My Friend’s Little Sister Has It In for Me!, Vol. 6

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

This honestly may be the best volume in the series to date. We get a plotline that was completely unpredictable and fun, development of the ongoing love triangle, a lot of great humor, seeing Akiteru try to be proactive and sympathetic but missing the point a good 3/4 of the time, and while the book does have a bit of Sumire in it, she’s mostly in school and forced to be in teacher mode, and thus no shotacon jokes for the second book in a row! The series continues to do a very good job of making everyone likeable – even Akiteru, despite being the classic punchable oblivious guy. It helps that he’s so supposedly “logical” and matter of fact, and thus a different type from the usual pleasant potato. The whole thing ends up in a beauty contest, which features gorgeous pictures of Iroha (in a dress) and Mashiro (in a suit). Sadly, I must report that the illustrator and publisher are goddamn cowards.

It’s the culture festival, which means maid cafes, as well as the school beauty contest. Before that, though, there is the problem of Iroha, who is still freaking out over the fact that she can’t be friends with Mashiro AND be trying to win Akiteru’s heart at the same time. Taking Otoi’s advice to try to see things from the perspective of people other than her own, she spends most of the book acting out the “roles” of her friends and classmates, including Mashiro, Sumire, and Midori. Unfortunately, all of this is frustrating Akiteru, who is trying to demonstrate to Iroha that she can simply be herself and does not have to be the perfect honor student OR other people, she can be as annoying as she wants to be. She’s never going to agree to that, because her being annoying is a form of flirting reserved only for him. So there’s only one thing he can do, really: dress up as a woman and enter the beauty pageant to defeat her.

There is a large amount of this book devoted to Akiteru dressing up as a woman, including some good makeup tips, and it is remarked upon how gorgeous he looks as the end product (provided he doesn’t speak, something he manages to pull off. I actually flicked back and forth over the book three times to make sure I was not missing an obvious illustration. But no, this book is written for teenage boys, and they do not want to see boys in dresses. Feh. The highlight of the book, though, is the growing friendship between Iroha and Sasara, as it turns out most of the “rivalry” stuff was simply because Sasara saw that Iroha was wearing a mask and hated it. Getting her to remove it is fantastic, and it’s nice to see that, despite deliberately ignoring romance for the time being, Akiteru’s sense of what Iroha needs is probably accurate.

As is common with this series, we get a vicious cliffhanger at the end, and I suspect the next volume will make Akiteru very uncomfortable. Till then, this is excellent high school romantic comedy.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 4

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

I have stated before that the main reason I enjoy this series is that it has only one joke: Inglis is a meathead who only cares about fighting, food, and Rafinha, in that order. The trouble is that the author wants to hammer home to the reader that this is not entirely amusing and something to appreciate for the lulz. I say trouble because we’re introduced halfway through to a girl who lost her entire family when her village was destroyed and therefore has… sigh… been sold and is working “in servitude”. Rafinha is appalled that this is happening, while Inglis points out the political realities of trying to shut it down everywhere. The trouble is that Inglis does not care about any of this. She’ll support Rafinha if she wants to fight against slavery, but that’s because she’ll follow her anywhere, not because of any actual moral center. Inglis’ moral center is: I want a good fight. And she will cheat and manipulate to get it.

While working to help rebuild the school (and, more importantly, the school cafeteria), Inglis is called to the throne to be offered a position as Captain of the Royal Guard. A huge honor, but far too much work and would mean she would not get to do whatever the hell she wants, so she talks her way out of that one. More importantly, the acting troupe Inglis has met before are back in town, and they want her to play one of the roles and put on a spectacular fight scene. Inglis realizes that if she cons Yua into taking the other role, then she can get to fight the half-assed but equally strong women in a real (theatrical) battle. That said, there is a problem… the winner has to kiss the male lead, and the mere idea of this causes Inglis to flip out. That said, there may be even bigger problems… like an assassination attempt. Or an invasion.

I’m glad that Yua has essentially become Inglis Mark 2, because she’s just hilarious all the time, whereas Inglis occasionally has to play the straight man. Yua’s complete apathy to nearly anything extends even to her own self, as we discover that she may have a lingering side-effect from her death battle in the previous volume, to which her response is essentially “ah”. This is why it’s even funnier seeing her thirst for the girly-faced Ian, to the point where she spends most of the epilogue of the book carrying him around under her arm like a sack of potatoes. As for Inglis, she gets to have some really good fights here, so she must be happy. We also get to see the mothers of Inglis and Rafinha pay a visit, and it turns out that huge appetites definitely run on the mothers’ side, as between the four of them they terrify everyone with the amount of food consumed.

This series is never really going to get into Big Questions and Ethical Dilemmas, and even if it does it probably is not going to be Inglis having the dilemma. She gets why things are wrong. She gets they can be hard to fix. She doesn’t care. Fight now plz.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 1

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

We’ve had enough villainess books by now that everyone knows the “Stations of the Canon” so to speak, and so therefore it warms my heart to see that we don’t have to dwell on them forever. One of our heroines, the reincarnated princess (who is NOT the villainess in this story) gains her memories of her life in Japan, discovers she’s in a fantasy world, and rushes off to go learn magic!… and then twelve years pass. As for the supposed villainess, we hit the high points in the by now traditional scene. Her fiance shames her in a public setting. Every other guy she knows is also sneering at her. She’s innocent, but no one believes her. No offense, but we’ve done this. And then our princess smashes through the window on her magical science broom, immediately realizes that this is a villainess shaming story, and yeets the villainess out the window with her. No time for that, there’s SCIENCE to be done!

Anisphia, aka Anis, is the titular princess. In a land where magic power is strongest in the royal family, she can’t use magic at all. But that’s not going to stop her dreams. She removes herself from succession, retires to a side mansion, and proceeds to use her vague knowledge from Japan and sheer GUTS to make tools that work using magic but that can be wielded by anyone… including her! For the most part, this has meant kettles powered by spirits, etc. But she has grander plans, and needs an assistant, preferably one who is a magic savant. Enter Euphyllia, aka Euphie, the duke’s daughter and fiancee to Anis’ younger brother. Having just been publicly shamed in front of most of nobility and dumped by her fiance, Euphie’s marriage prospects are near zero. So why not let her assist Anis in creating new tools? And if they have to fight a dragon too, well, so be it.

The manga of this series is coming out in a month or so, and I’m not sure how well it’s going to work, because so much of Anis and Euphie depend on the reader hearing the inner narration. Anis can seem like a ball of chaos, and she is a lot of the time, but there is real method to her madness, and deep down she’s desperate for the magic that everyone else has. As for Euphie, it’s rare we see the “villainess” (she’s nothing of the sort) so broken by having her engagement called off, and she spends most of the first half of this book feeling miserable and like she failed everyone. Seeing her gradually come into her own is a huge treat. As for the “yuri” of the series, well, though the word “lesbian” is not used, Anis has stated that she likes girls and will not marry a boy, which is close enough, probably. She freely admits one reason she wanted Euphie as her assistant is she’s gorgeous. I suspect once the two work out their issues romance will blossom quickly.

There’s still a lot left unresolved at the end of this book, most notably Anis’ younger brother, the instigator of all this, as well as the baron’s daughter who has “otome game protagonist” written all over her. But honestly, I’m not here for the villainess vibe. I just want to see Anis and Euphie hang out together and invent new things. A definite winner.