The Magician Who Rose from Failure: Tales of War and Magic, Vol. 3

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By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

It’s time to talk about a tragic problem facing many young manga and light novel characters today. They’re young, clever, they want to be helpful. And yet… everyone seems to be suspicious of them. How sad! Is it because they never seem to show you which side they’re really on? Is it because they exude an aura of “I could be incredibly evil, if I wanted, but I choose not to be?” No, we all know the real reason. It’s because they never open their eyes. Studies have shown that nine out of ten characters who smile while constantly having their eyes shut later turn out to be villains in some way, shape or form. (Well, if they’re guys. For women, please see the “ara, ara” subclause.) As such, we identify very much with Arcus in this book as he meets a strange merchant who really wants to establish a connection with him, but cannot really get past looking and feeling incredibly shifty.

Despite the cover promising us delicious pizza, for the most part this book is all about battles and intrigue. After briefly spending a morning flirting with Sue (well, flirting on her end, not his), Arcus runs into a slight problem: he has to get silver to make more of his cool magic thermometer, but someone is buying all the silver in the kingdom. As such, he and his two bodyguards head west to a holding with lots of silver mines. There, they run into a different problem – bandits, who are busily trying to destroy a village, though it looks like their hearts aren’t really in it. Could these two problems be related? And can Arcus manage to figure this all out without a war starting between his country and the Empire? Oh yes, and in the meantime his sister is going on a magical quest and getting possessed by her ancient ancestors.

As with previous volumes, Magician Who Rose from Failure is good enough that you want to read the next book in the series, but not really good enough that you have a lot to talk about with someone else. Arcus remains cool. He gets to use his magic here, and everyone is amazed at how powerful he is. There is a bit more brutal death than the previous books, and Arcus briefly looks queasy about that, but by the end of the book he’s recovered enough to immolate one of the bad guys. We also meet the son of the local Lord, Deet, who has a minder of his own and who looks like the sort of kid who wandered into this series from the pages of Weekly Shonen Jump, He’s fun, and contrasts nicely with the staid and calm Arcus.

As the author indicates in the afterword,the next volume will likely focus more on the ‘war’ part of the book rather than the ‘magic’ part. Till then, this series remains ‘solid’, for good and ill.

Return from Death: I Kicked the Bucket and Now I’m Back at Square One with a Boyfriend Who Doesn’t Remember Me, Vol. 1

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By Eiko Mutsuhana and Hiyori Asahikawa. Released in Japan as “Shi ni Modori no Mahou Gakkou Seikatsu wo, Moto Koibito to Prologue kara (※Tadashi Koukando wa Zero)” by Earth Star Novels. Released in North America by Cross Infinite World. Translated by Alyssa Niioka.

I must admit that I was expecting this book to be lighter fare than it turned out to be. And yes, I realize that’s on me, since the book being called “Return from Death” in English and having a variation on “Starting from Zero” in Japanese means that the author is likely very familiar with Re: Zero, but, I mean, look at the cute cover! There’s going to be wacky antics, surely! In fact, the start of the book did indeed promise these, but unfortunately for readers who prefer that sort of thing, they require a heroine who’s a bit less on the ball than Oriana is here. She’s not only gone back in time to try to stop the love of her life from dying mysteriously, but she’s also coming on far too strong, meaning he’s no longer the love of her life. So the solution is to wait, and be patient and a good friend, and deal with everything else.

Vince and Oriana were a lovely couple, and he was so sweet and kind to her. Then, a few days after their senior year ball, she finds him dead, seemingly with no cause… except she quickly succumbs to it as well. When she wakes, she’s back in her seven-year-old body. Fortunately for the narrative, we then immediately time skip six years to her entrance to the Academy where she first meets her true love. Sadly, he does NOT have memories of a previous go-round, and regards her excessive adoration and professions of love as extremely creepy and unwelcome. So, as I said above, the long game. She eventually does make friends with Vincent and Miguel, his bestie. She gets close to her roommate, foreign princess Yana and Yana’s bodyguard Azraq. And, like most teenagers, she proves to be very bad at recognizing when a guy is hiding his feelings out of stubbornness and embarrassment.

