The Frontier Lord Begins with Zero Subjects: The Blue-Horned Maiden

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By Fuurou and Kinta. Released in Japan as “Ryoumin 0-nin Start no Henkyou Ryoushu-sama” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Hengtee Lim.

I had reached a brief period in my giant pile of reviews where I had a gap in my schedule, so asked folks what books they might want me to try that I had skipped before. This one came up first, so I gave it a try. It’s not bad. I have a few issues with one or two of the subplots (see below), but overall this fits in nicely in the “I arrive in a new place and slowly accumulate people who adore me” slow life genre. If there’s one big objection that I have to the books, it’s that the chapter titles are all locations. The Next Day, By the River. A Week Later, At the Yurt. If you’re that desperate, there’s always the option of just leaving it at numbers, you know? That said, the chapter titles don’t give much away as a result. Except that there’s a yurt. Which makes sense, given that this setting feels very much like fantasy Mongolia.

Dias, an orphan who strives to live up to his parents’ last words to him, is the hero of the most recent war, and is very much in need of a reward. The nobility decide to grant him a domain. They take him out to the middle of nothing but grassy plains, leave him with no food or water, and say “everything you can see is yours”. Then they leave. You can tell they are SWELL GUYS. He finds water, then decides to just sleep where he is. He then wakes up to find a teenage girl with a blue horn on her head (hence the subtitle) angrily asking him who he is. It turns out this land is actually part of her oni clan’s, and they’ve been at war with the city he came from for some time. That said, her horn is also a lie detector of a sort, and she can see he has nothing but good intentions. Which confuses her. See, Dias wants to be a good frontier lord. Even if he’s not sure how to do this.

Dias is one of those big dumb guys who’s good at fighting provided he doesn’t have to think (he uses a giant axe), but as it turns out he’s not all that dumb, he just tends to take time to think things through. I was fairly sure that Alna would be the tsundere sort who would slowly warm up to him over the course of the series, but I could not have been more wrong. Their tribe prizes strength over everything, and when this guy not only takes out a huge number of fantasy bison but also a dragon (or, as he insists, a giant turtle), she falls in love almost immediately, and they’re engaged (he refuses to let them be married till she’s of age) by the middle of the book. My one grump is that not once, but twice, we get situations where we think there will be slaves sold, only to be told “no, there is a lot of slavery, but these people are not slaves because _____”. As a result, Dias ends up adopting twin daughters, and a nearby sympathetic lord has a harem of adoring women. Both subplots could honestly have happened without slavery. You can just… not write the background slavery.

So overall, this was pretty good. I’m not sure I have a huge desire to read more, but if you like the genre it’s definitely worth a shot.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 8

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

Of all the series I was expecting to parallel the main plot in this one, Though I Am an Inept Villainess is perhaps not the most obvious choice. But it does make sense. Sara has had a life in Japan where she spent most of it ill and not being a real kid, and then she ended up in this world and spent almost all of it also not being a normal kid. Even when she met up with Allen, who is himself nothing like real children in this world, they both act relatively mature, and they’re both surrounded by adults most of the time. And now they’re 17, which is to say they’re adults in this world, but have not quite mastered the emotional heft needed to survive as an adult. As a result, when a traumatic event happens to both of them, they have their first big fight. And everyone around them suffers. Because these are GOOD KIDS.

Now that Nelly and Chris are married, they have the perfect choice for a honeymoon: go explore a dungeon, of course. And they take Allen and Sara along with them. Unfortunately, the deep floor of the dungeon turns out to be filled with gargoyles, which badly injure Chris and Nelly and give Allen near fatal injuries, which Sara has to treat by giving him a potion that either works pretty well or hastens death. Allen survives, but as it turns out he has to “take it easy” for a month or else he’ll never get back his old strength. Unfortunately, medical research is still mostly in its infancy in this world, so no one knows what “take it easy” really entails. Meanwhile, Sara, who has her barriers, was perfectly safe throughout this. Allen is realizing that “strong enough to protect her” is going to need a big re-definition.

I do appreciate that the book does not make this ENTIRELY Allen’s fault. Just mostly his fault. It’s about an 80-20 split. The main issue is that the only ones who still see Allen and Sara as kids are Allen and Sara themselves. Everyone around them assumes they’re going to be married in a few months, but the two of them still can’t quite make that jump, and when Sara goes to the capital alone, without Allen, it’s a game changer for her, and everyone comments on it and realizes exactly what’s happened. It must be depressing when everyone around you knows you better than you know yourself. In any case, Sara is a full-fledged apothecary with little more to be taught, Allen is learning how to fight properly as opposed to the hand-wavey bullshit way Nelly fights, and they are developing careers. Settling down will soon need to be a thing.

Unfortunately, the next book seems to start a new, non-romantic arc. Well, I suppose that’s fine. This is a great series. And it had a good amount of wolves this time, too!

The Hired Heroine Wants the Villainess to Gloat

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By Hanami Nishine and . Released in Japan as “Yatoware Heroine wa Akuyaku Reijou ni Zamaa Saretai” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I was somewhat baffled at this single-volume series after reading it. On researching the title further, I am slightly less baffled. It came out in 2019, which is not in the first wave of Villainess titles, but right after, which is why it tries to play with the form a little. It’s also one of the CIW titles that they licensed directly from the author, and only seems to have appeared on the Narou website. A lot of webnovels are written on the fly. They’re week to week. They’re messy. And when they get picked up by a publisher, they tend to get heavily rewritten. This is still in the “messy” stage. It starts off almost as a broad comedy, and gradually starts to get a bit tragic as we begin to understand our hired heroine, who just wants to live happily with her mom but sometimes life doesn’t let you get what you want. Her messiness makes this interesting.

Nina Scaglione has been reincarnated in this world form Japan, but her memories are vague (she *thinks* she may have lived in the country as the daughter of a rice farmer) and she’s not remotely noble. She lives as a commoner with her mother, who is dying and in pain. Her father is also dead. Then suddenly a talking cat shows up, and tries to make a deal with her. She can’t cure her mom, but she can get medicine that will ease her mom’s pain for as long as she has. In return, she has to play out this other girl’s “otome game villainess” fantasies and be the “heroine”, who is there to be a commoner, seduce the prince, and then get publicly shunned at graduation like all the best villainess books. There are a few problems here. The first is that the prince is uninterested in her, and she in him. The second is that this villainess is really, really dim.

At first I was certain this book was a comedy. This villainess, Clarissa, is a master class at “did not think this through”, and can’t even pour a bucket of water over the heroine without screwing it up. Nina’s attempts at being the heroine are helped along by this world’s “heroine powers”, which means everyone who has not co-signed a contract with God thinks that everything she does is wonderful and perfect, and this can also get very amusing. That said, as the book goes on, Nina’s life starts to get worse and worse. Things are not helped by Nina herself, who is very much in the “I am so plain and no one would be attracted to me” school of light novel protagonists. There are some real tear-jerking scenes later on, even as the book gradually manages to barrel along its narrative. That said, the book does end happily ever after, kinda sorta if everyone works art it. Even for the villainess, who is rather flummoxed by all this.

So yes, I don’t regret reading this, and enjoyed Nina’s struggles. But it’s a mess.