Rascal Does Not Dream of a Dreaming Girl

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

In my review of the last volume in this series, I mentioned I wasn’t aware of what happened in the next two books beyond it being sad. I’ll admit: I was lying. Generally these days, if you are following a series in any capacity on the internet, and the anime has already come out, there is no real way to avoid being spoiled. I didn’t have the main story beats of this book spoiled to me, but I knew what the last five pages would be, and so they are. That said, let’s not talk about those, let’s instead discuss the previous 250 or so pages, in which we find that Sakuta’s own adolescence syndrome has a very different cause from what he (and the reader) thought, learn exactly what’s going on with Shouko, and discover that it’s still hard to say you’re different from Bakemonogatari or Oregairu when you decide the best way for the hero to fix things is to sacrifice himself to save the girl.

Sakuta’s apartment is getting a bit crowded. Kaede is back, though with her “original” personality, and is struggling to catch up with the two years she’s lost. College-age Shouko is there, being very mysterious and Kasumi Tendo-ish. And Mai stays over once as well, because frankly the situation screams “my boyfriend is cheating on me with an older woman who’s also a middle-school student”, and who among us hasn’t felt agitated when that happened to them? The drama starts then Sakuta discovers that Shouko is back in the hospital – and getting worse. She has an old elementary school assignment about dreams for the future she never completed, as “die” would upset the teachers. Now it’s mysteriously being filled out… and the details seem to match up with college-age Shouko very well. Sakuta is concerned about the “get married’ part, though…

One of the more interesting things about this series is that it has all the wacky misunderstandings that harem anime usually has, but without any of the actual misunderstandings themselves. Mai and Sakuta are simply too sympatico with each other to really believe that there’s cheating or lying going on. Indeed, the fact that they’re so in tune with each other is what leads up to the tragedy in the final pages. Other than that, the most affecting part of the book for me may not have been the ending but everything leading up to it, as Sakuta drifts through school looking like a man who’s about to die. When even Kamisato is deeply concerned with him, in her own “drop dead” way, you know things are bad. And Rio and Mai’s scenes are even worse. Everyone seems to know what’s going to happen, but they also know that talking Sakuta out of this is next to impossible. As indeed it proves to be.

So what’s next? Well, if this were the movie, we’d only be halfway done. But it’s a book, so we’ve got to wait a few months. Rest assured I doubt it will kill off a main character, but I’m not as optimistic about its dreaming girl. Till then, enjoy an emotional gut-wrencher.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 3

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Generally with any slow life series you have to find the right about of balance between “nothing is happening because this is meant to be a slow life series” and “there are things happening because this is a narrative people will want to actually read”. It can be tricky, as many authors find. A lot of slow life books tend to lean towards the second of those two, where life is not really all that slow at all. This one doesn’t do that, but it needs to find the right time to dole out its plot. As an example, one of the main mysteries of the book is “when will Laetitia realize that her king and her wolf are in fact the same?”. Wait too little and there’s no tension, wait too long and you risk making Laetitia look dim. This book waits just the right amount, though what happens next is left open.

We get a couple of new additions to the cast here. Lelena is the daughter of former maid Krona, who is a bit busy being in jail to attend to her sibling, so goes to live with Laetitia, bringing along a cat and a guilt complex a mile wide. Also introduced is Liddeus, who is an incredibly stereotyped science nerd, only this is an otome game-style romance, so he’s a very handsome stereotypical MAGIC nerd. You get the sense he might actually be a love rival if he could for one moment get his mind off of spells, which he cannot. And there is, of course, all the politics – Laetitia arranges a tea party between the two queen candidates she’s already won over, and the other two who clearly scream “I am fodder for a later book’s plot”. This is pissing off the anti-beast person faction in the country, of course, and so they decide to take stronger measures to express their displeasure. Can Laetitia negotiate all this and still make delicious treats?

Well, I mean, of course. Have you seen the title? Laetitia has two main weapons, her food and her animals, and she uses them both here. Indeed, she gains another furry friend, named Tweety, though if you’re expecting the Looney Tunes bird you may be disappointed – possibly the Hyde and Go Tweet version. Admittedly yes, she is also monstrously overpowered in her magic, which literally breaks the device they use to measure it. This is clearly more due to her reincarnation than to her innate powers (though we do get more “amusing” stories of her and her butler being abused as children by her siblings in the name of magic training. They look back on those days and laugh, so I suppose we must as well). And yes, by the end of the book Laetitia finally realizes – after the king gives it away – that King Glenreed and Lord Aroo are one and the same. She seems devastated this means no more fluffy petting. I am 100% positive she is mistaken.

I do wonder if we’re heading towards a war, and if so how this book would handle it. Bit hard to cook for your fluffy friends in a trench. Still, so far the book does quite a good job of walking the tightrope. I look forward to the next volume.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 1

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

I have not read the two other series that this author has out in English. Hazure Skill and Drugstore in Another World are both in genres that I’m gradually trying to read less of. But ‘syrupy sweet high school romance’ is still a relatively new genre in English-translated light novels. Honestly, the marketplace changes a lot these days, and yesterday’s down and outs are today’s up and comers. Remember 15 years ago when we all said sports manga was impossible to license? Even just five years ago I was saying that you couldn’t get a LN title licensed unless it had some sort of fantasy or supernatural plotline in it. But now here we are. That said, to be honest I picked this up because of the artist. Fly is best known here for Bottom-Tier Character Tomozaki, and this is in the same basic genre. That said, the two books are doing different things. Tomozaki is a deconstruction. This book is what it deconstructs.

Ryou is a typical light novel romance protagonist: nondescript, doesn’t have many friends, school skipper, thinks of himself in terrible ways. One day on the train he sees a girl being groped by a salaryman, and decides to make a scene and get the guy caught. Later, in school, it turns out that he’s sitting next to said girl in class… and that it’s Hina, his childhood friend. They had been inseparable in grade school, but in middle school she got super gorgeous and popular, and he got more self-conscious and so they drifted apart. But while he may have mostly forgotten about her, she certainly hasn’t forgotten about him. As the book goes on, Ryou starts to notice that Hina is asking to walk home with him, and making him food, and asking him out on dates. Does this mean… she has feelings for him? Nah, let’s not overthink this.

As always with this genre, whether you can tolerate it or not depends how much you like ‘oblivious’ teenage boys. I’d say it was unrealistic except I was also a teenage boy, and no, it really is this bad. That said, at least the series gets a confession out of the way by the end of the first book, even if it leads to “I’m not sure how I feel about you”. Hina is cute, and the reader is meant to understand her frustration with Ryou and sympathize, and it works pretty well. I also loved Ryou’s younger sister Mana, who does not have a shred of the standard “younger sister of the protagonist” character to her and is quite happy wingmanning for her brother, though buying condoms for him turns out to be a mistake. (There’s no sex in this book, sorry to disappoint. Everyone’s very pure.) And the love rival role is handled pretty well, as she’s good at analyzing Ryou and Hina and knows that’s why she doesn’t really have a chance.

There’s nothing outstanding about this book, and it doesn’t have a good gimmick like Tomozaki. But it’s decently written, and there are no terrible people in it yet. If you like the genre of “pretty girl tries to get guy to admit that someone might actually like him and it’s her”, this is a good one to try.