An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 11

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series is trying its hardest to keep a good balance between the light-hearted romantic comedy that the majority of its readers are here for and the increasingly dark backstory that is constantly threatening to become the front story as well. That continues in this book, which has an awful lot of Zagan and Nephy being incredibly blushy and goofy around each other, wearing each others clothes, being in each other’s dreams, and generally being the most adorable couple around that haven’t even gotten to first base yet. Contrasted with that is the increasingly doomed Alshiera, the plotting, sinister or otherwise, of the various other archdemons, and the continued horrors being piled upon Dexia and Aristella. Fortunately, with one or two exceptions, this remains very readable overall, even if you are only in it to see when these two lovebirds will finally get it on. (Spoiler: don’t hold your breath.)

The main plotline involves Lilith, who is a succubus that controls dreams. She’s able to give Zagan and Nephy a shared dream (that, oddly, shows them in a Japanese high school) and is also trying to rescue a boy who is stranded in a nightmare. He’s connected to Alshiera, who is still slowly dying from events in previous books, and is trying to show everyone that this is fine and that she’s content with it, ignoring the fact that there are others who are absolutely not content with it. To make matters worse, Zagan and friends may have found Azazel, who is also in Lilith’s dreamland, and is likyly going to kill Alshiera once and for all. And, perhaps worst of all, Foll is going around asking everyone what they think about love. Is there someone actually interested in her? Or is she just a normal girl? (Well, a normal powerful dragon girl).

Describing the plot is somewhat difficult, as you can tell from the preceding paragraph, but it holds together pretty well. One irritating negative is a new character is introduced, and there is some anti-trans humor about them, so be warned. Still sadly very popular in Japanese manga and light novels. Lilith is, for the most part, taken seriously, and proves to be pretty awesome when she tries. I especially liked Alshiera gently trying to push Lilith away and get her to accept Alshiera’s death, and Lilith basically saying “nope, fuck that, gonna save you”. Zagan is also awesome as always, though there is worrying evidence that he’s pushing himself too hard that may come up in future books. Oh yes, and Kuroka gets drunk and horny on catnip wine. Let’s ignore that.

The series seems content to meander along, both in its romantic plotlines and its more serious fantasy-based plots. And we’re caught up with Japan, meaning we’ll likely be waiting even longer for the next book. Still, if you enjoy archdemons and elfs being super cute together, and don’t mind the occasional tonal crash when the bad guys have a scene, this remains a good series to be reading.

Otherside Picnic, Vol. 4

By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

Last time I talked about the fact that the narrative voice in this series is Sorawo’s, and how that makes the character of Toriko more intriguing. After this book, I’ll go even further and say that the narrative of Sorawo is vital to what makes Otherside Picnic so good, and that it’s even better because it can’t be trusted. In the first story in this book, Sorawo worries that she and Toriko are becoming desensitized to horror, but quickly shoves that off to the side, which is a shame, as yes, she absolutely is. More to the point, the horrific urban legends that she and Toriko are seeing are starting to be personally aimed at her, to the point where 3/4 of this book takes place in the “real world”. Sorawo’s past is not a pleasant one, and this book wants to remind her of it and, if ,possible, drag her back into it again. And then there’s Toriko, who is finally able to get Sorawo to stop denying what’s really, really obvious.

There are four short stories here. Two are good (1 and 3), two are great (2 and 4). The first sees our girls joining Migiwa and the rest of his organization in cleaning up the remains of the “farm” where Sorawo was kidnapped, and finding several Otherside creatures and booby traps along the way. The second sees Sorawo being threatened by something in the apartment next door to hers, to the point where she’s forced to stay first with Akari (to the displeasure of a jealous Natsumi) and then Kozakura, before finally confronting the source with Toriko. The third story sees the two (plus Kozakura) at a hot spring, which is mostly Toriko trying to make her feelings clear but also involves a brief brush with mannequins. Finally, after getting their APV upgraded, Sorawo and Toriko spend a night in the Otherside… at a crumbling and abandoned love hotel, where Sorawo’s past finally catches up with her and tries to get her to make a tragic choice.

