Babel: The End of the Journey to Restore Language

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By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel III: Torikago Yori Izuru Youki” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen.

The final volume of this series delves deeply into the question of what drives humanity to succeed. In the past of this world, humanity was pushed to the brink, and feared powerful witches. These days there are no more witches, and things are relatively peaceful. But will humans make the same mistakes they made before, just because they don’t remember what it’s like to life in fear and thus innovate? If you’re nodding along to this, congratulations, you agree with the villain of this book. If you’re staring and wondering what the hell this teenage history logic is, you’re a lot more like Shizuku, who has to try to deal with this while also finding a way to return home and also deal with the fact that – as we’ve occasionally noticed since the very first book when she looked at that forbidden tome – there’s something a bit off with her. Fortunately, she has Erik by her side this time, as opposed to written out by the author.

Shizuku continues to work on her language learning aids, but there’s a new problem. Some of the kids at the castle, after hanging around the older children, regain the innate language abilities. Does this mean the thesis that she and Erik have been so carefully working on is completely wrong? That said, she has other things to worry about. She’s apparently staying up for hours at night reading the blue-covered book she has, though she never remembers doing this. A neighboring country invites her there as they want that book, and are… well, not willing to kill her, but willing to hide her body if she gets killed by something else. Worst of all, a witch has appeared and recreated a very familiar witch’s tower (well, familiar if you read Unnamed Memory), and wants people to challenge it. And she’s also going around slaughtering women and stealing their souls. That’s bad.

I have to admit, I enjoyed this series more for the plot and worldbuilding than the characterization. Shizuku and Erik’s relationship can best be described as “kinda nice”. She and Ortea (and, for that matter, she and Lars) had a much more interesting back and forth. I also note that she only says “I love you” to Ortea in this book. But no, dull love prevails. Ah well. This also sort of gives away that she does not return to Japan, though if any reader is surprised by that they must not read many series like this. The best part of the book is what is actually up with Shizuku, and how they manage to use it to save the day. That said, while I would not call her behavior suicide ideation, we do get a lot of “I must sacrifice myself to save everyone” and she jumps off a very high building – again – with worse consequences this time. You can see why Lars finds her frustrating.

There’s a sequel to Unnamed Memory that is apparently also a sequel to this, but I’ve no idea if it will be licensed given the UM anime was a dud over here. Fans of the author will enjoy this.

Villains Are Destined to Die, Vol. 1

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By Gwon Gyeoeul and JINSA. Released in Japan by D&C Media. Released in North America by Ize Press. Translated by Tapas Entertainmnt Inc.

I have not really dipped my toe too much into the Korean end of the villainess market. I generally have an allergy to vertically scrolling titles that I blame on being old, and aside from taking a look at Beware the Villainess, which runs on the deep rage of the heroine, I had not been taking in the manwha/webtoon end of the genre. But I saw that this also had a novel coming out, and I like text, so I decided to give it a try. It’s decent enough, though it definitely lives and dies on how much you like the heroine, who can be a lot, especially in this first book. I was actually reminded a bit of I Swear I Won’t Bother You Again!, as abuse in a past life leads to the actions the heroine takes in this life. In the case of Villains Are Destined to Die, though, the past abuse was in Korea, and this new “villainess” runs far more on bitter cynicism than anything else.

The premise will be familiar to many: Our unnamed heroine stumbles across a mobile game called Daughter of the Duke’s Super Love Project, and gets obsessed with it, particularly the Hard Mode, where you play as the adopted daughter who is the villainess in the Normal Mode of the game. In fact, she tries to hard to beat the ending she apparently dies, and finds herself in the body of Penelope Eckhart. Her family now hate her, the servants despise and abuse her, and if she doesn’t do anything she’s going to be tortured and executed within a year. Fortunately, she has her knowledge of the game – though she never got close to winning hard mode – so this shouldn’t be too difficult… except that she’s only given three option dialogue trees, and they’re all terrible options.

Fortunately, and this happens almost immediately so it’s not much of a spoiler, she gains the ability to turn off the “you have three bad options” screen fairly quickly. She does still see affection meters, though, which are all so abysmal you wonder what Penelope was like before our heroine”s reincarnated self took over. We gradually find out, and it turns out that the heroine and Penelope have a lot in common in terms of how they grew up – which makes things more interesting, as the influence of her past abuse makes this new Penelope far too distrusting and bitter, and a few times she shoots herself in the foot in her efforts to save herself. She also has the same issue a lot of these reincarnated villainesses have, which is she sees this world as a game, and doesn’t see the others as people. She’s got a tough road ahead of her, even if she is softening a bit by the end of this book.

I didn’t even mention the men in the series – angry brother 1, angry brother 2, yandere crown prince, mysterious sorcerer, and grateful slave. That said, I also didn’t mention the game’s heroine, who has not even shown up yet by the end of this volume. Villainess fans who want something a bit more bitter may find this to their liking.

Witches Can’t Be Collared, Vol. 1

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By Yuri Yumemi and Wata. Released in Japan as “Majo ni Kubiwa wa Tsukerarenai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

One thing that I tend to do on social media is that every month, I post a screencap of an Excel Spreadsheet showing my light novel preorders. This is meant as an amusing gag to show off that I frankly read far too many Japanese light novels, and I should be reading fewer of them. That said, sometimes it gets noticed by translators who happen to see their book isn’t there, and they say “hey, why aren’t you getting this new series?” Inevitably, my answer is something along the lines of “it’s not really my genre”. This happened a while back with Playing Death Games to Put Food on the Table, and while I had to admit that the first volume was very well done, I didn’t really read more of it because I’m not a fan of death game books. This new series is a police procedural, and after reading it I admit that the reasons that I was told to read it are valid. It’s quite fun in a lot of spots. Nevertheless.

Rogue Macabesta is a detective in a world that is basically “My Hero Academia but with magic instead of quirks”, which means it’s his job to hunt down villains who use magic for crime. He’s finally done enough, and been noticed enough, that he’s about to be promoted to a desk job. Honestly, he trips all sorts of flags about retiring, so it should not be a surprise that his boss has a new mission for him. There’s a serial killer no one can catch, who is aging and de-aging people to death, and she wants him to catch the culprit. Using the witches of the 6th District, who are all hundreds of years old and have slaughtered thousands. They’re all sociopaths, though this being a light novel that mostly means they’re sociopaths in amusing eccentric ways. Can he and Miseria, who can control people like puppets, get along enough to find the killer?

The witches are a lot of fun, especially Miseria, who I would hate to have to deal with in real life, but as a character she’s great. being an obnoxious tease and also knowing exactly what buttons to push to irritate Rogue. That said, all the other witches note that compared to their previous detectives they’ve worked with (who are all dead), she’s really taken a liking to him. Catherine, the other major witch we meet this time around, is essentially the chronic pathetic wet girl that you see in series like these – think Yunyun – but that changes fast. I wasn’t too surprised by the change, but it was handled well. So what’s wrong with the series? Nothing, except it is indeed a police procedural, meaning most of it is finding bodies, searching for clues, interrogating folks, and finding more bodies. Also, the author straight up says this is The Silence of the Lambs but with magic rather than cannibalism, which, again, not a selling point for me.

If you do enjoy this genre, and don’t mind some snarky amoral girls taking over the pages, this is absolutely right up your alley.