Holmes of Kyoto, Vol. 3

By Mai Mochizuki and Shizu Yamauchi. Released in Japan by Futabasha. Released in North America by J-Novel Club. Translated by Minna Lin.

One of the better things about this series is the way that it makes you look at art. And by art I don’t just mean paintings and sculptures, but also anything that is crafted with a purpose. In this book we see several times what it means to be a real artist, the sacrifices and mental anguish that sometimes need to be suffered to achieve this, and also the fact that imitations cannot, no matter how hard they try, get completely into the artist’s head. This is not to say that imitations are always invaluable – there’s a lithograph in this story that impresses everyone even though it’s merely a copy – but that it is very hard to keep the emotions of what you are doing while also thinking “hrm, he used to paint his ears like THIS”, etc. Holmes is very good at this sort of thing, and Aoi is starting to get better at it as well. Unfortunately for Holmes, Aoi – and indeed everyone else around him – have trouble seeing HIS heart.

After a brief prologue in which Holmes indirectly helps his father think of a subject to write about, we get three main stories here. In the first, Holmes and Aoi go to a Kabuki show, only to run into theatrical intrigue when the show’s star is threatened, both via letter and later on the stage itself. In the second story Holmes meets up with his ex-girlfriend, now engaged, who worries that her fiancee is lying to her about ending his relationship with his former girlfriend. And in the final story, Holmes and Aoi attend his grandfather’s birthday party, and a treasure hunt arranged by the family ends up being a lot of fun… until a surprise guest shows up. Throughout all these stories, of course, Holmes is making deductions and solving crimes, as well as showing off his well-trained eye for antiques. He’s a terrific guy. Unfortunately, Aoi suffers from a major case of low self-esteem, and so is convinced that he sees her as just a friend – clearly not true, as the reader knows.

Honestly, I am content with Aoi feeling like this, at least until she’s out of high school. The bigger question (OK, not really) is whether they become a triple rather than a couple, as every single time they have an outing they seem to run into Akihito, who ends up accompanying them. This is the funniest part of the book, and it’s amusing to see Holmes’ growing frustration, but the three really do have a great chemistry as a team. The mysteries themselves are also well-done, and the author has promised not to dip into more serious crimes like murder, so the stakes are low enough that the book is a relaxing read. Indeed, I was thrown off by the first story, where I incorrectly guessed the culprit. That said, like a lot of mystery books of this sort, I don’t think the books are written to have the audience guess before the detective, but to show off the detective’s awesomeness.

If you’re looking for a book about romance, I’d look elsewhere, but for a fun series of mysteries, Holmes of Kyoto is hard to beat.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 9

By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

One of the main reasons to read this series, aside from the fact that it’s a relaxing read where you can be reasonably assured that nothing terrible will be happening to anyone ever, is the push-pull characterization of the lead character, Azusa was an OL in Japan, and she’s subsequently been living for… well, over 300 years by now… in a fantasy world. And yet, of course, for the most part she does not remotely act her age, because her mental state has remained in as much of an unchanging mode as her physical one. This allows for plots where she can be a bit doofy and cute, as well as the main role that she normally fills in the series, which is being a tsukkomi to everyone else. The best parts of this book are where we got to see an Azusa who’s not constantly making comebacks. That said, for those who love that, no fear, the book is still littered with examples.

Stories we see here: Azusa and company help Nintan to help get her followers back by figuring out what’s really driving the current mood; everyone goes to another world created by Godly Goddess and finds out what it’s like to be a slime in a world of slimes; Azusa gets a haircut that ends up being too short, and takes the opportunity to be “big sis” rather than “mom” with her daughters; she and the gang go to a “meat festival” which is basically a barbecue, then watch a bullfight with minotaurs which is EXACTLY like sumo; Azusa and her daughters visit the Great Slime and learn that a 3rd slime similar to them has been born… but she’s reluctant to make Azusa her new mom; and Sandra grows a mushroom hat after a big storm and learns the value of not getting too greedy. Meanwhile, Halkara’s spinoff exists.

The weak point of the book, as you may have guessed, is the Halkara spinoff chapters, which show no signs of getting a series like Beelzebub anytime soon. I like Halkara, but these prequel chapters simply aren’t very good. I’m also a little tired of Azusa having to say that she’s not gay at least once per volume – I get the sense the author knows there’s a large yuri fandom that follows this series and is unhappy about it. (Given the series has only women in it, I’m not sure what they expected.) Other than that, though, this is a pleasant enough book. Azusa’s reaction to her new “daughter” was quite amusing, and the constant comebacks in the bullfight were quite appropriate. The book does seem to really be leaning hard into Japanese culture once more – see the sumo, but also earlier, where a kanji pun has to be explained with the actual kanji for it to work. The translation is excellent, but the original makes for headaches, I expect.

It’s hard to write reviews for series like this, because there’s never going to be anything ever happening beyond the addition of new eccentric characters. But if you want something akin to Nisekoi or Laid-Back Camp, this fits the bill very well.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 1

By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

I ended up enjoying this book quite a bit, despite the fact that it is absolutely filled to the brim with things that should annoy me. Our hero’s parents treat him like absolute dirt because his magic levels are low, and don’t change their opinion even when he proves to be a genius magician in front of multiple people. Despite “low magic aether”, our hero can basically do anything, mostly because of his isekai memories helping him envision spells better. There’s a lot of girls in peril in the book. There’s the standard smug evil bastard. And of course the plot is “I’ll show them! I’ll show them all!”. Fortunately, this last one is nipped in the bud almost immediately, and we get not one but TWO examples of why “I will dedicate my life to revenge” is a dumb thing to do. That said, the author’s other series is also filled with cliches. He gets past them by making the books entertaining anyway.

Our hero is Arcus, a six-year-old boy who one day wakes up from dreams of a different life. His Japanese life does not overwrite this one, though, and that’s fine, as Arcus has a lot to deal with. His parents hate him due to his low magic levels. And unfortunately “build up your levels by working out or using magic a lot” isn’t a thing here – levels don’t get higher. Fortunately, his sister still loves him. Also fortunately, his uncle, also shunned by the family a while ago, agrees to train him. Then we discover that Arcus has a unique way of thinking, and can achieve a lot of things that magicians can’t. He makes friends in town (who turn out to be far more mysterious than he knows), invents things that will take the magical world by storm, and gets a cool butler. Then his sister gets kidnapped…

Gonna be honest, I enjoyed the first half of the book more than the second. Which is interesting given it’s things like “Arcus invents a magical thermometer”. But seeing him tinker is a lot more satisfying than seeing him as an action hero, which is what the second half of the book entails. He has to break out of a prison tower, kill bad guys, rescue his sister and his (ex-)fiancee, and still find time to murder the real man behind all of this. Oh yes, he’s eight when he does all this, by the way. I think the book is a bit too casual with killing, to be honest. Of the other kids in the cast, Sue comes off best, being the right combination of bright young girl and mysterious manipulator. She also makes one of the few fart jokes in a light novel I’ve actually laughed at. Arcus’ sister Lecia, sadly, is very wet, but I’m hoping future books show her kicking some ass.

In the end, I can’t really think of a good reason to read this novel beyond “I read it all the way through and found it mostly enjoyable despite everything about it”. And, honestly, if authors manage to do that, we should support them. Hopefully they won’t abandon THIS series the way they did The Magic in This Other World Is Too Far Behind!!.