High School Prodigies Have It Easy Even in Another World!, Vol. 6

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I am tempted to simply cut and paste the first paragraph of my last review here, because it applies even more. The middle section of this book is some of the bleakest, most cynical stuff we’ve seen in this series to date… and it’s a series that’s rooted in cynicism, so that’s pretty impressive. The Reform Party leader is seen as well-meaning but naive, and gets taken to the cleaners by the more experienced nobles. The leader of the interventionist party is a figurehead who has no idea what her supposed allies are planning behind her back, and when she finds out, well, bad things happen. (More on that later). As for Tsukasa and company, well, they get the confirmation they need that something is rotten in Yamato, and have to make a graceful retreat courtesy their powerhouse Aoi. It would be a dark but strong book in the series… were it not for the climax. Instead, I almost feel like dropping it.

Meeting with the leaders of Yamato, and after a brief game of Spin the Bottle that is the sole attempt at humor in this book, Tsukasa and the others get confirmation that, indeed, the nation is so peaceful and happy because of mind control – and that Princess Mayoi is driven by a fierce hatred and contempt for everyone around her. Making their escape, they end up reconnoitering with the resistance unit, which has far more resistance than Tsukasa expected. At the same time, the election heads to its conclusion, and unfortunately is being entirely controlled by Glaux, the noble who is manipulating both sides, plotting murders, and also selling out his country to boot. Fortunately, the cover up of one of his murders is not as smooth as he thinks, especially with Keine on the scene.

The dramatic revelation of just how evil Glaux really is was predictable, but well-handled, and Tetra’s murder was brutal and tragic. I knew Keine was going to be involved in some way, and when she didn’t show up until later I assumed it was going to be to help with the time of death at the autopsy, which it was. That said… Tetra showing up alive at the end of this book is jaw-dropping in its awfulness, and feels like a betrayal of the reader. I already don’t like Keine to begin with because she strikes me as the biggest sociopath among the prodigies, but I acknowledge she can work miracles. But there’s miracles and then there’s impossibilities, and please do not stab someone through the heart, then chop at their neck, then leave them for days, and expect be to be happy that they were somehow resurrected. It’s absolutely ludicrous, and makes the whole election feel pointless. I hated it.

At the time of this review the 7th volume of High School Prodigies is not solicited yet, and perhaps that’s for the best. I need a break to get the taste of this book out of my mouth.

High School DxD: Ragnarok After School

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

If you’ve read the previous volumes, you know what the plot of High School DxD is: breasts. Everything else is secondary. That said, it is a shonen battle manga, which means that the breasts are not even there to titillate the reader or make them horny. They’re there as a weapon in Issei’s arsenal. Indeed, every new book brings with it a new breast power-up, and so we may as well talk about Issei loving breasts the way that we talk about Izuku using All Might’s Smash moves in My Hero Academia. It’s also very telling that, in universe, Issei’s shtick is popular with little kids rather than women. The kids don’t really get the sex part, they just see him busting out cool moves. It also shows off Issei as someone who really should mature a bit more before he starts getting his harem… something he seems to know anyway, rejecting Akeno’s offer to sleep with him because she “looks sad”. If you’re going to do a harem, do it properly.

Our heroes have been busy lately, as a bunch of heroes/terrorists keep showing up to try to fight them. The motivation of the other side is rather baffling till they figure out that they’re trying to force Balance Breakers by repeated combat. Which is, well, a tad unethical. That will have to wait for future books, though, because Odin is in town, supposedly here to meet with the Japanese gods but more accurately to go on a pub crawl and look at large-breasted women. (Notably, his hot Valkyrie bodyguard, Rossweisse, is not good enough – indeed, he abandons her at the end of the book.) Not everyone wants Odin to talk with other gods, though, and Loki shows up prepared to stop things by force if necessary. And he’s brought Fenrir with him. As a result, well, the subtitle of the book is accurate.

We finally get Akeno’s backstory here, and is it a bit disappointing at how normal it is. Well, as normal as a backstory can get when your relatives murder your own mother in front of you, but it really boils down to “I hate daddy because he’s never home” to a much larger degree. That said, things get resolved a bit too quickly here, and it feels like the author, having shown us how Akeno acme to hate her father, now feels it’s not necessary anymore. As for the rest of the book, well, lotsa fights. Indeed, we even get enemies teaming up, as in order to stop Loki, Vali and company are brought in, with him agreeing to put off his fight with Issei in order to fight someone equally badass. I did like his scoffing at Issei’s idea of peace, and pointing out that would be a nightmare to people who live for battle. Not everyone wants a Happy Harem After.

This was not quite as good as previous books, feeling a bit like it was filling in time. It did introduce Rossweisse, but she doesn’t do much here aside from whine and moan, so I assume we’ll develop her in later books. Average DxD, which is to say below average in terms of normal light novels.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 2

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This got off to a slow start but was definitely improving as it went along. Last time I said that this was what books like Bottom-Tier Character Tomozaki deconstructed, and that was certainly true of the first book, but here we see the author starting to really look at the situation. Ryou is the standard oblivious, self-hating potato protagonist, but here we see how that’s actually hurting everyone around him – and hurting himself as well. Ryou has, by the end of the book, four love interests, three of whom seem to be along the lines of “did a decent thing in front of her”, which is also standard high school romance LN but reminds you how goddamn low the bar really is. And he’s actually a little more serious than most high school boys – he doesn’t feel comfortable returning anyone’s feelings until he understands how love feels himself. Unfortunately for the rest of the cast, this may take a while.

Our cast is in that most popular of years, the 2nd year of high school, and as such they have to deal with present-day concerns like the school festival while also trying to think about the future. Ryou can’t really imagine what he’ll be doing in the future beyond vague “college, I guess”. Hina, on the other hand, has a secret… and a dream. She really is far more mature and put together than Ryou, something that he dwells on constantly. That said, he might not be dwelling on it enough, given that Hina said she’d happily give everything up to spend her days married to him… and he didn’t react at all. (She was expecting him to at least push back on that.) Even a surprise first kiss cannot get past Ryou’s wall of self-loathing that he’s put between the two of them. Will a film project help, or just make things even more complicated?

I remain pleased with the relationship between Ryou and his sister Mana. She clearly loves her brother, supports him, and is STILL buying him condoms he won’t use, but there is not one speck of subtext between them, which is an increasing rarity in books these days. This is meant to be a realistic sibling relationship. The other strong part of this book was Hina. She’s been hiding her dreams of being an actress from the others, but it turns out that she has some serious chops. This leads to good and bad things with Ryou. Good in that filming something she can use as a quick promo video shows off his film editing skills, leading to a possible future direction. Bad in that he clearly puts her on a massive pedestal, and clearly the main reason he is not going out with her is for that reason. She tears into him for it, and her frustration is palpable.

That said, we get yet another saved childhood friend at the end of the book, and this risks becoming Osamake if it’s not careful. It can be difficult at times to deal with Ryou’s moping, but the book eventually rewards you.