The Ideal Sponger Life, Vol. 9

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

For the most part, one of the big reasons that Zenjirou has been so successful in the political nightmare that is his new world is that he doesn’t have the ingrained reactions that anyone brought up there would. He tends to react like a Japanese person from Earth would. (I’d say “normal”, but honestly, Zenjirou’s not all that normal even to begin with.) This serves him well for a lot of this book, as attempting to negotiate with him is like hitting a brick wall much of the time because his body language and verbal questioning are so far off the range from everyone else. Unfortunately this can also be a negative, as Aura quickly points out at the end of the book,. Threatening Zenjirou’s son, even mildly as a political feint, earns his enmity, and a canny person will realize that this is a very valuable button to press. Fortunately, there’s more good than bad here, as Zenjirou accidentally on purpose gets involved in a throne war in the Twin Kingdoms.

Zenjirou is in the Twin Kingdoms to try to negotiate for a healer to be present during the birth of his second child. Unfortunately for him, while greeting him, King Bruno drops the bomb that he’s planning to abdicate in favor of his successor. The obvious choice is the eldest son, who is 49 years old but has basically trained for this. The dark horse is his youngest son, who is in his thirties and seems to be very upset about the abdication. But is that really what’s going on? And how on Earth does this tie in with Prince Francesco, who just wants to sit around and dabble in magic tools his entire life but who ends up being seen as the second coming by some groups? And, perhaps most important of all, how can Zenjirou get the latest in his succession of love interests off the cover art?

As always, the title and premise are a lie. There’s no harem seeking, and certainly no sponging here. Indeed, Lucretia strikes out with Zenjirou over and over until the middle of the book, when it becomes clear he’s not looking for a lover but a political helpmate – something that, frankly, she’s much better at doing. As for the Twin Kingdoms themselves, the plotline we get here is well thought out and handled, although I thought that Zenjirou hearing about a certain monster and immediately making a logical leap to a breathtaking new magical tool was perhaps one OP move too many, in a series when all the OP moves are intellect-based rather than fighting-based. Oh well, I should probably consider myself lucky he doesn’t sample any of the young hot single women who all essentially proposition him in this book, though they all have their own agendas.

So yes, no sex in this book, but as noted before, in this book the politics IS sex. And we still haven’t left the twin kingdoms, as there’s the other half to negotiate with. We’ll see that next time.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 4

By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Nathan Macklem.

This is the final volume of the series, and it has the strengths and weaknesses of previous volumes. The Elder Dragon is immensely powerful and also a pretty good guy, so any character development and angst comes from outside of that. Olivia is the same, only she doesn’t even get the character development. They’re meant to be “aw, look at the cute daddy and daughter” with an OP twist, and that works well, but they’re nothing more than that. They work best contrasting with whatever fractured familial unit we see in this particular volume, and we get that here as well. This is the final volume of the series, and it does have an ending of sorts, but the ending is very much “more of the same only Olivia is older now”. She’s rescuing other kids like her, who had bad home lives. Which is great, but the solution seems to be “:leave them all with daddy, it worked for me”.

Having obtained five of the seven Supreme Hallows, they’ve decided that that’s enough to do the ritual that will drain the built-up magic within the hallows. Unfortunately, the ritual is invaded by Vandilsen, a seemingly immortal wizard who proceeds to steal the five Hallows with the help of what he carries, the 6th. Fortunately, as it turns out, the Elder Dragon has had the 7th all this time without realizing it, and that can help them locate the other six. And so it’s time for Dragon and Daughter to go on a camping holiday, clearly… mostly as it turns out that Vandilsen is quite a long ways away, across the sea and in a foreign country that is now lifeless and arid due to having all the magic sucked out of it. Why does Vandilsen want the Hallows? And who’s the young boy they find on the beach unconscious?

A great number of the plots to Dragon Daddy Diaries have been about how to find the right level of protectiveness when being a parent. Don’t smother, don’t be too hands-off. Here we also get the added lesson of “listen to what they’re actually telling you, not what you want to hear”, as Vandilsen is literally killing himself in order to save the life of his adopted son, even if that’s not remotely what the son wants. This does, admittedly, help the Elder Dragon to have a brief crisis of conscience, as he becomes more aware of the fact that Olivia is going to get older and die while he remains the same. That said, Olivia is having none of this “let’s stay immortal forever” business, even though she’s spent her entire life in a family consisting of people over a thousand years old. She’s got a good head on her shoulders, even if that’s dramatically lacking.

This was a cute series and an easy read. That said, I’m almost positive it would never have been licensed if it had not been for the huge buzz around Sexiled, the author’s other work. Family-oriented fluff.

A Tale of the Secret Saint, Vol. 4

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I’ve talked before about how this series frequently can’t decide if it’s just pure comedy or if it has true tragedy embedded within it, but in one way it definitely fills the comedy mode, and that’s because the reader is left wondering, after four volumes, how long Fia can possibly be able to keep her reincarnation a secret given how absolutely lousy she is at hiding anything about it? The difficulty is that this is half of the humor (the other half just being Fia in general, unrelated to her past). So I suspect the answer is “it will get revealed right before the series comes to an end”, and it’s still ongoing as both a webnovel and a light novel. So this means I will have to put up with the fact that it is increasingly unbelievable that no one else picks up on this except the OTHER guy who has reincarnated memories. I mean, that’s the gag. It’s just a really belabored gag.

We pick up right where we left off 2/3 of the way through Book 3 (which is to say the end of the main plot), with Fia having to deal with the fact that her former bodyguard from her previous life, Canopus, has regained his memories and is now Captain Kurtis of the Thirteenth knights. Fortunately, he seems willing to go along with whatever she says. UN-fortunately, that’s because he’s just as obsessed with her sainthood as the rest of the Sutherland people, if not more. Things are not helped by the fact of Fia constantly accidentally doing Saint things while completely failing to realize they’re abnormal. The third volume was about the drama that surrounded Cyril and his homeland, but this volume is surrounded by an utter LACK of drama. With Fia around, everything’s fine.

Despite my grousing in the first paragraph, this is still an enjoyable volume, mostly because Fia is so fun and likeable. We’ve seen flashbacks that show that this is not just a function of her past memories interfering with her present ones – she was always like this. So we get things like her trying to explain to the local healer how to make the cure for their deadly disease by essentially saying “here are the ingredients, the actual amounts used are up to you” and having everyone stare at her in a sort of daze. I am slightly less enamored of the additions to her reverse harem, especially as we now have TWO who are a bit too obsessive for my liking, but honestly, Fia’s obliviousness is also something that will probably last until the final volume (and Cyril, let’s face it, has a very big lead on the others). Fortunately, this also ends this arc, so we’ll start a new one in the next volume, possibly involving those color-themed royals from previous books.

This is never going to be in any best of the year lists, but if you like Katarina Claes-types who are also far, far too powerful for their own good, this is definitely one to keep up with.