The Devil Is a Part-Timer!. Vol. 21

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

I suppose, if you know that what you’re writing is going to be an anticlimax, it’s best to just admit it straight up front. The massive battle against heaven, even from the start of the volume, is very underplayed, and when it comes, while there is some combat, it ends fairly easily for the good guys. In fact, the final battle is so anticlimactic that the book jumps back and forth between the “present” and three years into the future, showing us where Maou is now and what the rest of the cast are up to, while also teasing his romantic relationship. That said, here it’s made explicit WHY Maou has been hemming and hawing and putting off giving a clear yes or no to anyone’s confession: his demon side is literally allergic to love and causes him to feel extremely ill. Not exactly an original idea, but hey. All in all, it’s an OK ending to a series that should have ended a dozen books ago.

Fortunately for the reader who has been feeling a bit Chiho’ed out by the last couple of books, she’s not present for the War Against Heaven, though we do get Maou and company explaining everything to her parents. A lot of the book features scenes of the cast waiting for heaven to respond to their obvious aggression, and being somewhat disturbed that they are not doing so. And then there is the newest Sepirah child, there to signify the direction that all of heaven will take going forward… so it’s a bit of a shame that he looks like an exact copy of Urushihara, to the point where Maou dubs him Copyhara. There is also quite a lot of backstory and explanations are given for most of the supernatural end of things, but I’m going to be honest, I’ve never really paid attention to that part.

If that summary sounds vague, so does the whole book. The epilogue bits are a bit more interesting. There is a romantic pairing that caused me great pain to read about (no, not Maou’s), but I suppose as long as they’re happy. Speaking of Maou, and spoiling a bit here, yes, he’s together with Chiho, but she’s also trying to consider their future as a group. The problem is that a) thanks to Alas Ramus, he’s never going to be able to be far from Emi for the rest of his life (which, by the way, is a normal human lifespan now, because plot), and b) Emi clearly has some feelings for Maou, and is clearly never going to end up with another guy. Chiho proposing a poly relationship is… I’m gonna be honest, it feels like a fanfic solution. Even Maou is baffled by it, though given how Chiho and Emi run roughshod over his life in general, I guess he’ll accept it. Still, I can’t see the fanbase enjoying this.

Again, aside perhaps for that last part, this book isn’t too bad. But it’s a classic example of an author dragging out a story that should have ended around Book 7 or 8. In the end, it risked drowning under all of its own lore, and didn’t really give the fans the romance their wanted either.

The Holy Grail of Eris, Vol. 1

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

If you think the cover art suggests a villainess story, you’re right, though this is once again a variation rather than a straight up “reincarnated as the otome game villainess” sort. That said, almost all those books, as well as many of the variations, have the same kind of scene in it. Usually near the start. Our villainess finds herself at a party or ball, surrounded by men who are sneering at her with hatred and contempt, accusing her of terrible bullying towards the “heroine” of the game itself. This public shaming usually kickstarts the plot in some way or another. But wait, I hear you say. I love those kinds of scenes, the ones that show the dark and seedy undercurrent of nobility. What if I could have an entire book filled with them? And also make it a detective thriller? If you are this sort of reader, the Holy Grail of Eris is hear for you. There’s escapades, and murder attempts, but mostly there’s so much vitriol you could probably start a glassmaker’s shop.

Constance, aka Connie, is our heroine, and frankly, she’s a bit of a drip. Her father, a viscount, is known for being sincere and honest at all times, aka an easy mark. The family is deep in debt. But it’s OK, as she’s engaged to the son of a wealthy businessman… who, unfortunately, is currently having an affair with another noblewoman. All this comes to a head at a party where Connie is shamed and accused in the proper Villainess Novel way. Sadly, she has no one to come to her aid… or so she thinks. Enter Scarlett Castiel, a duke’s daughter who was executed ten years ago for attempted assassination of the (current) Queen. Scarlett possesses Connie and solves the problem by means of a photographic memory and a heaping tablespoon of “being a magnificent bitch”. However, now Scarlett demands Connie’s help in return… to find out what REALLY happened ten years ago!

Not gonna lie, this is a heaping helping of fun, despite the almost obligatory child slavery ring subplot. (In the book’s favor, none of the main cast buy a slave.) Connie and Scarlett are both very flawed heroines, and while together they can just about solve some mysteries, Connie tends to be easily caught and also terrible at lying. But this makes them endearing and easy to root for – we’re not getting any powerhouse OP villainesses here. The other characters are also most arrogant nobles, but they come in various shades, including our love interest, who is a standard Japanese romance novel type, but I don’t dislike that. I also loved the character of Abigail O’Brien, who is several times compared and contrasted with Connie herself and also seems to be an underworld boss and super Madam (in the capitalized sense of the word).

This is supposedly over at three volumes, though a fourth one appeared in Japan last month as a digital-only book. That means we are unlikely to linger too long on the central mystery or what the Holy Grail of Eris is (the fact that Connie’s last name is literally Grail does not come up in the text, and may just be there for flavor). Still, if you like mysteries where the heroine spends most of her time getting caught, and everyone being absolutely terrible to everyone else, this is a winner.

Bottom-Tier Character Tomozaki, Vol. 8

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Winifred Bird.

If you ever wanted to see someone trip on page 1 and spend the next 276 pages falling to the ground, then have I got a book for you. In all fairness, I should have seen this coming. Everything was going far too smoothly for our boy Tomozaki lately. He’s got friends, he’s got a girlfriend, and he’s even teaching his mentor how to not be some sort of Japanese high school girl cyborg, though signs point to that not really working. But one of those things is a very different beast from the others, and as the book goes on the reader starts to notice how Kikuchi just… isn’t in it. She shows up here and there, she and Tomozaki are cute with each other, but she’s not part of the life he’s trying to live right now, she’s a separate entity. And that leads to everything crashing down for the cliffhanger. So it’s a good thing we’re not gonna have another short-story volume next… hrm? What’s that? Volume 8.5? Ah well We must all suffer.

Things start off well, as our new couple go for a New Year’s shrine visit and run into Izumi and Nakamura, and Tomozaki gets to see what an actual long-time couple who are not worried about doing the wrong thing at all times act like. After that, though, it’s back to assignments – for both our protagonists. Tomozaki has to start working towards his next major goal, which is to be the “head” of a clique of friends. As for Hinami, he takes her to an in-person Atafami meet-up, hoping to show her the fun that can be had in gaming and that it does not have to be as analytical as possible. This meet-up is impactful for him as well; first because he ends up meeting a pro gamer who makes Tomozaki wonder if that’s a future he can do himself; and second, because a college-aged girl named Rena starts hitting on him aggressively… something he does not really handle well at all.

I’m going to be honest here: if your mentor is so emotionally broken that you’re trying to get her to have fun as a goal, why are you trusting her with your romantic thermometer at all? Every time he asked Hinami “is this OK” in regards to Kikuchi’s increasing fragility, I wanted to smack him in the face. She is the LAST person he should be asking. Sigh. But that’s Book 9’s problem, I guess, though if this new romance turns out to be only about 2 weeks long, I fear readers may get annoyed. Other than that, though, Tomozaki does pretty well here. He’s gotten better at asking leading questions without suspicion, and is forcing himself to think about his future in ways that aren’t just “college, I guess” like most of his classmates. I really enjoyed the gaming battle with the pro, not because of the endless pages of Atafami description (again, not a gamer), but because it showed off that there’s a different way of thinking you can access when everything you have is on the line.

Let’s hope Tomozaki accesses that when he tries to rescue his relationship next time. Well, next time after the short stories. Till then, this was painful but excellent.