Baccano!: 1935-A Deep Marble

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

It’s been a long time since we’ve been here. Oh, don’t get me wrong, we continue to have about three Baccano! novels translated every year. However, the plot in the 1930s, with Firo, Ladd, Jacuzzi, et al can be generally considered the “main” plotline. And since Peter Pan in Chains, the 1934 novel, we’ve seen three books set in the 1700s, two set in the 21st century, and two set in the 1930s but as “side stories” taking place in between events we previously read about. And we still have one more of those to go, I warn you. But for the moment, we’re in the home stretch. The author has stated that the 1935 arc will be the last one set in this time period, with an “epilogue” taking place in 2003. This is the big one. But, as I said, it’s been a while. For English speakers, about three years. For the Japanese readers, over five years. As such, it’s no surprise that this volume, while not exactly a recap, is certainly a reintroduction to most of the main cast.

Several things happen at the start of this book. Isaac and Miria, still trying to not be thieves but also broke, go looking for a job. Jacuzzi’s gang is also broke (I mean, it is 1935), and so he too is looking for work. Ricardo and Christopher are in New York, and are ALSO looking for work. Ladd gets out of Alcatraz prison and reunited with Lua, Graham and Shaft. Another character from a long, long time ago is also released from captivity, and unfortunately ends up right in the middle of things. And of course Huey Laforet is out of prison and therefore back to his usual tricks… which include Chane, who is very happy to be reunited with him but also conflicted due to her love for Claire/Felix. Through all of this, Firo is just trying to run his casino. Unfortunately for Firo, Narita books tend to be “slow burn leading to an explosive climax”, and that explosion is in that very same casino.

This is a fun book to read, despite the fact that it feels like everyone is showing up to do their “bit”. Isaac and Miria are flakey. Jacuzzi cries a lot but also shows gumption. Ladd, Graham and Christopher are incredibly violent, etc. That said, there is an ACTUAL plot going on here as well, involving the Runorata family building their own secret casino and inviting representatives of all the local gangs, including the Martillo and the Gandor ones. They’ve got some heavy hitters in charge, including people you would not normally think would be associated with the dark underbelly of society. And also a new character, named Melvi, who is very interesting to a heck of a lot of people for reasons that only come out at the end of the book… and even then, there’s more of a “how on Earth could THAT happen?” than anything else. Then again, we have seen something like it before with our favorite Big Bad, who is also in this book, albeit in only one scene.

So yeah, it’s all setup, but it’s fun setup. And you’ll be delighted to know that the next book is in fact Part 2 of this arc. So perhaps we can actually keep track of things a little better.

The Applause of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Kassai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

This is another one of those volumes where all I want to talk about is the last quarter of the book, but I will try to restrain myself. This is not to see the main storyline is not good or interesting, as it’s very good. As you can imagine with that title, the story revolves around the theater, as an acting troupe that Marielle and her husband go to see is suddenly interrupted by a threatening message… from Lutin! Or is it? This doesn’t seem like his style. We know Lutin is around because his master, Prince Liberto, is there to meet his fiancee Henrietta, one of the princesses of the kingdom. Everything seems great there… till Henrietta notices that Liberto always has a mask of “charming smile” going on, and begins to worry that she has no clue how he really things. Marielle needs to solve both these problems, and she does so with her usual talent of getting involved, accidentally stealing evidence, getting captured, and flirting with her husband.

Marielle is growing up in some ways, and I can’t really call her a scatterbrain anymore. Indeed, as we see near the end of the book, her ability to analyze and lay bare the emotional turmoil around romance is second to none. That said, to Simeon’s frustration, she’s always going to get involved in potentially lethal situations, because that’s just the sort of series that the two of them are in. It was amusing to see that, after going undercover, escaping, getting caught and interrogated by Lutin, and falling asleep in a cold room, she finally comes down with a bad cold, something she was proud of never having had before. (I thought at first it might be signs that she’s pregnant, but if that happens it’s not in this book.) She’s the very model of an amateur detective, and everyone has basically stopped trying to discourage her from this and instead they use her as sort of a guided missile of “trouble follows her” to get to the bottom of things.

The mystery is solved way before the end of the book, and we’re left with the last quarter, where everything is taken to another level. Henrietta is having a nervous breakdown over the fact that she can’t tell what her fiancee is thinking, and the solution is apparently to have her (and her allies, including Marielle and Julianne) locked in a tower with only one high window, which Liberto must scale to prove his love for her (and also to show that he can make faces other than “pleasant smile”). This works even better than planned, as Marielle’s plan is essentially to humiliate him until he snaps, and it works beautifully. This is topped by his true feelings towards his fiancee, which are entirely political and not romantic in nature… something she promptly accepts. It wasn’t that she worried he didn’t love her, it was that she worried she had no idea what he thought AT ALL. Now that he’s said what he thinks, a steady foundation can be built.

So all in all an excellent volume, and I don’t even mind that these books tend towards the lengthy. It’s worth it to spend more time in Marielle’s head.

The Ideal Sponger Life, Vol. 6

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

The idea of “You have to take a concubine for political reasons” has been around since the start of the series, but Zenjirou and Aura have been deftly avoiding it by essentially being in the “honeymoon” stage of their relationship. Now, however, she’s had a son and they’re trying for another child (trying an awful lot in this book, though as always there’s nothing explicit) and the murmurs are getting louder. Lots of factions are arranging to have their daughters be what is essentially Wife #2. That said, it is still something of a surprise when Princess Freya does the equivalent of a public proposal to him at her introductory event. Indeed, it’s a surprise to Freya’s group as well, particularly her bodyguard Skaji. They’d have been less surprised if they looked at future cover art for this series: The Ideal Sponger Life has 14 volumes out in Japan so far, and Freya features on more covers than Aura. She’s absolutely here to stay. That said, politics…

Negotiating Zenjirou’s emotional state is also an important part of this volume. We’ve seen how he is mostly a very kind, accepting person (indeed, the main reason Freya moves so quickly is that she realizes that if she becomes his concubine she’ll still have some power, as he’s not a sexist like most of this society) but that doesn’t mean that he’s happy with everything that’s happening. Taking another woman into his bed seriously bothers him (it doesn’t happen here, and it’s implied won’t for several books – negotiations, etc.) but he sees why it’s very politically advantageous for their nation. It’s a matter of sucking it up and dealing with it, unfortunately. Which is possibly why Aura basically decides the best way to pacify him for the moment is “lots of sex”. Still, at least he now has his goats, which means he can make CHEESE! And chocolate, more importantly.

The maids are also here at the end of the book, of course. Indeed, their presence is slowly starting to intersect with the main plot, as one of the older maids is married off to the middle management noble we saw in the previous book, and her two fellow maids are also called back home by their families to marry, meaning there’s a need for new trainees. Naturally, our three “wacky” maids are not being called home to marry just yet (and we are forcibly reminded that they are from noble families, something fairly easy to forget), but they do now have to act as teachers to the new girls – and it can be especially difficult given that Zenjirou is nothing like other guys that might need maids. There’s less comedy schtick here than usual, and it’s implied that the three maids are – slowly – growing up. I wonder how long they’ll be in the cast.

So with Freya added to the mix, I assume that we need to head back to fantasy Scandinavia soon, but Zenjirou has to learn more magic to do that without it taking years. And what of Bona, the other really obvious concubinal candidate? If nothing else, you know the next volume will have lots of extended discussion about it.

Also, the cover art is hilarious to me. “Sure, Aura’s got big tits, but check out THIS!” (twerks)