I joked on Twitter about how Sorawo made a deal to have all that urban legend knowledge (her bookshelves are RIDICULOUS) at the expense of being unable to recognize lesbians, which is not really true, but it feels like it at times. She doesn’t seem to quite get why Natsumi is jealous of her staying with Akari, and the first half of the book has the usual uncomfortable denial of Toriko’s feelings. After a while, though, it becomes more clear that Sorawo really does know what Toriko means, but is too busy being scared and self-loathing to confront it. She can say ‘I love you and want to spend the rest of my life with you” here, but that’s not quite the same thing as what Toriko wants – Toriko wants physical affection. It’s not clear where things go from here, but after confronting her past again in the Otherside (that kerosene bit – brrrr), I do think they’re in a better place to actually be in a relationship.

The anime is airing as I type this, and seems to be leaning more into “cute girls doing cute horror things” than I’d like, but for those who would like a bit more terror and a bit more yuri, this volume fits the bill perfectly.

Sword Art Online, Vol. 21: Unital Ring I

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is the first book in the “main” Sword Art Online series that was not adapted from the webnovel that Kawahara wrote years earlier. As such, it’s the first one where we should have raised expectations, and for the most part the book delivers on those expectations. No, sorry, Kirito haters, he still gets to have the big climactic finishers, but honestly, if you’re a Kirito hater but still reading Sword Art Online at Volume 21, I’m going to put the blame on you there. And, if it helps, he spends most of the book in just his underwear. That said, the prose feels smoother, the cast all get things to do that don’t involve mooning over Kirito, and some of them even get really cool things to do on their own, without Kirito at all! Yes, that’s right, More Deban has finally paid off, if only for Silica. As for the plot, well, let’s take all the SAO-style games in the world and dump all its players in a blender? Sounds about right.

We pick up in the fall, a few days before Asuna’s birthday and a couple of weeks before Kirito’s. After having to essentially spend an entire month doing homework because “I was in a coma after being stabbed, but it’s a state secret” is a poor excuse for your high school teacher, Kirito is back at his log cabin preparing to help Liz and Silica do some grinding. Unfortunately, right after Asuna and Alice arrive (yes, Alice is now a regular, and is trying to get a dragon mount in ALO), a huge system crash causes all of Aincrad to disintegrate. Our heroes are barely able to steer the falling cabin to a water landing, but it’s still pretty smashed. Worse, they appear to be inside a new game, Unital Ring, which has taken over ALL the games that use Kayaba’s “Seed”, and promises a huge reward to whoever gets to the goal. But Unital Ring is a survival game, where you have to make your own rope and knives, and our heroes are suddenly level 1. Can they figure out what’s going on? More importantly, can they save the cabin?

I will admit, it’s a lot of fun seeing Kirito depowered through a large chunk of this, though of course by the end he’s starting to get back in business. Honestly, the book feels like he’s been reading his fan mail and taking its advice. Kirito and Suguha/Leafa, for the first time in the entire series to date, actually feel like an older brother and younger sister. Yui, in the new Unital Ring, is back to being a real live girl… though that also means she has real HP. It’s not a death game per se, but apparently when you’re killed off you can’t get into the game again, so there is a lot of tension for our heroes. And then there’s the last four pages, which I will try not to spoil. But really, if you’re Kawahara and are starting to write the first non-webnovel book in the main series, what’s the very first thing you’re going to import from the other works? Correct. The other character introduced is a bit of a “I won’t tell you about her till the next volume”, but Accel World fans may find their name very familiar, especially those who just read the last volume in December.

Unfortunately, we’ll have to wait a bit longer to see the outcome of that double cliffhanger, as Vol. 22 is a short story volume, containing four short stories that were released as exclusives with various DVD anime packages in Japan. That said, one of the characters who showed up for the cliffhanger will be in the first of those short stories. In the meantime, I was very pleased with this SAO. Let’s keep it up.