Sword Art Online, Vol. 23: Unital Ring II

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Definitely enjoying seeing this series now that Kawahara, a good 20 years older than his SAO Vol. 1 self, knowing his strengths and weaknesses and using them to good effect. There are heroines in peril here, but there is very little of the fanservicey “hero saves the girl from the predator” that we used to see constantly in this series. The humor is mostly character-based, and rarely feels forced. Kirito is powerful and tends to still get the “last boss kill”, but the nature of Unital Ring means he’s struggling a lot more, and he also has the grace to pass on some of his rewards to more deserving people. And we get, for the first time in the main series, Argo becoming a supporting player. Created for the Progressive novels and then put in the anime, manga and games, she’s always been a ghost presence in the main series itself. Now she gets a name – Tomo – and an agenda, which is more than just “tease Kirito constantly”. Though, well, she does that too, of course.

The plot is mostly a ‘rescue arc’ of sorts – everyone else in Kirito’s group was playing ALO when the Unital Ring changeover happened, but Sinon was in GGO, so she ends up being a long ways away from any of her allies. She’s confused, mistakenly branded as a PKer, caught dying of thirst in a desert, and forced to fight a massive dinosaur with the help of some bird people who don’t even speak Japanese. It is awesome, easily the best part of the book, and benefits greatly from the lack of Kirito’s POV. Elsewhere, Kirito’s party ad their log cabin are being reinforced, but a lot of players keep trying to attack him. Why? And Argo’s back (yes, she’s Tomo, but Kirito does not really make the switch so I won’t either), and is (unsurprisingly) now a crack reporter, here to rip open one of the more closemouthed folks in the cast – Kikuoka.

I’ve made no secret about my love of Argo, and though she doesn’t get much to do here, there’s a promise of more. I enjoyed the fact that her response to Kirito’s “where have you been all this time” was a polite “none of your business”, and also intrigued that (sorry, game continuity) she hasn’t been in ALO or GGO or even back in a game at all since the SAO disaster ended, though she hints that may change. In the meantime, it’s nice to see the cast work as a core cast, as opposed to being Kirito and his harem. Everyone apart from Alice and Asuna (who are minding the fort) gets something to do, with Yui being the most impressive. Now that she’s a physical part of Unital Ring (and could theoretically die if she’s killed, sorry, Shirou) she’s busy learning sowrds, learning magic, and basically becoming Little Miss Badass. Kirito is, needless to say, both proud and fretful.

So yes, this was a good solid volume, and I’m glad SAO has finally seemed to have matured, after several false alarms. Can’t wait for more.

Altina the Sword Princess, Vol. 11

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

It’s actually surprising how little Altina the Sword Princess has leaned into the usual anime cliches. It’s very concerned with its sort-of-Europe worldbuilding, and therefore there’s no real room for a lot of bath scenes or accidental groping. I say it’s surprising because this is, after all, the author of How NOT to Summon a Demon Lord, a series begun after Altina had started and which eventually grew so popular it may have led to Altina’s extended hiatus. In any case, all that changes here, as Regis, in order to avoid getting caught by Latrielle’s troops, has to disguise himself as a woman. And he makes a very good woman indeed. Cue a lot of “I didn’t know you were into that” jokes, with furious denials. Fortunately, like most everything in this series, it serves the purpose of keeping the plot going, as Regis, now that he has made a mortal enemy, has to do everything possible to stop Latrielle becoming the next Emperor.

We pick up where we left off last time, with Regis and Fanrine being horribly murdered by Latrielle’s soldiers. Except of course they are not – their deaths are faked and they’re spirited away by Jessica and Franziska, who are trying hard to be big bad mercenaries but can’t quite be evil enough. That said, headless corpses, both of whom turn out to be men, is not going to fool the army for long, so Regis goes into disguise to try to get more evidence against Latrielle. The only thing that can really stop him becoming emperor now is for the news of his patricide to come out, but unfortunately all they have is secondhand rumors, mostly as the maids and staff who were there when it happened are all quietly murdered too. Fortunately they also have the Grand Chamberlain, who is under house arrest not avoid him talking. That said, if they had an ally who was ALSO a prince, house arrest might not be too hard to get around.

If you’re wondering how Altina is taking all this, well, she is actually in this book, fear not. She received news of Regis’ tragic “death in battle” and doesn’t believe it one bit but it’s annoying enough to make her take a large part of her army and head over to where Latrielle is, leaving us with a cliffhanger confrontation. (There’s also a side story which shows that being the Sword Princess is possibly the best thing that ever happened to her, as she’s useless at everything else. It also shows the whole “maids have to put up with sexual harassment” thing is bullshit if your superior officer can punch you unconscious. Other than that, as the author admits, this was a lot of talk and moving pieces around and not a lot of action, though that looks to change in the next book.

Altina is the definition of a ‘solid’ series – you’ll never rush to read it the day it comes out, but it’s always good.

Tearmoon Empire, Vol. 6

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

It can be hard to let go of a gimmick, especially when the gimmick in question is the main reason you got readers in the first place. One reason everyone loved Tearmoon Empire 1 was not only the dissonance between Mia’s own thoughts and actions and what everyone ELSE thought of these, but also the snarky narrator constantly pummeling her. I’d theorized before that the narrator was hired by future Mia to try to slow the publishing of hagiographies about her. That being said… Mia has grown and matured a little bit, and I feel now that the goofy “she only thinks about herself and food” shtick is holding her back. And the narrator, especially when he’s making fat jokes, is starting to grate. Most importantly, though, I’m starting to feel like all the other cast members Mia has misled: if you ignore Mia’s intentions and the narrator, this remains a fantastic read, filled with intrigue, action, character building, and plot twists. Mia being a dumbass and the narrator pointing it out all the time isn’t needed anymore.

Mia is in the background for this cover picture, which is a good thing, as it shows us that Bel is, finally, going to get some actual attention. Much of the book is about Mia trying to avoid her own assassination in various ways, though honestly she mostly just avoids thinking about it, as she doesn’t want to get anyone else in danger. So we get things like a massive mushroom hunting party in the nearby forest (where she accidentally discovers deadly poison mushrooms that were what killed off a large number of people in the prior timeline) and preparing for the Holy Eve Festival, which we do not get to see because, of course, Bel is kidnapped in order to force Mia to leave the island and then kill her. There’s only one thing Mia can do… exactly what they say, hoping that if she managed to rewind time once she’ll be able to do it once she’s killed again.

Not to spoil or anything, but Mia is not killed off again, this is not that kind of time loop book. And I’ve complained about the parts of the book I didn’t like above, so let me talk about what I did like. Sometimes Mia’s thought processes are wonderful, such as when she discovers Bel is kidnapped and tries to think of the many very good reasons that going after her is a mistake… all the while getting dressed up and preparing to leave, because unconsciously she knows she’ll never abandon her granddaughter. Bel is basically a shoujo protagonist here, winning over the villains by the power of being sweet and kind, and it’s adorable. The villain is obvious and hammy, but hey. There’s also some good worldbuilding here, showing us the underside of the Yellowmoons and also a few flashbacks to the previous world, where everything went terribly. And the chase and fight scenes were wonderful, and also introduce a new minor villain who I hope we’ll see again, along with his huge puppies… OK, wolves.

So yeah, I don’t expect Tearmoon Empire to drop Mia being thought of as smart when she’s really thinking about cookies, or the narrator pointing out how her altruism is bullshit, but I’d like more of the growth we saw in Book 4-5. Also, I have no idea why the narrator is insulting her “mushroom outfit”. She looks stylish! That’s clearly a raffish cap!