I haven’t read the author’s other CIW series, Hello, I Am a Witch and My Crush Wants Me to Make a Love Potion, but judging by this I may have to go check it out. The book is very much a teen melodrama, with hurt feelings at the forefront, and some of the pairings do not work out the way that Oriana (or, for that matter, the audience) would like. There’s a lot to negotiate here. Oriana is a commoner, even if she’s the daughter of a rich merchant, and Vincent is the son of a duke. Yana and Azraq have similar issues, only much much worse. There’s simply dealing with Vincent’s cold, sullen attitude every day, though that does improve as the book goes on. So yeah, the ending is kind of happy, but a bit bittersweet… well, until the cliffhanger. Yes, this is a multipart series, and the ending makes it very clear that saving Vince is not the solution to the original problem.

I tweeted that this book reminded me of all the things I hated about being a teenager, but that’s also good news for those who love that sort of thing. If you like YA novels, romances, or grumpy tsundere male leads, this is right up your alley.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 1

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y Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahliya wa Utsumukanai” by MF Books. Released in North America by J-Novel Club. Translated by Nikolas Stirling.

Just as there are people who can read an isekai and somehow be surprised that our generic-looking male protagonist ends up with overpowered abilities and women falling all over him, there are presumably people who can be surprised that a romance novel has romance in it. To an extent, I get it. This book is supposedly about a woman, jilted by her fiancee on the day before their wedding, starting anew and devoting herself to her job. You can hear readers all over the world saying “Yeah! Kick ass in your profession, Dahlia! You don’t NEED romance!”. They are bound to be a tad annoyed that the majority of the rest of the book involves her meeting and going on not-dates with a knight whose tragic flaw is that he is simply TOO HANDSOME. That said… come on. This is a romance novel. It even has an extended makeover section where we get to see how gorgeous our mousey heroine really is once she gets the right clothes and makeup. If you accept that, it’s great.

Dahlia is, by the way, a reincarnated Japanese woman who died at work from a heart attack, but her former life only really comes up in her job, as she’s more easily able to visualize magical tools due to her experience with hair dryers and Coleman stoves. She grows up in fantasy world with her dad, who also makes magical tools, and is engaged to his apprentice. Things go great (well, aside from her dad’s death) till the day before the marriage, when her fiance says he’s in love with another woman, so can they not get married? Oh, and he wants to keep the house they bought. She’s stunned, but not as devastated as she expected to be, and she gradually realizes she was never in love with him. She decides to throw all her energy into her business, helped along by most of the rest of the town, who are on her side. Then she meets Volf, the aforementioned knight with golden eyes who can’t walk through the town without starting a fight over him, and who can’t keep friends. Fortunately, both he and Dahlia are on the same wavelength, and both decide to forego romance and stay as drinking buddies. And boy, can they drink. But how long will this last?

Dahlia’s ex, Tobias, is almost cartoonishly awful, not actually evil but such a dimbulb who is lost in the thrall of puppy love that he loses any ability to think – as his older brother hammers into him near the end of the book. Your jaw drops at the callous shit he says to Dahlia, who has also been deliberately making herself dowdy so that other men won’t look at her. Needless to say, he barely recognizes the beautiful redhead she becomes. As for Dahlia herself, she’s great, and her work ethic really is a major part of the book, don’t worry. In fact, it might be a little TOO strong – she tells a story about an accident with black slime where she had to go get healed, and Volf realizes in horror she had melted her hands down to the bone without realizing it. I think we know why she may have overworked herself to death in Japan…

So yes, good book, but don’t be surprised when Dahlia and Volf decide they do love each other after all in the next volume or so. It is still genre fiction.