people who bemoaned a lot of the world building and discussion of magical technicalities getting cut from the anime. If that was you, good news! The books are still here, and they are still being very nerdy. This volume digs deep into the heart of magic vs. magicology, and why the latter is terrifying a number of the nobles remaining at everyone’s least favorite ministry. Can you change the prejudices and thoughts of an entire country by letting go of the past, or does the past need to be embraced as well? And, most importantly, why are all the books written like they sell for $200 on Amazon from Paletia University Press?

Anis and Euphie are now a couple, although it would appear their intimacy in bed is limited to Euphie taking Anis’ magical energy rather than taking Anis. Moreover, Anis now has two new assistants, since Euphie’s additional responsibilities mean she can’t be Anis’ assistant anymore. Halphys and Garkie… erm, Gark help Anis to think about what about magicology would help win over the nobles, who already have magic to do what she’s doing with kettles and the like? There’s also the problem of Lainie. Now that the dust has settled and she has a prominent position in Anis’ household, she’s getting marriage offers she does not want. And, of course, there’s the succession, as Anis’ father decides that now is the time to step down from the throne and let the next ruler take over. Who will be Queen? (I mean, we know who’ll be Queen, but let’s pretend we don’t.)

I had to laugh at the appearance of Tilty in this book. She’s there for about five pages, tells everyone they’re idiots, is absolutely infuriated, and storms off, having started the process of solving the problem. Unfortunately, the problem with Lainie is her crippling self-hatred, as the idea that anyone might actually be in love with her and not just influenced by her vampire powers causes her to have a complete meltdown. It was also nice to see Ilia actually screw up, and show that the relationship she and Anis have is very beneficial to them but can also be detrimental in regards to others. As for Anis and the Ministry of the Arcane, I also enjoyed how that played out. The remaining nobles know what the winning side is, they just want to ensure that they still have a place somewhere on it. You don’t want to help with your own downsizing.

I had a ball reading this book, and think those who enjoyed the anime will as well. It also wraps up nicely as a finale to the series… but don’t worry, there’s more coming.

Raven of the Inner Palace, Vol. 2

Leave a reply

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

I mentioned last time that this was a mystery series, and that’s still true here. The book is set up so that we have the chapter itself, which is a self-contained “a ghost is causing problems” thing for Jusetsu to deal with, but each chapter also adds to the overall narrative of Jusetsu and the Emperor getting closer to each other despite the entire world seeming to throw “do not do this” signs at them. But this second volume also amps up another part of this series, which is the horror. There is some deeply creepy shit going on here, and honestly the chapter that began with a court maid being found dead with her throat ripped out was on the milder end of the spectrum. These ghosts have issues, and just because Jusetsu is here to try to get them to the afterlife doesn’t mean she’s always going to succeed. Especially since it seems she has a distaff counterpart, the owl to her raven. And he’s trying to kill her.

The first story here has Jusetsu meet a young eunuch who is tormented by a ghost that only he can see, one that keeps apologizing in the direction of the concubine of that quarters. Who is the ghost and what does it have to do with gorgeous blue feathers? In the second story (and the most horrific of the lot), an old woman begs Jusetsu to try to put to rest the spirit of a young concubine who drowned herself, but the main issue is that some people, even when grieving, have to make it all about them. The third story has a mask with holes in the eyes which, when put on, shows a ghost who seems to be very interested in a specific kind of lute playing. And the final story has Jusetsu get involved with a concubine who has been somewhat off the rails since her brother died, and who will accept any help in order to get her brother back.

It’s very odd seeing the inner narrative push back against what we, as a reader, want. Jusetsu is a kind and lonely young girl who is starting to really come out of her shell now that she’s surrounded by people. She’s got a cute servant girl, a nice bodyguard, an older woman to give (wordless, her tongue was cut out) advice, and of course the Emperor dropping by all the time, seemingly infatuated with her. This is definitely good in an emotional way. But man, the backstory and the actions of others within the narrative have it being painted as this massive disaster, and honestly you can’t help but since every time she shows empathy to someone new and yet another person reminds her “the raven consort but always be alone”. And then there’s the end of the boo, which gives her her very own nemesis, who is going to murder her for her own good. Well, for the raven’s own good. Jusetsu is just unfortunate baggage.

As you can imagine, these are very good books. If you like your fantasy dark and don’t mind some creepy ghosts, definitely get this.